Tokyo: I Really Don’t Want to Learn Any of Their Skills

Chapters 17 and 18 were scolded for their weak logic, but don't scold me. I've changed it, and it's no problem now! Don't scold me, meow. Don't scold me, meow. It's been changed. Let's take a look at it. You guys will still read it after the change. Don't scold me. If you don't see the changed content, it should be still under review. I wrote this chapter that day. It was early in the morning, and my brain was not working well😭I updated 8k to 10,000 words every day, and recently I was dizzy when typing😭I just remembered to change it now😭The male protagonist is not the slave of the system😭I am the slave of the system😭I am reading all your comments, and I will correct such serious logical problems😭But if it is not serious, please treat it as the author's feature😋

Obviously, this book refers to many settings of Love Travel, including some characters and writing rhythm, especially the beginning, which has a strong flavor of Love Travel. But it is also obvious that the author also adds a lot of his own things while learning from the experiences of others. For example, the setting of learning other people's talents (combined with random card drawing, adding the option of adding points to the opponent's favorability), some changes in the character (the most obvious is that Chizuru Yagami becomes less ruthless, to avoid the same situation as Kujo Miki), and all the motivations of the male protagonist's behavior, are they being led by the system? Or is he using the system to help him become a better version of himself? In the first 20 chapters of this book, the system has released a total of 3 tasks, all of which are designed to introduce the female protagonists of this work and make the male protagonists relate to them. With the system in place, the image of the male protagonist has been further improved. Whether it is the idea of ​​becoming a "Tokyo Goddess" or the desire to make his family live a better life, it is obvious that he unites knowledge and action, rather than relying solely on the existence of the system. Therefore, while the system serves as a "gold finger", it only plays a role in promoting the plot. There is no situation where the male protagonist becomes a "slave of the system". As for the plot, would you say it is classic? It is indeed classic. From the system issuing tasks to meet the female protagonists, to the male protagonist establishing contact with them step by step, this kind of plot can be seen everywhere. As for the character design, do you mean Dian? Micro code, 40% of the code. The male protagonist does not adopt the mainstream male protagonist design in China, but prefers the common image of Japanese youth or daily drama, which also causes the overall style of the novel to be a bit brighter. How to make the novel as a whole cheerful but not intellectually depressing is a question that the author needs to consider. From the perspective of the first twenty chapters alone, there are not many problems with the novel as a whole, including the character setting and narrative rhythm, which are also relatively stable. In Chapter 17, the character of the male protagonist is slightly established, which is very valuable. If you want to take a different path from the previous work, you still need to work on the subsequent plots to truly turn a solid work into a masterpiece. I look forward to the future development of this book.

It looks good, the quality is adequate, the heroine has characteristics, the writing is sophisticated, and the writing style and narrative rhythm are very good. The biggest problem is that the portrayal of the male protagonist is poor, giving people a feeling of being thoughtless and too cliched. In other words, the system tasks serve as clues to guide the entire text, rather than things like "the male protagonist's progress" or "feelings for a certain female protagonist". That is to say, the system tasks need to be optimized. The problem is that the reasons why the male protagonist does things are lacking in description. It is really disgusting to complete the tasks just because they are posted. In fact, I have not seen this problem in a new light novel for a long time. The description of the new character is unreasonable. Just because of five attributes, I went to find a person who just described "how unpleasant it was when we first met" and made an inexplicable confession to her. And I don't quite understand this in public. One criticism is that "the handsome Tokyo guy is just a slave to the system, a beast in heat, a puppet without a thought" Game comics can attract readers by relying on the style of painting and the appearance and voice of the heroine, but novels are different. Setting, writing style, and narrative techniques are equally important. I think the problem lies in the setting, the setting of the male protagonist, and the logic of plot development.

It feels like since a certain male god novel came out, a Tokyo lady who is ready to kill people will appear in other male god novels. The likability of this character is completely equated with whether the male protagonist can deal with her.

Such an abstract setting, why is the skill of drawing initialized? Then why not learn it yourself?

The protagonist is a time traveler, and it's like a baby who has traveled through 18 years. Then the mental age of two decades of memory must be there. But how can such a man of several decades, no matter how bluffing he is, say "Tokyo Boy God" and formulate a set of "Tokyo Boy God Code" with peace of mind? I know it's a play on the "Tokyo Handsome" book, but it's not that book, so it's really disconnected. The question written by the Yagami Fan waiter made my head buzz. First of all, the waiter poured water on the protagonist in front of his face and still showed an aggrieved look. Is this a human being? I did something wrong, I didn't stand upright and was beaten, and I was wronged. Come on, tell me that you, a man of several decades, can't see that Yagami is establishing his authority? The maid of Yagami has told the protagonist many times that the protagonist is treated differently by Yagami. Even the protagonist's own family said that he is the son-in-law of the Yagami family and the head of the Yagami family has certified it. It doesn't matter to you if someone pours a glass of water on you at this time, but is it okay if someone pours a glass of water on Yagami intentionally? Nothing happens if someone throws hot water on it? You yourself also know that you are the son-in-law recognized by the head of the Yagami family, and you have taken advantage of this convenience. Then instead of helping the Yagami family, you think about it for a waiter? "Growth", for time travellers, can be strength, intelligence, or awareness, but it is definitely not emotional intelligence and mental age. People with a mental age of several dozen years old claim to be a Tokyo male god every day, think about trivial matters for a long time, do not protect themselves or think about other people's thoughts, and just rely on fun and sex. What do you call growth? Let's talk about feelings. Okja's emotional scenes are really abstract. She's almost coming up. The protagonist is still hanging like a steely straight man. I don't know what the purpose of writing this is. Regarding the matter between Yuebai Liuli and Iori, the head of the Iori family has agreed, and the protagonist has made up his mind, so the protagonist is still hanging on? Going back to Yagami's slap in the face, everyone knows that family scandals should not be exposed, right? Then when the protagonist objected to Yagami's slap, he wouldn't have dealt with it lightly and then told Yagami about it when no one else was around? As a son-in-law, the protagonist catches the next generation head of the Yagami family to stop her in front of outsiders. Isn't this a slap in the face of the Yagami family? Relying on Yagami's affection for the protagonist, even pampering, to do crazy things? After decades of experience, I don't even have this kind of emotional intelligence. Stop growing up and I'll kill you with a piece of tofu.

He says he wants to be a handsome boy in Tokyo, but his physical strength is extremely low, his charm is extremely high, there are many female protagonists, and he must go to the University of Tokyo.

I really don't understand why the skill of pumping has become the lowest level. What's the point of pumping it? 😮

Ten skill points every day, but ended up risking almost certain social death for five skill points. After inexplicably succeeding, I got a painting skill that almost seemed impossible to use. The logic is touching, and the plot of Gao Chao was also castrated. I don't know what the author was thinking?

There is a kind of beauty in the second game that advertises the benefits as hundreds of draws, but in fact you have to do various tasks to get them together.