Sacred Geometry Brushes: I Paint the Future in the Middle Ages

1415, Florence. Leon, a sickly aristocratic boy, holds the paintbrush that carries the "Eye of the Future". He abandoned the gentle angels and painted the terrifying cherubim in the Bible: Thousands of compound eyes reflected the stars, and the wings of holy flame burned away hypocrisy. After silence, the church fell into the frenzy of a storm of faith - was it an oracle, or a devil's whisper? The halo of sacred geometry swirls under his brush, the starry sky burns in the eyes of saints, the universe explodes in the creation mural... The old masters tremble, and new trends of thought spread like wildfire. The Pope lowered his arrogant head to him: "In the name of God, who... Are you?" This is a huge gamble to reconstruct faith, power and aesthetics with a visual miracle that transcends the times. He was Léon de Valois, who used "sacred geometry" that did not belong to this century to light up the stars of the Renaissance in advance for the ignorant Middle Ages.