Hogwarts Learning Panel

When I saw Chapter 86, I felt that the writing was good but too trivial. The main line was emphasized but not prominent enough, and it was wrapped up in daily trivial matters. It felt uncomfortable to read it in one go. The chapters I have seen so far are more like Old Ford or the more romantic HP fandoms on early forums. Words such as "gentle", "soft" and "gleam in the eyes" can be regarded as overuse, over-exaggeration of warmth and lack of sophistication. This is a problem with the writing style. Personally, I am not very comfortable with it. It reads rather bloated and boring. Everyone has their own love, may the fire be great.

A very heartwarming and beautiful story - I love it. The characteristic of this book is the love between the lines, the warm love. For Qidian fans, this is a style that exists but is rare. There are many cool articles full of violence, but there are very few cool articles filled with love. The three views of the article will reflect the three views of the author. The author is a very good person. If in reality, I would prefer to be friends with such a person. In the article, I saw a more complete character story of the protagonist and supporting characters, no longer just stereotypes. I also saw the author's thinking on magic, which is a common but necessary element for magic texts. Of course, the quality of this book is good. Readers who like hp, readers who like those characters, and readers who have read the original work should like this style. Nothing to do with domination. No one is born a slave or a subject. Children learn to grow up in time. Everyone has their own story and their own will. They are not born mean, they are not villains who jump out and get slapped in the face. By chance, they became friends, respectful, equal and friendly. It has nothing to do with opposition. No one gender is a "resource". Boys and girls have innate differences, but they are both the same human beings and have equal rights. Before love sprouts, there must be a sincere friendship between us. It has nothing to do with family background, gender or talent. I read the original work more than ten years ago. I have read many fanfics over the years, available on various platforms. This book reminds me of my past, and may also remind the next reader of my past. When we first read those thick paper originals, what we saw in the fragrance of wood was a brand new adventure, and we were dreaming about love and magic under the sun.

How to put it this way, it feels like the author wants to write too many things, and the more he writes, the more chaotic he becomes, and it seems a bit insane. The protagonist does not have a stable character. It seems that the protagonist can be whatever the author wants to write. However, there is a saying that the author's writing style is good, and it feels more suitable for writing short stories.

In the vast sea of ​​online literature, when can we read a work that not only makes people indulge in the wonders of the magical world, but also triggers intellectual thinking? When most fan fiction is still content to retell classics and fill up regrets, "Hogwarts Learning Panel" is like a thunder, breaking through the barriers of homogeneity. It is a truly surprising work that perfectly combines "entertainment" with "depth of thought", and its most unique charm lies in turning an unpopular but profound academic field - ritual studies (Ritual Studies, a discipline that studies human ritual behavior and its meaning, a branch of religion and anthropology) - into a solid skeleton of the novel's magic system. Uncovering the mystery of "Ritual Science" For ordinary readers, "Ritual Science" may sound a bit distant and boring. But in the novel, the author does not give any blunt preaching, but seamlessly weaves the core elements of ritual into every detail of magic. From the precise mixing in potions class, to the precise pronunciation of magic spells, to the complex ideas of advanced alchemy, what we see is no longer a wild fantasy, but a set of programmed behaviors full of symbolic meaning and following internal logic. This setting allows readers to touch the outline of the theory unconsciously and experience a sense of novelty derived from a rigorous system. Magic is no longer "because the author wrote it", but "because it is supposed to work this way", which undoubtedly adds an unparalleled sense of reality and persuasiveness to the entire story. The Origin of Magic: A Stunning Transformation from Theory to Setting The most amazing setting in this book is the conclusion that "alchemy, potions, and spells share a common origin line". This is not the author's fabrication, but a highly condensed and artistic sublimation of ritual behavior in the real world. British classical scholar Jane Ellen Harrison put forward a core point in her book "Ancient Art and Ritual": Ritual is not an empty performance, but a set of programmed behaviors that combine "action", "language" and "imagination" to achieve a specific practical purpose. Now, let us map this theory to the magic system of the novel: the production of potions is the combination of "action", "language", "imagination" and matter; the casting of magic spells relies on the precise recitation of "language", the naturalness of "action", and the "steadfastness" of "imagination"; and the great idea of alchemy is rooted in the wizard's powerful mental "imagination", behavioral "action", and "language" fitting. These three jointly point to the same point. A source - leveraging reality by simulating and reenacting a certain "prototype". This ingenious correspondence not only "mystifies" the novel's magic system, but also gives readers a sense of enlightenment when understanding its operating logic. The miraculous "name-matching narrative" Based on the above theory, the novel further proposes a very inspiring concept, which we can call "name-matching narrative." "Combined narrative". It refers to the process by which the wizard "persuades" the world to allow a supernatural phenomenon to occur through a precise set of naming, concepts and logical chains. This just confirms what Harrison said "ritual is a kind of representation or pre-appearance". The magic in the novel is not created out of thin air, but a reenactment and simulation of a certain universe "truth" or "prototype". The wizard is like a director, using potions, spells and alchemy as scripts and props, in reality. A sacred drama is recreated on the stage, thereby triggering a "miracle". This setting greatly enhances the realism and epicness of magic, making every spell cast full of solemn ritual color. A tribute to history and depth If the rigorous magic system is the "bone" of the novel, then the faithful reproduction of the history of Western occultism is its "blood" and "flesh". Magick (classical magic, refers to the magic tradition in the Middle Ages and before, closely integrated with religion and philosophy) and Modern The narrative of the development history of Magick (modern magic, which refers to the systematic and psychological magic system represented by secret societies such as the "Golden Dawn" since the 19th century), and the real Occultism (Western occultism, a system that covers alchemy, astrology, Kabbalah, Hermeticism and many other Western esoteric knowledge This amazing fit makes it difficult not to believe that the author has conducted in-depth research and thinking in this field, which makes the novel go beyond ordinary entertainment works and become an in-depth exploration and wonderful retelling of Western occult culture. Conclusion: Internet. A rare treasure in literature In short, the excellence of "Hogwarts Learning Panel" is that it successfully builds a bridge between "entertainment" and "academic depth". It is not only an online novel with a fascinating plot and a novel and unique setting, but also a key that opens the door for ordinary readers. The door to the world of Western mysticism. The author uses the most popular way to tell the most profound truths, allowing us to enjoy the pleasure of reading and at the same time complete a wonderful ideological enlightenment. For all readers who seek the pleasure of reading and the increase of knowledge, this work is undoubtedly a rare treasure in online literature and is worth your reading.

