My Sickly, Lovesick Girlfriend in Tokyo

Why is all Chinese spoken in Japan? No sense of immersion at all

Did the author force you to read it? Keep squirting

It's said to be Tokyo Sick Love Girlfriend, but I think it's actually Tokyo Sick Love Boyfriend. The female protagonists have become sick one by one. To put it bluntly, the male protagonist Shiratori is too stubborn, not firm, always hesitant, and not good at expressing. This makes them worry about gains and losses, insecure, afraid of being abandoned, and all of them are lovesick.

I don't know if this is intentional on the part of the author or if there are too many talented people in the book review section. This can be spread as a core meme. I was so happy when I watched it.

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Basic axioms: 1. Making money is the protagonist's first need 2. The number of the protagonist's girlfriends continues to grow and change, but the author's outline remains the same Important concepts: 1. Suspicion chain: Because it is impossible to judge the goodwill or malice of the other party, There is continuous suspicion between girlfriends, making it difficult to establish trust 2. Emotional explosion: Girlfriends develop at inconsistent speeds. The girlfriend who develops slowly may surpass the girlfriend who develops quickly through a wave of operations in a short period of time, increasing uncertainty

I don't have any sense of immersion at all. Maybe it's because I'm not so depressed that there are only 4 girls chasing me.

This day light scent is great and very comfortable to look at. First, let me talk about my feelings about the first three chapters. The writing is light and strong, without fancy descriptions. It feels very comfortable, and the rhythm is well controlled and compact. I was a little discouraged when I pointed out the golden finger in the middle, and almost missed a good book. Goldfinger is a love-related system. Many Japanese and young people write based on this. It can be said that the writing is bad. Naturally, after reading too much, I feel a little bit conflicted (but in fact, many Japanese and young people have written better on this subject). However, the three golden chapters have little to do with the title and introduction of the book. The title and introduction of the book should be closer to the subsequent plot development. Let's briefly talk about the writing style and sense of anticipation of the three golden chapters. The first chapter starts with the small classroom theater, briefly establishing the characters of the male protagonist and the female protagonist, setting up some suspense, and then switches to the rooftop to confess? The small theater solves some suspense and leads to more suspense, one layer after another, a very classic writing method. The second chapter continues with the small rooftop theater (I won't go into details about the characters). At the end of the chapter, the golden finger is pointed out to answer the readers' doubts, and it also slightly raises the expectations of the heroine in the future. Chapter 3, which I personally think is the most critical chapter, starts with the small theater of the heroine's inner monologue, continuing to enrich the character (character design is also one of the keys to attracting readers' anticipation), and then the protagonist's inner monologue and reminiscing about the past, supplementing the settings of the two heroines who have been developed in advance, enriching the look and feel of the system (originally thought it was that This is a system that binds love partners and acquires each other's skills. The result is a development system (imagination + points). One heroine passed it hastily, but the memory theater of the other heroine was a little fun (I just want to make money, why are you greedy for my body) and it raised a lot of expectations (I look forward to the follow-up of Shura Field). After following the update, if you look back at the first three chapters, you can actually find that there are a lot of foreshadowings in the first three chapters. For example, in the small classroom theater, it was mentioned that the heroine No. 1 Likes the song of the heroine No. 2, And the bag is the same style, etc. It was also a matter of details. 🤭 Judging from the tens of thousands of words that have been updated so far, there is no problem with the plot rhythm, and you can definitely follow it. ps: I only briefly analyzed the books I found after staying up late to browse the list. There may be some good and bad points that I didn't expect. Everyone should base their opinions on it. Also, there are few good writers, and it is rare to find fine grain. Personal subjective impressions are also mixed, and everyone should still base their own opinions on it. Come on, author! There happened to be a monthly ticket left, and again, Su Geng, couldn't sleep at night! 😍

After reading three hundred chapters, I feel that the protagonist is getting more and more tired, and it is getting harder and harder for me to take on the role. Although this is the theme of sick love, and the male protagonist is the cause of everything, there is really no hope of solving the problem at present. Or maybe the follow-up is not to really solve the problem, but to achieve a pathological balance between the five people? I hope the male protagonist's sparkle will be increased.

It's really fun to watch girls being jealous, but if a girl only thinks about these things when she's not doing anything serious all day long, and gets angry when she meets another girl, then her love will be gone within a few days, and she'll feel bored to death 🥵