Big Brother Said I Am Invincible

I don't know why I couldn't stand it anymore. I only saw the brotherhood in the first 2 and 30 chapters and I could still smile knowingly. But after I left the city, I felt bored and started skipping. I didn't know what the pig's feet were going to do, and I didn't know what the time traveler brother was going to do. I have kept it on the bookshelf for so long, but I only read about 70 chapters. This is the first time I read Lao Lang's book and I can't stop reading the free chapters. It's really not to my liking. I wish Lao Lang all the best and see you in the next one 😢😢

I really can't imagine a native being so compassionate and compassionate. The more I look at it, the more disgusted I feel! The reason why most online articles write about time travel is because it is easy to adapt to the three views of our modern people, and it looks normal; It is not impossible to write about indigenous people, but you have to conform to the three views of that era. I have hardly seen any historical online articles written by indigenous people. This feels too deliberate, imposing a modern person's three views on an ancient person. It would be better to just let Li Xuanba write it as a time traveler. For example, in Grenade's book about the Three Kingdoms, the protagonist is not a time traveler, but his mother is a time traveler and was raised according to modern thinking since he was a child. The setting is much more harmonious and does not seem so abrupt! Or let's talk about Iron-Blooded: The Last Ming. The protagonist had little knowledge of the late Ming Dynasty before traveling through time, but he changed his thoughts and perceptions step by step through the plot. Logic comes first!

I feel that the author is best at writing about the childhood of the Han Dynasty, so why can't he write more about the regrets caused by the witchcraft, Emperor Xuan of the Han Dynasty, Emperor Guangwu, and Emperor Xian of the Han Dynasty?

11 monthly votes have been cast, more are expected

Novels can be full of imagination and whimsical ideas. But the reason why historical novels are called historical novels is because the word history is added in front of the novel. History is what has really happened in the long river of time and space. Historical novels are stories that rely on real events to develop reasonable imagination, rather than denying history or distorting history. Why I don't like this setting of Lao Lang is because Invincible can only be used on Li Shimin. It is impossible for anyone to match Li Shimin in both civil and martial arts. Era has its limitations. No matter how good Li Xuanba is, he should not have thoughts that transcend the times. This is also the setting that everyone likes about time travellers, because only modern time travelers who have traveled to the past will have thoughts that truly transcend the times. But for a native of the Tang Dynasty to have such compassionate people-centered thoughts, it is neither fish nor fowl. I think this is also a reason why people are disgusted with the setting of this book. You must know that although there have been signs of true people-oriented thinking from ancient times to the present, it was truly realized in New China. There is a saying that goes well, people cannot empathize with each other, let alone a noble son of a wealthy family, who has never been influenced by the ancient ideas of New China, it is impossible for him to stand with the refugees. Why is ancient exegesis so important? Because it was really an ideological weapon that could guide people's thoughts at that time. As for Li Xuanba's people-oriented thinking, he had no say at all at that time. How could a teacher from a wealthy Confucian family agree with it? Isn't that ridiculous? I'm denying something that I rely on for survival? The thoughts of Mencius and Xunzi have been circulating for more than a thousand years. Why is it that only Li Shimin, who became a king, said, "The people can carry a boat or capsize it?" Because the people-centered thought itself is a kingly thought. After saying so much, it actually means that there is a problem with Lao Lang's setting. A Li Jiancheng with a time traveler mentality might be able to compete with Li Shimin in terms of martial arts, but it would be a bit fanciful to try to compete with Li Shimin's martial arts, let alone Li Xuanba, a native who is just healthy and alive. History can be imagined in the margins, but historical fiction cannot distort the facts. This is a kind of historical nihilism. How can a novel that even denies its own national history be recognized by readers? Finally, I want to say that every reader of the History Channel has deep feelings for historical novels. For example, the first historical novel I read was about the Three Kingdoms. It was precisely because of this that I fell in love with the historical figures of the Three Kingdoms period. Later, I read historical books such as Chronicles of the Three Kingdoms, Shiji, and Hanshu, precisely because I read many related historical novels. They helped me better understand the romantic figures of that era. In the minds of every Chinese, some historical figures are lofty, such as Confucius, Mencius and Laozi, Qin Emperor and Han Wu, Tang Zong and Song Zu, Li Bai and Du Fu. They have been passed down for thousands of years, and they embody the beautiful feelings and imagination of the Chinese nation from generation to generation. They do have shortcomings, but their achievements are timeless and transcend the times. Just someone can mess with them, which readers like me cannot tolerate. You can defeat them on their shortcomings, but you cannot compare with them on their strengths, because history has proven that their strengths also represent the highest level of the Chinese nation.

