The Undelivered Starry Sky

It's about how two young people with the scars of their original families identify each other in the folds of art, and yet push each other apart in the fog of existentialism. The fragments of the agreement in Lin Yiran's pencil case and the shadows of characters in Ning Beichen's novels are all codes for their trauma. I'm fascinated by this tension - when love reaches the extreme, Gide's "narrow door" will become a hurdle. Some people think that stepping through it is salvation, while others insist on standing outside the door and living the other person's life as an unreachable star. Just like the bottle of turpentine that Lin Yiran poured over when he tore up the painting. What was burned was not the painting, but the fear of repeating the same mistakes as his parents. Later, they met again in the exhibition hall. The novel fragments hidden in the paintings and the amber display of love sealed in all wanted to answer a question: If love is destined to bear scars, should it hide in a narrow door and seek perfection, or embrace awkwardly with scars? I didn't give a standard answer, I just left waiting - like all unfinished paintings, regret itself is a kind of completeness.