There are a lot of little ingenious ideas that, although very mundane, can really bring out other aspects of the magical world.

I have read HP fan fiction, ranging from 100 to 80. Whether it is the parent generation or the child generation, there is a system or not. Most of them include the first few parts of the original work itself. The "roles" of adults are missing. I'm not referring to adult roles, but to "adult" roles in the traditional sense that play the role of "guidance, protection, and care", which are basically very few. In this book, whether it is Snape, Professor McGonagall, or Roland Taylor, they are all rare adult characters who provide "unconditional help". To put it simply: heart warm😊

Come on, the writing is very good and it looks smooth

The writing in the fanfic is still very good, the writing style is very delicate, and the plot focuses on the growth of the protagonist, which is still refreshing. But the main line is a bit unclear. How does the author want to write it in the future? The protagonist's growth is too fast, and the main plot of the original version cannot be suppressed. I hope the author can still grasp the scale in the future. The poetic words can easily become parallel imports.

Of all HP fanfics, Quidditch is the least meaningful. If you spend a lot of time writing about Quidditch, it will be no different from water.

In the first chapter, I felt a little uncomfortable. Professor McGonagall helped you. You could help her clean up the dust, or just to show off your abilities. But saying "dust can't be on your head" felt like it was too much. It was a bit uncomfortable.

You probably don't need that many Galleons. I remember when the Weasley family went to get the money, they described that the entire cabinet was scanned, and there wasn't a single Galleons, it was all Sickles. And the winning number is only 700 galleons. It must be a big number to be included in the newspaper.

Is the author from a female channel? But overall it's pretty good. It would be better if I didn't feel aggrieved. I hope the author realizes that it is a man's duty to work hard, and there is no need for others to think that the protagonist is wronged.

After Chapter 500, the plot is very fragmented. I can barely watch it. It's too literary and youthful. I won't mention the character of the protagonist. What's most unbearable is that the protagonist is still an instant boy. When I read the original novel, no wizard has ever run out of mana, and no wizard has ever knelt down after casting only one spell. From the beginning to now, it's so disgusting. It wouldn't matter if it's just garbage. I prefer to eat food mixed with shit.

After reading a few pictures, I feel a bit gay. Is there a problem with the author's description?

The more I look at it, the weirder it gets. It's a bit gay, and I feel that Justin's role is too high, and it overshadows the male protagonist. Of course, the most important thing is that he is gay. The comment is not about friendship. Why is the male protagonist young as a student, and the protagonist is young, and the author is also young.

Well-written, emotional words that always touch the heart. The writing style should be slow-burning, and the focus should be on life, not magical ideas. However, the stakes are not small. If the talents are stacked at the beginning, the advantage will snowball and the advantage will get bigger and bigger, and the combat power may expand rapidly (it is only possible, depending on how the author arranges it). If you don't like it, you can return it quickly.

I haven't read the book yet, so let me ask first, is there a female protagonist? This matter must be asked clearly 🤓

Compared to playing Quidditch like a fool, practicing magic or taking a rest are things that should be done more. This character doesn't fit in with Quidditch at all.