Isn't this a book that says the time traveler is someone else? ? ? What's the logic? What you're watching is the story instead of letting yourself in for fun. Could it be that when you watch The Romance of the Three Kingdoms, you're leading yourself into Cao Cao and Liu Bei? (This is not to elevate the author's book to the same status as a masterpiece) Also, how will you compete with Erfeng in the future? It is concluded that opposing Erfeng is a dead end. Please, how old is Erfeng in this book? What's wrong with following a family-friendly style? No one would have ordered Erfeng to kill his eldest brother when he was just born 🤔🤔🤔

Li Yuanba is the protagonist, shouldn't he be the emperor? What's the point of not being the emperor? 🤔 If the protagonist becomes the emperor, will Li Shimin not be the emperor? You are not going to tell me that Li Shimin and Li Jiancheng handed over the emperor to their younger brother, are you? I think Li Yuanba would have to kill all his brothers. If the Xuanwu Sect had immortal brothers, then Li Shimin would not be that interesting If you don't want to change Li Shimin's demeanor, wouldn't that imply that Li Shimin wants to be the emperor?😰😰

Readers are advised to be cautious when entering this trap. The protagonist is a born saint. Well, I understand everything. Anyway, those who complained have been deleted and banned.

After reading about ten chapters, I thought the time traveler Li Jiancheng was the protagonist, but it turned out that the entire story was about the indigenous Li Xuanba. So since the time traveler is not the protagonist, why did you give him the entire identity of a time traveler? Isn't this annoying? Give it up.

I have only read 5 chapters of this book. I don't know what the back is like. I'm just raising my doubts here. I hope everyone can tell me whether the back looks good? 1. The protagonist Li Xuanba, I really have no feeling about this entry point, and I have no sense of involvement. If the protagonist is Li Jiancheng, then I can imagine how he can play the role of an elder brother and make the Li family brothers respectful. Let's imagine a harmonious Li family, imagine a Li Erfeng who will be high-spirited throughout his life, and imagine a more glorious Tang Dynasty. If it is the protagonist Li Shimin, I'm sorry, I don't think anyone can write Li Shimin better than the official history. Therefore, I will only ask the author to make up for some regrets. But, I'm sorry, I don't have any impression of Li Yuanba. He is just a pale name, so naturally there is no sense of substitution and no impression. As the third younger brother, he naturally had no advantage in the fight for the throne. What's more, there's no way I would choose the unimpressive Li Yuanba instead of choosing Li Shimin, who looks like a dragon or a phoenix. 2. The positioning of the time traveler Li Jiancheng. As a novel of alternate history, we will naturally assume the position of the time traveler. In the book, the time traveler Li Jiancheng is beautiful and invisible. In the first five chapters, Li Jiancheng came out and gave a jade pendant once, and then disappeared. Well, Li Jiancheng doesn't seem to be the protagonist. But there is a time traveler in front of me, how can I take the place of Li Yuanba? 3. Very embarrassing character choice. A brother is like a father, a very common saying in historical novels and TV series, and it is also deeply engraved in our traditional culture. "Brothers stay within the wall and stay away from others to avoid being humiliated" is also a culture we highly recognize. But now, as the younger brother Li Yuanba is coming to fight for the family property, as the third younger brother Li Yuanba wants his eldest brother Li Jiancheng and second brother Li Shimin to give up their inheritance rights and instead push himself to ascend to the throne. How should the author write a perfect plan? If it is not perfect, it will fall into intrigues and make people (readers and characters in the text) shudder. 4. How can the local indigenous Li Yuanba reasonably transform into an image of caring about the country and the people? In "Picking Up the First Emperor", the time traveler Ma Fuzi has experienced nine years of compulsory education and has a sound outlook on life. He has seen that future generations have no worries about food and clothing. He knows that the ideal of everyone having enough to eat can be realized, so we can understand and relate to his efforts to change the image of the world. In "My Father, Emperor Gaozu of the Han Dynasty", although Liu Chang only obtained some fragments of knowledge, he still saw the beauty of future generations in his dreams. Therefore, Liu Chang worked hard to pursue beauty, change the pain of the early Han Dynasty, and make the people live a better life. This is something we can understand and like to hear. But in this book, as an indigenous child Li Yuanba, why can he become concerned about the country and the people? This is a difficult point for me to understand. Moreover, he is still a child from a noble family. He has been served by others since he was a child. I feel good that he is not domineering or acting wantonly. Let a child with this status understand and care for the poor people. Without reasonable changes, I can't understand or accept it.

