How Can I Become Hokage When I'm the Best in the World of Fire Escape Ninja?

The first time there was so much emphasis on strength, there was no specific way to show it. The first time I fought, the reason given was that I couldn't hurt other people. It's useless to explain more. This is a novel written in your own hands. Don't deceive yourself. Secondly, you have created a lot of bells and whistles and it seems that you are going to take the development route. This is not 2005. Countless fellow fans have blocked the way for you. You want to find a new way but you are too immature. What kind of football ktv is there to serve the people? Who wants to see you enjoying yourself? Thirdly, the protagonist has a self-indulgent personality, feeling that he is an adult who disdains the company of others, and often exposes things because he is bored. . . The protagonist with this kind of character is really stupid. . I feel like the protagonist of the first-generation online novel in 2005. He wants to be stubborn, but he wants to be courageous but unable to do so. He is purely a barking dog but does not bite. Fourth, as an Uchiha, your main job at this time is to quickly marry Mikoto as the team leader, and you are doing some irrelevant things here every day. I really can't see it.

It's only been a dozen chapters and Naruto fans haven't retained it yet, so why do you just do the urban thing? Writing this thing might as well be a conspiracy theory. I know the author wants to pave the way for the protagonist to not be short of money in the future, but try to do it in one go. Having more than ten chapters is completely meaningless in the world of Naruto.

The three golden chapters at the beginning are so difficult to read that one can only skip and read them. It turns out that the following chapters are also the same. What kind of writing method is this? It's hard to read anymore. The combination of narration and inner activities is extremely uncomfortable. After flipping through a few pages, it doesn't have any Naruto flavor at all.

During the Minato period, you said in your introduction that none of the eight Hokages could use fire escape. Who were you talking to? Are you running for the Fourth Hokage or the Ninth Hokage?

New author? It's fun to write for yourself. I write a lot for exams and I'm not the main character. Just write about business, there are so many, are you going to teach everyone how to open it? Hurry back to the main story, and those little toys of yours also involve too much, KTV and ninja cards, why don't these two third generations appear?

Entertainment to the Hokage, but also looks down on swordsmanship... An adult soul, the behavior of a child. As a coder, I haven't studied ninjutsu yet. Urban literature in the skin of Naruto

The author has never watched Naruto, there are all kinds of messy two-color designs, and the effects of talents are equivalent to nothing after being obtained. The most important thing is that they are all water.

Seriously. I don't know what you think. People who watch Naruto, what factors don't you know? You always feature in those unnecessary commercials because you think your grades are too good. Need to poison readers? There is not a single bit of key that needs to be written. Come up with a business model from time to time. Who wants to see business empires in a world with unenlightened minds and frequent wars? Isn't this unhealthy?

I sorted out some questions and picked them up to see which one I could use. 1. ‌Goal deviation: fundamental lack of growth direction‌ ‌Surface settings:‌ Solve the problem of Uchiha integrating into Konoha Village. ‌Core Problem:‌The author failed to effectively implement this core goal. Slogans have been shouted, fields have been planted, and KTV restaurants have been built, but has the Uchiha problem been substantively solved? The answer is no‌. Even deliberately emphasizing details such as the "small treasury" highlights the lack of relationship with the family. ‌Consequences:‌ Writing content should always serve a core purpose. When the goal itself is unclear or even invalid, it will inevitably lead to readers' expectations and goals being disappointed, and they will lose interest in the so-called "growth line". 2. ‌Sluggish rhythm: repetitive narrative and loose structure‌ ‌Appearance controversy:‌ The "slow" pace may be the intuitive feeling of some readers. ‌Deep crux:‌ The problem is not the quality of a single story (the short story is actually pretty good), but the overall ‌chaos in timeline planning‌ and ‌inefficient repetition of character creation‌. ‌Specific performance: ‌ Repeatedly building up the same character traits of the protagonist through different events (such as the way "The Will of Fire" is displayed). This technique seems redundant in non-social reform themes. Just focus on the key characteristics. Over-strengthening leads to weak plot advancement and delayed viewing experience. 3. The background is weak: the foundation of "seeing the big from the small" is unstable‌ ‌Creative intention:‌ Trying to use the small stage of the class to show the overall pattern of Konoha Village, promote the plot and build bonds. ‌Execution flaws: ‌ As the cornerstone of "seeing the big from the small", the big background - the depiction of the contradictions in Konoha Village - ‌seriously lacks the necessary foreshadowing and texture‌. ‌Key missing points:‌ ‌The "big" background board (Konoha Village, Uchiha) fails to carry the "epic sense" or fascinating "story" it deserves. Without sufficient background support of thick or dramatic tension, the "small" narrative (class story) is difficult to effectively map and leverage the "big" theme (the relationship between the village and Uchiha), which greatly reduces the effectiveness of this creative strategy. ‌Editorial Responsibility:‌The editor failed to provide constructive suggestions on this key concept and failed to point out the decisive role of the grand background setting in the success of the "seeing the big from the small" approach. It was a dereliction of duty.