When writing a Harry Potter fanfic, it's as if the original author has restricted the writing content, because it must involve Harry Potter and Ron, but how to write the plot? To "borrow" the plot from the original book, does it mean that you have to have a good relationship with the protagonist group? ? ? Because the White Devil loves Harry Potter? Because Harry Potter is Voldemort's doom? So no one can really kill Voldemort? (If you write a fanfic based on this, there is actually nothing interesting to read, because since the "way of heaven" in the book has designed Voldemort to be the ultimate devil, and only Harry Potter can kill him, then we readers can guess from the fanfic that the "protagonist" will grow up while building a good relationship with Harry Potter, and then usher in the finale of killing Voldemort) Then reading the book is actually boring. Looking at the title and introduction, it turns out that the original work has added a new element, and in the end it still has the same ending and the same group of protagonists. Everyone who writes about Hogwarts always writes about so-called protagonists like Ron and Harry. Personally, as a reader, what I want to see is the excitement of the western fantasy world. I don't think catching flying balls is very interesting (even if the magic is changed to train the flying skills of soldiers), and I don't want to watch Harry Potter and Ron (one is speechless, and the other is also speechless), and I don't want to see the awkward psychological activities of frizzy children. Even if they are whitewashed, even if they are labeled as "us", I still think these two are a bit disgusting (maybe it's because I don't particularly like this kind of "jealousy", "distorted psychology" and "arrogance"). Hermione is a true portrayal of this type of person (who is often pissed off).

The writing was quite good in the early stage, but it became more and more difficult in the later stage. The plot was fragmented, various Riddlers were created, and conflicts were deliberately created. Did the author change?

It was very good in the early stage. I can give it 8 points. It started to finish in the middle stage. It was not good for the water. Then I looked at the comment area and found the problem. It turned out to be a female author. There is nothing wrong with it. It was not good for the literary youth.

I read a bunch of comments but didn't see a few that I could refer to, so I just asked two things: 1. Is the protagonist invincible in the first grade? 2. Is the protagonist an adult who has passed through the womb or is he a time traveler? Does his behavior and emotions resemble that of a child?

As of today, the willingness to read the latest updates has dropped a lot. The author's average order this month should be too ideal? (Guess, don't comment) I really liked it when I first watched it, it felt warm and like I was wandering into a magical world. Refresh every day and wait for updates. How did it slowly deteriorate later? It seems that there is too little communication between the protagonists. The book is a good book. The biggest drawback may be that Little Green is too lazy. The mute "Ah, ah, ah!" May express more times than he speaks. How come this kind of character who shows misery and silent expression has such an ancient sense of déjà vu. The author can't just move himself! Deliberately depicting a character with a tragic childhood (from a professor's perspective), but I remember that the protagonist is a person who has traveled through time. Why does he really look like an autistic child with a tragic childhood? This kind of literary youth writing is not attractive. The protagonist's way of expressing his relatives "professors" is a mess. Forgive me for using such strong words, because I can't feel the protagonist's expression of affection or gratitude towards the "professors". He always faces them in silence, not even bothering to say a word. There are very few expressions such as holding Professor McGonagall's hand. The emotional description is very weird and awkward, and the relationship between family members is strongly placed. I can only see the professors feeling sorry for the protagonist every day. The author likes to write with white space. Some readers said that it seemed like he refined the outline and published it directly. It was hilarious. A matter of opinion. However, it is true that many explosive points have been left out by "blank spaces". Personally, I really wanted to see the protagonist turn into a Charmander and Hagrid into a Fire Dragon, but the result was that it was completely gone. I would like to ask if Professor Terra can stop calling "my disciple" every day... Hahaha, what a drama. Huang Mei, who inexplicably thought of Black Mythology Remember what little Green wanted most, to explore the mysteries of magic, wizards are gods. Friendship, bondage, mother's words. Everything seems to have been biased towards the original story since the Harry duo joined the group. Also, the male supporting character was really gay from the beginning. Can such a kind-hearted little Green ignore the little mouse and wait for the plot to develop according to the original novel?

Oh my god, I've caught up to the latest chapter, but I really don't want to read the gay stories 😭

Why is everyone talking about who the heroine is? It seems that writing a novel without a heroine is a mistake. I don't understand. Isn't it enough if the writing is good? Why does it have to be a heroine?

Watch from 3:00 pm to 4:00 pm on August 27 Watch chapters: Chapters 1-25 Business version evaluation: The story is slightly heavy, but the plot and fantasy background make up for this. Overall, the story is clear, the plots are interlocking, and the characters and psychological descriptions are deeply immersive. Old iron version evaluation: Trust me buddy, just watch it and it's over. If you think it doesn't look good, come back and cut me off————I'll give Xixi a 100 yuan red envelope🧧

It's like the first trial of a male channel by a female channel author. Many of the more feminine expressions look weird.

In the most recent chapter, it was written that the Longbottoms were actually waiting for Neville to come home from school? Not to mention that Neville was still a baby when they were under the Cruciatus Curse. Is it reasonable to say that the words "go home from school" appear in the world of Harry Potter... The person who wrote Hartung made such a mistake, it can be seen that he really had no intention of writing.

The latest chapter is about to take people out. I was so excited to see it. Quite touching. Then what? Then it stopped updating, and there was no explanation. Is there anyone who can contact the author? At least send me an explanation.

Let me tell you what no one else has said. They have been talking about how warm and emotional the book is, but the fatal problem of this book is that it is always lyrical and neglects to shape the plot. My feeling from beginning to end is that it is very boring and bland, and it has lost the essence of magic. It is not the wonder of magic and the excitement of adventure, but just the ordinary lyricism of each chapter.