Is this writing fantasy or history? If it is a historical novel, there is no such thing as an invincible person. No matter how powerful an individual is, he will not be able to escape even if he is surrounded and killed by a hundred or two hundred people. If it is a fantasy novel, then there is no need to go to the historical area just to waste money.

First line: Xuanwu Gate fights, who wins the crown prince Second line: Xiangji Temple fights, who loses the rebels Horizontal comment: Use force to make friends Nod yes, shake head no Fengtian Jingnan gogogo Come, come, go, go Double Kill in Xuanwu Gate Li Shimin Zhu Di: Real men never play with succession

I feel like it's a bit unclear. After reading more than 300 chapters, there are too many descriptions of people other than the protagonist. Li Jiancheng is set as a time traveler, which is no problem. The problem is that the proportion of the plot is too high. From my superficial knowledge, what I want to watch is the protagonist, not the inexplicable time traveler dad. I feel a little disconnected when I see Li Jiancheng's plot.

The biggest problem with this book is that readers will be brought into the perspective of a time traveler. Lao Lang originally wanted Li Jian to be the protagonist, so he wrote about his time travel. Later, he probably also felt that it was unreasonable to have Li Jiancheng and Li Shimin compete against each other and would offend a large number of Li Shimin fans, so he chose Li Xuanba, who should have died young, as the protagonist. If Lao Lang wants to write about the Tang Dynasty, he should either write about the emperors and ministers of the Zhenguan period, or about Li Shimin's princes such as Li Chengqian, Li Tai, and Li Ke. Or the popular Li Longji can travel through time and become one of his grandsons or princes. The public will also know more about this period of history, and they can also make up for some historical regrets. Writing Li Jiancheng or Li Yuanba as the protagonists is contrary to the audience of most Tang Dynasty novels.

I noticed that everyone had some doubts and misunderstandings when reading the new book. Here is a summary of some of the questions and unified answers! Q: Who is the protagonist of the new book? A: Li Jiasanlang Li Xuanba. Q: Is this book fantasy or history? What is the function of the dragon-shaped jade pendant at the beginning? A: Of course it's pure history! The role of the jade pendant is limited to strengthening Li Xuanba's physical condition and modifying the true historical trend of Li Xuanba's early death. Q: What is the difference between Li Xuanba and Li Yuanba? A: Li Xuanba is a real historical figure, the third son of Li Yuan, who died young due to physical weakness. Li Yuanba is the invincible overlord in the novel. One person can defeat a million troops. In the end, he tried to fight with the sky and was killed by thunder. Q: Why did Li Jiancheng have such a misunderstanding? A: Li Jiancheng is not exactly a time traveler, but is similar to the awakened memory. He knows some things about later generations. However, because of his limited knowledge, he mistakenly believes that the content in the novel is the history that will actually happen in the future, so he firmly believes that Li Xuanba can be invincible in the future. Q: Will Li Shimin's future achievements and style be overshadowed? A: No! (It involves spoilers, so I can't say too much! But the sages can rest assured that Li Er's style will not be taken away due to changes in historical trends, nor will his personal abilities be randomly changed due to plot needs.) Q: What is the protagonist's path plan? A: Li Xuanba is still the Li Xuanba who died young in real history, but with the improvement of the jade pendant and the encouragement and help of Li Jiancheng, he gradually strengthened his physical fitness and changed towards the image in the novel (but it will be within a reasonable range, and there will not be an outrageous combat power that one person can defeat a million lions). Q: When will the free period be updated? A: Updated twice every day at 10 a. M.!