A plot that would normally be too many for more than a dozen chapters can stretch to more than sixty chapters. It's really a piece of shit. Even if more than half of the chapters are deleted, it won't affect reading.

The beginning of your story has a bit of a "Naruto is a player" vibe, but unfortunately the rest of the story is too dull. You have already given the protagonist this talent and you are still stuck in the game. It is a bit messed up. I suggest you go to the semi-invincible or invincible level.

It is such a big question to write about how to grow up in such a cruel political struggle in Konoha, how to protect your relatives and friends, and how to deal with the night of genocide in the future. No matter how ambitious the whole clan leader is, it is not impossible.           ，，，，          ，，，，           ，，，，？ Over the years of the Third Generation's rule, Konoha's strength has become worse with each passing generation. It has compromised time and time again externally, and internally indulged Danzo Orochimaru in killing the villagers and even ninjas in the village. Is such a Hokage really qualified?          ，，，，，，          ，，，，，                                                                                                                                                                                           but the most important thing the protagonist should do now is to quickly increase his strength. Everything else is empty. It doesn't matter whether he wants to be hokage or not. Once he has the strength, it is more important to strengthen the family's strength.        ，，，，，，It's not enough to control the clan leader. Another clan leader's son is going to slaughter the entire clan. He's still thinking about rebellion. Every move is under the watch of the Hokage. It's weird that he can succeed. He doesn't want to unite the people, unify his thoughts and cultivate the family's strength. Thinking about rebellion every day is simply ridiculous.

Newcomers are useless and a waste of time

The first Wood Shadow, the second Mizukage, the third Monkey Shadow, the fourth Hiikage, the fifth Wave Shadow, the sixth Raikage, and the seventh Maru Shadow

Fire attack can't beat Otsutsuki! It has to be magic, physical skills, or sword skills

I couldn't stand it after reading the first dozen chapters.

I think there is nothing wrong with the overall concept at the moment. The flaw lies in the class battle. The battle descriptions of the supporting characters need to be compressed, and the protagonist's battle is too short. From chapter 30 to chapter 51, what I want to see more is the fight between the protagonist and Sarutobi Masashige. Even Minato can't compare. Judging from your early foreshadowing, Masashige actually has a lot to write about, and he can even use psychic skills to strengthen it. Refer to Boruto's Konohamaru's psychic little monkey demon. But it can be weaker, for example, after releasing one or two ninjas, it is found to be useless to the protagonist, channeling the last chakra to a small ape demon, and performing physical attacks. The small ape demon transforms into a weapon, or it does not need to be a stick. During the fight, the small ape demon cannot bear the damage and the transformation fails. This is a small plot I conceived. In summary, the supporting role is too big, and then there is the creation of Sarutobi Hiruzen. After writing this, you will find that the commotion in the comment area is bigger than it is now.

When I saw playing football in the ninja world, I felt that it was okay. Playing football with ninjutsu was quite interesting, but when I opened the KTV, I was completely confused. And the writing method after that was a bit unbearable. I felt that I wanted to write about changing Konoha a little bit, but I tried too hard, the pace was too fast, and it felt a bit fragmented.

The main character's father's message is inexplicable, and there's a sense of fragmentation. Don't you have an outline?

I hope the author can divide it into more paragraphs when writing. There are too many words in one paragraph, which makes it uncomfortable to read.

The words are too dense and the paragraphs are too few.

I saw that the protagonist is learning to refine chakra. Why are there restrictions on the protagonist's attributes? No one has taught the protagonist the chakra refining technique. The protagonist himself knows very well that he can't even feel the energy in his body, which is stupid. Later, the protagonist's father taught him and practiced the same thing as the protagonist. In an instant, the protagonist realized that this kind of restriction was unnecessary.

Will it be segmented? I can't stand it anymore, I'm so tired from watching it, 👋

Super novice, it seems like I have returned to ten years ago