Lord Elden of Baldur's Gate

I didn't see any big poison points, but there were a lot of small poisons. First of all, the lizard man who escaped from the cult ritual with the protagonist has the title of the leader of the cult. Is there no doubt that he is the leader of the cult? Even if he might be the leader of some other religion? But the protagonist must be at least a little suspicious, careless, and act like a retard. As long as the protagonist doubts him, I will not say this. There is also a female paladin who thought that the protagonist was caught and executed, and she broke her oath and became weak. However, she found that the protagonist was not caught and acted without permission, causing the protagonist to be implicated. Not only did he weaken himself, he was also targeted by the protagonist, and was inexplicably defeated.

The author writes very well, but why not polish it and update it every day? These seventy chapters only pursue quantity and not quality. Haha, they have been cancelled.

The author has never played DND at all. Level 18 mages in DND start their battles by triggering the chain accident spell. They don't need to recite a spell, but just have a bunch of golden bells, stone skin spells, immune magic weapons, etc. On their bodies. It won't hurt at all if you just stand there and cut as you please. Then the spell sequence is used to instantly cast three fifth-level spells such as Death Trap. Ignores saving throws and stacks up damage. Fireball can only be used against a bunch of weak chickens to clear the field, otherwise it will be useless. The higher the mage level is, the starting time will stop, and more than a dozen instant spells will hit your face before you recover. To be more traditional, put a protection against evil and then recruit the Abyss Demon. Watch you fight to the death with the big baby. Or with the finger of death, there is a chance that you will die directly without looking at the blood volume. You have no DND flavor at all

I feel that combat skills can be similar to the warrior skills of DND. You can increase your mastery through learning and leveling, and then you can do it. After getting a type of weapon, you can use all the combat skills it can support. After that, the sharpening knife can be used as a weapon qualitative change and weapon repair (after all, the crispy weapons of Soul 2 and the hard weapons of Soul 3 directly led to the repair system being too useful and useless, so the ring directly canceled it). After all, the concept of repair in the real world still exists, and it can even support the superposition of qualitative changes and enchantments in Soul 2 (do you like the ice stabbing sword enchanted by my Thunder Transformation and Miracle Sunshine Sword? Even the boss's weapon can be qualitatively transformed). Most adventurers in Faerûn still have to rely on equipment and themselves. The magic table even lifespan is very stingy. Either change the race (lich, dragonborn, demon, devil, etc.), Or become a druid. The noble magician can make young people but it is very expensive. The increase in the killing attribute of the magic ring is basically on the road to becoming a god.

There is no culture in the Ring of Law at all, and it is too gamified. This is not an online game article.

How about this look? I found it online and it looks pretty good

The content is okay, but the author is too Hyun Ah Yi. She starts to get sick when she sees a woman, which makes the main character act like a fool in most of the scenes with women.

Last night I had a sudden inspiration in my dream. I thought of a new title, called: "Baldur's Gate Launches!" Target the King of Elden! In this way, my novel can be called "Bo Qi Lao Deng Wang" for short. Well... Even the word "" can be removed. "Bo Qi Laodeng"

I feel like the main character is portrayed in a very vulgar way.

Well, if you have to throw the protagonist to hell, it is still the plot before it is released. The author is a real warrior. In an instant, he lost all desire to read it. I can imagine that you are just forcing the plot to Baldur's Gate 3. What's the point? The good thing about the Baldur's Gate game is that every player is the creator of the story. The focus is still on the setting of DND. What if the protagonist destroys the original plot? I have worked hard to save my family, but once I returned to the pre-liberation period, there was a female character who lost her memory. I don't know if the data is good or not, but you stepped on two poisonous points, or you put poison before it was put on the shelves, I don't know what to say!

My personal suggestion is to pay attention to the balance between both sides. Most people who know how to read this book like Baldur's Gate and Elden's Circle, and half of them will be disgusted by it. It's understandable that the game will attract people in the early stage and engage in magic ring explosions, but if it continues to be one-sided later, the readers who came to Baldur's Gate will soon be lost.

Do you think you have too many readers for doing this before it goes on the shelves? How can people trust you if you post an outline before putting it on the shelves? It seems you don't have any previous works. Not even adding 10 updates. Then let others see the strength.

Will you find a job in DND career in the future? I feel like I can convert a dnd property panel for comparison.

Originally, the first part was pretty good, but later on, it was unreasonable and unpleasant to force the protagonist to go to hell and be offline for a period of time to change the plot back to that of Baldur's Gate 3. You might as well write that the protagonist gets noticed by Yerge, and then signs a contract to let the protagonist go to hell to develop and help him fuck the three gods of death. In this way, at least the protagonist leaves on his own initiative.