Human beings have weaknesses, and Emperor Taizong was not perfect either. You can reasonably use his weaknesses to beat or surpass him. Taizong of the Tang Dynasty is a famous emperor throughout the ages. Throughout the history of history, it is difficult to surpass Taizong for his literary and martial arts. If you arrange a time traveler, he will surpass him in some aspects with the wisdom and leading ideas of thousands of years later, and you can still make it reasonable. But it is no longer acceptable to write about a historical figure who was contemporaneous with Li Shimin who was so awesome, not to mention that many of Li Yuanba's deeds are fictional characters. To put it simply, the author played this trick on Li Yuanba or said that it is unreasonable to set up such a personality for him. If you say that I have completely lost touch with history and am writing about fantasy and immortality, then you can make it up as you want, but if you still claim to be a historical novel, then you still have to respect a little bit of history.

I can't stand this book for a long time. Now I come here to see how many people are updating this book and how many people feel the same way as me.

First of all, the protagonist of this book is the indigenous Li Xuanba, but the time traveler is not the protagonist of the book, but Li Jiancheng, who has awakened the strange memory of the Sui and Tang Dynasties. This kind of setting where the time traveler is not the protagonist is a very difficult challenge in itself. Let alone historical novels, I have never seen a fantasy novel about immortality that can be written well with this kind of setting. And more importantly, there is a real protagonist in the Sui and Tang Dynasties that no one can avoid, Li Shimin, the son of the plane! This book actually has three protagonists, the historical protagonist Li Shimin, the strange prophet Li Jiancheng, and the protagonist of this book Li Xuanba. Good guy, I have read a lot of books, especially historical novels, and I have never seen any historical novel that dares to have such a setting. It feels like a setting that is even more outrageous than killing the first protagonist. I really can't imagine how to write a historical novel with three protagonists, and these three are most likely to be opposed to each other, and there is also Li Shimin, who has a huge number of fans. Those stories about time-travelers traveling to the Zhenguan Dynasty to work for Li Shimin were criticized by countless Erfeng fans just because the time-travelers were too popular and stole the show. Those articles that did not allow Li Shimin to become emperor in the end and allowed Li Jiancheng to win were just short of sending razors... So I can already imagine how terrifying the comment section of this book will be in the future... I still wish Lao Lang the strength to write this kind of collapse setting. Once successful, then I think this book will definitely be a masterpiece that surpasses Emperor Gaozu of the Han Dynasty.

Even if the time traveler, it seems impossible to defeat Li Shimin, both time travel and Baoyu, are they planning to fall in love with each other? In fact, the Xuanwumen Incident was also quite exciting.

I really like this book, especially the two characters Li Xuanba and young Li Shimin created by the author. Li Xuanba's life is fragile, and his childhood memories are almost all about fighting against diseases. He tries his best to protect his own life, recognizes the vulnerability of others as well as himself, and therefore protects the lives of others. Yang Guang is the person who least cares about people's lives in the world, so even kind people will be angry, and kind people will also sprout hatred. I like the author's description of how this little child came to know the world and how he determined to change the world. Readers can clearly see how those beautiful emotions and the will representing human dignity are bred and matured, and they can also see how these characters are afraid and hesitant, and how they are determined to change the world. As for the young Li Shimin created by the author, I think this fully reflects the author's excellent skills. Describing this most outstanding genius in human history, or even describing his growth trajectory, is undoubtedly a huge problem. If you are not careful, it will become a critical meeting of the author's own intelligence and experience. The author carefully describes his talents, habits and care, as well as his desire to win (among his peers) at a young age and let this desire drive his progress. I have no problem with this description as a possible imagination. I am surprised that so many readers have left unsatisfactory comments, I quite like this book. Of course, readers have the right to criticize and express their opinions. I am not writing this post to silence others, but just to express my personal love for this novel. I believe that there are many readers who are also very satisfied with this novel, but since they are satisfied, they don't have that much to say. Only those who are dissatisfied will have a lot to say. There should be quite a few silent readers expressing their satisfaction by subscribing.

