I Have to Conquer the Dungeon Right Now

It's quite outrageous. On the one hand, the world is in crisis, on the other hand, there are businessmen with monopoly, and on the other hand, there are violent institutional adventurers.

Writing a battle plot at the beginning is too long and awkward, and the writing is not good enough, and the plot is boring and dragging... I don't know what to write, this is not a slam dunk, one shot can draw several storyboards~

This post is about the algorithm and rules of the male protagonist Goldfinger [Libra Replacement]. All the economic systems in the book have been reconstructed and all the numbers have been revised. First of all, there is only one underlying logic of Libra, that is, "the values ​​on the left and right sides of the scale are equal and can be replaced", whether it is replacing it or selling what you are holding. Secondly, some rules about the functions of Libra. Rule 1. There is a limit to the number of times Libra can be used every day. This prevents the male protagonist from relying on the scale to swipe things, and he can be unparalleled in another world in one day. The limit is very reasonable. Rule 2, reselling restrictions, the author's cheat sheet actually encourages the male protagonist to replace more and rarer props to take risks, rather than taking advantage of the system and the actual price difference for reselling. Regarding reselling, there is actually no problem with this idea. The main goal of the male protagonist in the early stage is to make money, so there must be a plot of reselling. But the core of reselling is not to take advantage of this loophole-like rule, but to take advantage of wisdom, hype, rarity, etc. For example, changing the food from the previous life to another world and selling it at a high price, or changing the specialties from the south of the continent to the north to sell them. This is a healthy reselling plot that everyone wants to see. Rule 3, the rule of replacing things, the things being replaced must actually exist, so concepts or DIY things must be eliminated first. Secondly, the items replaced by Libra must have one of three things: name (or keyword), quality, and price as restrictions. Take the map replaced by the male protagonist in Chapter 2 as an example. Although the merchant's map is not mentioned in the article, the author can tell you here that [the merchant's hand-drawn map] is of poor quality and costs 10 silver. The keyword searched by the male protagonist is [Misty Forest Map], and the price is 10 silver. Obviously, these two are not the same thing, so the male protagonist kept raising the price to 80 silver before a prop that met the conditions appeared. Careful book lovers may have noticed that the name (or keyword) of the item is very important, so it is actually very difficult for the male protagonist to replace something beyond his knowledge. Therefore, cognition can be regarded as a soft restriction. As the male protagonist understands the world better, he can replace more rare items. Rule 4, price recognition. The Goblin Left Ear Association sells it for 80 silver, so the scale also sells for 80, because this is the price people perceive it to be. However, the Goblin Corpse Association cannot sell it, but the scale can be sold for 2 gold in total, and excluding the left ear, it can be sold for 1 gold and 20 silver. That's because people believe that corpses are worthless, and Libra's cognition is naturally higher than that of humans, so corpses can also be exchanged for money. As for the cognition of Libra, there can be many explanations. For example, some evil ritual requires the sacrifice of goblin corpses, or it can be used as alchemy materials, etc. In short, the price of Libra follows this logic. Rule 5, anything that can be replaced must be something owned and touched by the male protagonist. The determination of possession is an objective standard. This should not require much explanation, everyone can understand it. In summary, the author wants to make the golden finger as reasonable and instrumental as possible, without affecting the existence of the main plot. Then the author really admires the genius ideas of some book friends, after all, I really can't think of so many. For example, "If everything can be sold, I can just sell grass, stones, and wood, and just keep changing them in the forest." Or "Why don't you change the corpses of so many monsters when you enter the goblin cave?" The author can only say that these things are feasible in terms of rules and settings, but ours is a novel after all. If it is a game, I think the developers will definitely take these novel ideas of the players into consideration when making the game logic, and then take corresponding measures; but in the case of novels, the main focus is on the story, and the author's energy is limited, and sometimes he really cannot pay attention to so many possibilities. Finally, there is a heated discussion about why the male protagonist should be an adventurer at the beginning instead of a loser. The author gives his own explanation here: First, because the things bought and sold have the same price. Second, at the beginning of the time travel, the male protagonist had very little understanding of the world, and he had no strength or connections. If he rashly brought out some rare props, he might be frowned upon. Third, the male protagonist does not have much capital, so he wants to be an adventurer, do tasks that are not dangerous, and learn about the world while saving money to prepare for subsequent reselling. The encounter with the goblin was purely accidental. Of course, these are just some of the author's thoughts. After all, everyone has different ideas about reading books. It's good to seek common ground while reserving differences. When reading, happiness is the most important thing. Finally, this is the first time for the author to write a Western fantasy. If the writing is not good, please just criticize it. I will correct it after criticizing it. If there is something well written, please don't hesitate to leave a few comments to encourage it, so that the author will know "Oh, it turns out that this kind of thing is well written, everyone likes to read it, and I will write more in the future"😋.

I just wanted to read it and realized it was cut. In fact, I can write it down and see how it goes.

This is too fast. I think the results are not bad. I am at the top of the new book list. I came here from the new book list.

Except for the plot and combat being a bit slow, everything else is good.

Can the setting of Fantasy Goblin be changed? Don't always use Brother Sha to watch it. I'm tired of aesthetics.

Why haven't you strengthened the protagonist and suppressed his combat power?

Lao Wang, I came here from tomatoes!!!

You must write 100 chapters immediately