😅 It was originally written well, killing everyone, but before it was put on the shelves, it suddenly felt aggrieved. It felt like a thousand years of moral practice had been exhausted. The protagonist was directly tortured to death, and it was the same old-fashioned plot of being helpless to torture the protagonist. The difference from other cool stories is that after the protagonist was tortured, the map was changed directly, giving people a feeling of being unfinished. After it was released, the author's style changed drastically, from a cool novel to a wretched and developed DND novel, where a great mage and a rookie coexisted. Although the protagonist's strength has greatly increased, he is actually like a tiger that roars in the mountains and is invincible.

Promise me not to be a eunuch, okay?

After reading the introduction, I was wondering, in the dnd world, is the system considered a god? If the protagonist obtains the abilities given by the system in accordance with the system requirements, does it count as completing the oracle and gaining divine favor?

Why is there no extraordinary awakening when the DND attribute points reach 20 points? To be honest, before watching it, I was happy and thought wow, it must be a flat stream, but in the end, the points felt useless. At 20 points in DND constitution, I can swim in magma.

After reading Chapter 20, I can only say that the protagonist can only repeat combat skills. If you don't learn some spells from the paladin lady and activate the faith spell ability, the magic circle faith battle is killing people indiscriminately, even more than the paladin. It can only be said that it is poisonous, it depends on whether you eat it later 🙂

That level 17 Son of God is already half-stepped into the realm of gods, right? Killed without a big rune

After reading Chapter 58, I have discovered that the author has stepped into several pitfalls. It is judged that there is either an appendix or a conflict before and after, and I collapse after eating books.

Can the protagonist only use weapons to unleash his abilities? I feel like it's a bit better. It's reasonable to use some special skills with weapons. Skills like Endurance and Lion Slash should be able to be used with different weapons.

I persisted in reading the first 20 chapters, but I still felt that it didn't look good. I felt something was wrong that I couldn't explain, but it just didn't look good.

