It Makes Perfect Sense That I Won the Palme d'Or at Fifteen

These authors will never be able to write about the high-spiritedness of successful directors. All the big directors in the industry are just as licking dogs as themselves. Successful directors in the entertainment industry are on the same level as capital, and most of them are still licked by capital. Starting from the beginning, the author will write the genius director as a fool who licks the dog. It can only be said that a young virgin cannot write about the style of the entertainment industry.

You don't even know who the entertainment audience is, so what are you writing about? You wrote 15 Cannes, so it's for middle school and high school students, right? Most of the people who watch entertainment are in their 20s to 40s. But you are 15 years old. If you don't pounce on me, I'll leave it at that. Supervision is welcome.

You will win a prize at 15, and then you will stop being a human being and start licking

I didn't want to comment at all, but after spending money to pursue the book, I really can't help but complain a few words! This book of yours has long been more than water-filled. Now it is just made up and made up, and the settings before and after have collapsed into a mess. Sometimes it just doesn't matter. The last few chapters are completely out of tune, and the plot is forced throughout. The most outrageous thing is the scene where Feng Xiaogang confronts the protagonist in public! Feng Xiaogang is not a fool! You wrote it clearly yourself. The protagonist is not only a Grand Slam director, but also controls the entire film and television ecosystem, the Internet sector, and a huge capital territory. Picking up any of these two identities, Feng Xiaogang would not have the guts to name him. Feng Xiaogang is a bit bad, but he is not stupid. There is also a plot of Huayi plotting against the protagonist, which is even more ridiculous! The protagonist's company is a top giant in the industry, and it has the entire film and television-related ecology. Huayi is a proper little Kalami in this worldview. According to normal logic, Huayi would like to kneel down and beg for resources and hug his thighs, so how could he take the initiative to provoke the protagonist? The strength gap that was laid out in more than 1.9 Million words was completely overturned by you and written blindly. There is another detail that I didn't want to take too seriously: with the voice of the protagonist's top director and his crushing commercial influence, the old and backward traffic star ecology in the book is simply impossible to develop like in real time and space, and has long been completely rewritten. But I'm too lazy to deal with such corner details, so I'll forget about it. But the core character design, capital structure, and character IQ have all collapsed. The more I watch, the more disappointed I become!

Everything else is fine, but the main character is too dramatic at his age. Some movies cannot be made by children of this age without the experience and thinking. This is completely different from the examples of those science tycoons.

Don't be ridiculous, Yang Mi and Liu Yifei have such a bad relationship. Will Liu Yifei look good on her even though they have never been in contact with each other? The most disgusting thing is a book about Liu and his old friend who are best friends. They tie you up again and again, and then they even pull the person who stepped on you. Would you have a good relationship with this kind of person? On the 20th Anniversary of Wagua, neither of them gave each other a good look and didn't say a word.

When I first read the title of the book, I was sure it would be rubbish. I clicked on it and kept up with the latest. The author combined the golden finger with the plot very well and the content was reasonable. Like one. I hope I can keep it up in the later stages and don't let it get bad.

The plot of this book develops too fast, and it's already 2012. A lot of content can actually be expanded. For example, the plot of the movie developed by my own company in China, the casting of each new movie, the reaction and influence of all parties after winning the award, the specifications of the events Lao Liu attended, the reactions from all walks of life, and so on. This series. You need to make these influences concrete and concrete. Write more plots of Lao Liu attending events or interacting with others. Hey, I have read so many entertainment articles about Lao Liu, and this one is the most in line with my ideas. I just want to use film resources to pile up Lao Liu and rest at a young age. Except for winning awards, winning awards is too fast and there is no suspense. The 20-23 years old will win the Golden Horse first, and the 24-30 years old will rush for the European three golds and the Golden Globe Oscar. I think it is the most ideal. The plot can be richer and fuller. I feel that the author is very anxious to finish the book. In fact, I have written 3 million words seriously. Write whatever comes to mind. It's rare to find an entertainment article by Lao Liu that I like.

It's getting more and more embarrassing later on, and I always like to bring in private stuff, and I always write about my opinions on certain directors and actors in certain movies. Who's here to see this?

It is simply unrealistic for Chinese-language films to achieve high box office in the United States, especially romance films like Your Name, which are overhyped.