Landmark Festival: Dream of New Buildings

On a cold snowy night in Heishiling, Mobei, 19-year-old Wang Zhuiguang rushed to Nuangchuan through the snow with an old masonry knife passed down from his father, half a "Tiangong Festival" buckwheat cake, and his mother's coarse cloth bag embroidered with buckwheat patterns on his back. This knife is engraved with the light and shadow of the window carved by my grandfather's "Humanity Festival", and this cake hides the simple dream of three generations of craftsmen to "build a good house". When he first entered Nuanchuan, he used the "Tiangong Festival" in Heishiling to "stuff paper between bricks as a measure" to skillfully mend the crooked wall of Longfeng Pavilion, and amazed everyone with the fingertip feel of 1:3 mortar; to ensure the preview of the "Landmark Festival", he corrected the steel frame steel bars in the snow, with an error of less than two millimeters; when facing the crisis of the ancient stage in the "Humanities Festival", he used Mobei wisdom to clear the culvert. With Uncle Zhang's protection, Lao Li's true story of tenon and tenon joints, and Su Wanqing's cultural empowerment, he won the first prize in the "Tiangong Festival" competition, passed on his skills across borders in the "Humanities Festival", and built a masterpiece for the "Landmark Festival". From a doubtful young apprentice, he grew into the backbone of a craftsman connecting the skills of the north and the south. Faced with the impact of modern quick-fitting and the test of the temptation of interests, he has always adhered to the principle of "refining craftsmanship and forging soul with humanity", integrating ancient methods such as mortise and tenon joints, brick carving, and color painting with modern norms, and presided over the creation of "Chinese Cultural Pavilion". After becoming famous, he returned to his hometown and founded the "Tiangong School", linking the "Three Festivals Cultural Tourism" in Mobei and Nunchuan, so that old craftsmanship can be revitalized in the contemporary era. This is a growth epic written with ingenuity as the pen and three sections as the ink. It contains the lonely courage of a young man who ventured into the world and the tenderness of the master-disciple relationship. It also writes the cultural code of "the three sections have the same origin, and the ingenuity lasts".