During the Zhenguan period, a secretary obtained a fragment of a scroll from an old archive in Lingyan Pavilion, recording the secrets of Emperor Yang's dynasty. The events were extremely strange and unusual, involving ghosts and gods, and were dark and unpredictable, so they were not recorded in history. Now I will record it to spread the news. In the midst of a great cause, Emperor Yang came to court, and hundreds of officials paid homage to him. Suddenly I heard a voice on the beam, as clear as hitting jade: "Yang Guang! Do you know Li Xuanba of Xifu?" The whole hall was shocked to see the god standing in the middle of an owl kissing him. The golden light shining all over his body was like armor, and the sleeves of his robe were flying as bright as snow. His withered face was electric and his eyes were as bright as a mountain. The purple wall shook, and the ministers' chests trembled, as if they were holding a gantry. At that time, Prince Yong, King Liang of Shu, and others led the crowd in plain clothes and hugged the pillar of injustice and wept. Their dark hands came out from the floor tiles, trying to seize the emperor's feet. The man of God scolded the sun with his halberd finger: "You have usurped and rebellious, messed up the general order, resorted to military violence, and displaced the people. Now, by the order of Emperor Xuanyuan, I will punish you for your rebellion and thank Cang Li!" After saying this, the hammer fell and went straight to the spiritual platform. The emperor was stunned and distraught, but he saw the souls of injustice filled the court, the guards were all stiff, the nobles were silent, and the whole palace fell into an endless illusion. The golden light suddenly dispersed, and the palace was silent. The emperor suddenly collapsed, dripping with cold sweat, and the lamp was still burning. The emperor was still in shock, and suddenly looked around and asked: "Where is Xuanba?" Everyone on the left and right bowed their heads and trembled, saying to each other: "King Zhao has always been prostrate at Danqi, and never moved less." The emperor looked at him and saw that his figure was weak, his shoulders and back were as thin as paper, and he was trembling slightly, like an autumn cicada clinging to a cold branch. However, when I looked back, I suddenly saw the jade crown of the case god, which suddenly dispersed and fell like stars. The dragon head on the throne actually had turtle patterns on its own, as if it were a sign of the cracking of the earth. The next day, the waiter wiped the throne and saw that the wood grain of the dragon's head was cracked three inches, as deep as a knife carving, but he didn't know why. It may be said that it was caused by thunder and lightning, but I dare not say it secretly. There was a disaster in Jiejiangdu, or people from the old palace of the Sui Dynasty fled to Guangling. They often said to others drunkenly, "That night I saw a golden rainbow fighting, and I heard a hammering wind." Comments: How can it be an illusion to kill a single man? In fact, it is a heinous sin that comes back to bite his body. When he killed the people, the people's hearts had turned into a heavy hammer, hanging on the top! If a husband's virtue is not up to the mark, there will be disaster. How can the Supreme Being of all people be afraid of a young man in white? Observing the omens of Nine Li, isn't it a proof of the way of heaven and the proof of good, good, misfortune and evil? Nine plums forming a forest is not related to ghosts and gods, but is actually a matter of people's support, which is the manifestation of destiny. The prophecy of the Nine Lis is not based on Fu Rui. Without Li, the people will not be able to make a living, and the world will be in chaos.

I started reading Zhao Kuo's book, Han Gaozu, Straw Hat, and Tao Zi have been following it. I don't know if it's aesthetic fatigue or something, but I can't stand it anymore after reaching chapter 40. The existence of the main character is useless. Li Shimin's original history is enough. No matter how good you are, it's just the icing on the cake. What's the point? Moreover, the character of the protagonist is also a bit the same, without the flavor of Liu Chang. From Liu Taozi, I can tell that the story has become a bit cool. There is no development in the early and middle stages, so it becomes crazy and crazy. (I'd like to add that I'm an old fan who didn't prostitute for nothing, but read and subscribed on QQ) Tell me the truth. Looking at the data, we can also understand that the trend of opening books all the way is downward. Emperor Gaozu of the Han Dynasty was at the peak of his career at Level 4, with an index of over 500,000, Straw Hat over 90,000, and Taozi over 60,000. When I read this book, it had been completed for a month and it was less than 15,000.

I enjoy reading every one of Lao Lang's books. Except for this one, I really can't read this one. The protagonist is not a time traveler and has no sense of substitution.

Since my father, Emperor Gaozu of the Han Dynasty, the last three books have become more and more mediocre. I didn't want to read this book before it was charged.

Go at your own pace and don't be influenced by the comment section

Rebel! Cool! Fighting! Cool! ! !

Lao Lang can continue to bring me the joy and joy of "Father of the Han Dynasty".

🔪

I told you before you even started the book that you couldn't write this book about Tang Dynasty... Let's write the strongest carbon-based creature of the seventh century as a supporting role... Taizong did everything he could do... Even from a God's perspective, there's no way he could do it better... How do you write it...

Just be a eunuch, you're done