The Other Side of the Soul That Cannot Be Touched

About the author: Chen Yulin, courtesy name: Zimu, nickname: Linchuan Jushi, pen name: Linbi Kang Qiaoliefu. Obsessed with literature and history since childhood, he has been deeply involved in classical poetry and long-form creation for many years. He uses pen and ink to record history and express his emotions, and his writing style is unique. His creations are rooted in Chinese historical context, integrating poetry and rhythm into prose, combining the weight of historical writing with the delicacy of literary spirit. He specializes in long-form historical novels, classical poetry, metrical poetry and narrative prose. The works have a grand layout and a graceful writing style. They mostly interpret the events of the Warring States Period, the Han and Tang Dynasties, and also delve into the thoughts of Confucianism, Taoism, and Legalism. Through the pen and ink, they understand the world's clear principles and express their feelings for the mountains and rivers. "Meipi Lake Weiyang Pavilion", "Long Song Ember: Thousand Years of Poems and Ghosts", "Long Song of Beacon Fire", "The Enlightenment of Taoism, Confucianism and Legalism", "Yuntingmenlou Scholars" and other novels, single representative works: "Chen Family Ancestral Hall", "Qiyuan", "Walking Alone", "Keeping the Heart in the Gate" and "Axis" "The Temperature in the Heart", "Zhuang Zhou's Dream of Butterflies", "Rebirth in the Soul", "Bi Mo Qianqiu", "Elegance", "Brilliant Enlightenment", "Remaining Hope", "The Shadow of the Cherry Blossom Sword", "Poetry and Wine Taking Advantage of the Youth", "Elegance in the Deep Rings of the Year" and "It's Hard to Calm the Wind" are all included in "The Anthology of Yu Yu". There are also collections of essays such as "The Age of Prose" and "Poems and Songs" handed down from generation to generation, with various chapters covering a wide range of topics and meaningful words. His creative footprints have spread all over Shangqiu, Henan, Xi'an, Shaanxi, Guiyang, Guizhou, and Tongren. He has also traveled to Berlin, Germany, and Fukuoka, Japan to write articles. The text not only carries the feelings of family and country and the character of the scholar, but also describes the gatherings and separations of the world, the joys and sorrows of the world. He has always used literature to inherit the history of thousands of years, adhered to his original aspirations and interests with his pen, continued the roots of traditional culture, explored ancient and modern humanistic philosophies, and established his own style in the field of contemporary classical literary and historical creation.