Intersecting in the Circle of Destiny - To "King of Elden of Baldur's Gate" and my never-ending fantasy Today, when I typed the first word of this speech on the screen, a short announcement quietly appeared on the story page - "Dear reader: Hello... Due to personal mistakes, the plot was not planned in advance, resulting in the life of this book being greatly shortened... It can only be completed in the middle." These few words bring a hasty and true end to the wonderful fan journey of "King of Elden at Baldur's Gate". As a player and reader who deeply loves both "Baldur's Gate 3" and "Elden's Circle", after a three-hundred-hour game adventure and weeks of follow-up updates, I did not feel complete relief in my heart. Instead, I felt a complex resonance - that is the unique emptiness mixed with regret, understanding and endless aftertaste when a work or an adventure is forcibly brought to an end. The core idea of ​​this novel itself is a spark that is enough to ignite the imagination of any fantasy lover: let the "Faded One" who experienced countless deaths in the "Borderland" and finally walked to the throne, step into Baldur's Gate in Faerûn with the blessing (or curse) of the Ring of Elden. This is not only a rough splicing of two top game IPs, but also a fierce collision of two completely different heroic narratives and fate philosophies. On one side is the majestic, fragmented, and path to "becoming a king" in "The Ring of Elden", full of obscure epics and individual loneliness. As one faded person felt: "Even if the guide has long been broken, please become the king of Elden." On this road, the goal is a clear throne, but the process is endless confusion and alone struggle. Even Melina, the closest guide, may be reduced to ashes in the blazing flames of the golden tree. On the other side, there is the "redemption" journey of "Baldur's Gate 3" intertwined with friendship, betrayal, divine conspiracy and team bonds. Here, the meaning of adventure is not the aloof kingship, but the mutual support of teammates, facing the mind flayer tadpoles in the brain, and ultimately deciding the fate of a city or even the entire world. Every choice made by the protagonist truly affects the fate of a group of flesh-and-blood partners around him. Therefore, when the protagonist of the novel - our King of Elden from the borderland - comes as a time traveler, carrying the power of the ring, he brings not only the residual power of the "Breaking Fire" or the "Golden Law", but also a set of lonely survival philosophy and absolute power logic, launching a dimensionality-reducing impact on the order of the Baldur's Gate world that relies on trust, negotiation and dice determination. The "wheelchair start" and "ejection start" that readers are talking about vividly depict this sense of dislocation: How can a "king" who has already passed the highest level of difficulty and gone through many hardships "kill randomly" in Novice Village? This constitutes the most attractive and refreshing point in the early stage of the novel. However, what attracts me most about this work, and ultimately makes me most frustrated, is not the crushing of power, but the deeper cultural integration and role reshaping that the author is trying to explore. How should a faded person who is accustomed to "everything can be conquered, only death and loneliness be eternal" understand Shadow Heart's entanglement with Shar's faith, Asdalen's fear of eternal life, or the magic ball in Gale's body that longs for divine power? What happens when the fighting instincts of Grek the Limb or Latarn the Shatterstar encounter a "dialogue check" that requires eloquence, deception, or affectionate persuasion to pass? This attempt to throw the simple philosophy of "combat is dialogue" in "Elden's Ring" into the extremely complex CRPG narrative system of "Baldur's Gate 3" that emphasizes freedom and possibility is the core of this work's greatest potential. It could have explored whether absolute force in a world where people's hearts and conspiracies are sharper than swords can really lead to the ideal end; it could also have described how a lonely king, in being needed and trusted, relearns "trust", an emotion that has been worn away by countless deaths. Unfortunately, as the author confessed in his closing confession, the lack of long-term planning for the plot and the ups and downs of personal status prevented this supposedly magnificent bridge from being fully bridged. The novel shows its insufficiency in the middle and late stages. The profound conflicts and growth caused by the two worldviews in the characters' hearts that many readers expected were simplified to the application of the power system and the rapid advancement of the plot. As an astute reader pointed out in the comment section, the handling of the relationship between the main characters at the ending—especially the "forcibly splitting up the male and female protagonists"—made people feel abrupt and regrettable, as if it was a forced ending after the narrative power was exhausted. This reminds me of my own experience playing "Baldur's Gate 3": the most touching thing is never defeating the final evil god, but saying goodbye to your companions one by one at the end of the journey and watching them rush to the future of their choice - Will accompanied Karak to hell to find life, and Raizel rode the red dragon and flew to the star realm. The weight of these emotional choices based on the accumulation of long journeys is far beyond any hasty arrangements. Nonetheless, I am still grateful for this brief encounter. Because it's like a prism that reflects my deepest love for these two game worlds. "Baldur's Gate 3" gave me a live, interactive "world sense" woven with countless branch lines and character stories. Its sense of immersion does not come from visual bombardment, but from "some solutions conceived by players that are in line with the logic of the world view often work." Every successful persuasion, every clever theft, every deep dive into a teammate's past made me feel like I was truly living in that world. What "Elden's Ring" gave me was an "epic feeling" that was desolate, magnificent, and full of personal enlightenment. It was the shock of standing alone under the golden tree and looking up at its magnificence. It was the ecstasy of finally understanding and defeating the Boss after countless failures. It was the freedom of being able to write my own chapter in the vast "junction" even without clear guidance. Baldur's Gate's attempt at Lord Elden, no matter how complete it is, is a testament to the timeless appeal of this world-spanning fantasy. It allows us to see that all great fantasy worlds are connected at the bottom: about fighting fate, about seeking meaning, and about finding your own place and bonds on a journey full of darkness and miracles. Just like the "Baldur's Gate" series itself, the reason why it is hailed as a classic is precisely because "a thousand people will have ten thousand different ways to reach the gods", and everyone has an "official ending" specially created for themselves. The novel is over, but my journey, and the fantasies of countless players/readers like you and me, will never really end. Perhaps in a parallel time and space, the King of Elden really walked the streets of Baldur's Gate, using his hands to repair the ring, trying to unravel the conspiracy of the Zhentarim; perhaps he would sit in the corner of the Elf Song Tavern, listening to the songs of the bards, and remembering hearing similar desolate tunes on the Nimgolf Grasslands. And I will return to my archives, perhaps walking into Candlekeep or the Underdark again as an ordinary Taft to experience the stories that are known and always full of new details; or wandering through the mist of Lienia as a Faded One again, just to listen to the unnoticed whispers carried by the wind. Thanks to the author "Mr. Yang Dingfeng" for lighting this fire. Even if it fails to start a prairie fire, the moment of light is precious enough. Thanks also to "Baldur's Gate 3" and "Elden's Circle". They are not only games, but also modern myths about adventure and legend shared by our generation. May we all find our own throne and destination at the intersection of reality and fantasy. "I hope your journey will be long, full of adventure, and full of discovery." Even if a story has been written as "finished," a new journey can always begin on the next page.

If you don't fulfill your filial piety on the Internet, there won't even be a chess piece in reality, right?

Brothers, this book is really good. I have something to do and I can't read this book. I'm really sorry, but I still want to recommend it to all my book friends. It's really good. Do not cheat Chinese readers.

I remember the last time I read it was the last time. Hahaha, I also voted for a few recommendations. In order to follow this book, I didn't vote for a monthly ticket or subscribe much...

Although I have forgotten the plot and name of that group, I probably remember that you can save Zariel from falling into the sky. It seems that you have to take a sword and escape with your mouth? emmmmFallen Avernus? Can't remember clearly But I feel that the author's appearance is a bit stiff.

If you don't understand, just ask, can someone who has never played Baldur's Gate watch it?

How many levels does it count to reach dnd when praying for magic circle spells? Is there 9 rings in legend?