The Prison of Another Dimension

Great readers, Xiaozhuo humbly requests you to follow me. Please give me some follow-up reading. Follow-up reading determines the future of a book QWQ

As the title says, based on everyone's voting results, here are the relevant references 😭😭 I am citing it second-hand, and the first-hand information is the Momo HEMA series of up "Japan Jie Luo Ming" on the b station, and the translation of "The art of longsword combat". About Ting Jin: The general idea of ​​this passage is that when the two sides exchange swords, it is extremely important to sense the changes in the strength of the sword blade. Both parties can use the sword as an intermediary to sense each other and judge their strength. Technically speaking: Technically speaking, a weak person can judge the opponent's sword path after hearing the strength, so as to adopt the correct strategy and win. This involves the sword-wrapping technique: Through sword-wrapping, you can gain a relatively advantageous tactical position, gain the initiative, and launch an effective attack. To sum up, it can be concluded that Tingjin is an important part of Meyer's swordsmanship system. To a certain extent, this proves that all kinds of practical martial arts are common and reflects a sense of convergent evolution. 🙂🙂🙂

Let's talk about the conclusion first: This book is a kind of infinite flow, and it is similar to Thriller Paradise, and the beginning is also similar. The protagonist goes to the game world that looks real through the game warehouse to complete the dungeon. However, the game mode is not the system-added point type, but the running group type. In my personal opinion, it is good-looking. If you are not sure whether you want to read it, I recommend reading the first copy before talking about it Then I will talk about my feelings in detail. It is really cool. It reminds me of the days when I chased Thriller Park. The protagonist of this book is funny or not, and the author makes the story very ghostly through various descriptions. Mo, the reversal and emotional value at the end of the first copy are very sufficient, and the foreshadowing at the end is also exciting. The writing is excellent, and the author will often answer questions and solve doubts about this chapter in the comment area, which is very interactive Okay, now that I have finished talking about the good aspects, I will talk about the bad ones There are two questions ① Playing jokes The author used a lot of jokes during the creative process, and these jokes are very picky for readers... Well, let me tell you straight, these memes are a bit niche. For example: "A person goes crazy and suddenly gets better later." This is "temporary madness" in the team-running game, but people who don't understand have no idea why this character goes crazy and gets better again For example: the last big plot, if I hadn't read the explanation in this chapter, I would have no idea what the name means, how creepy it is (I won't describe it in detail here to avoid spoilers ) For example:... In the face of readers who have raised these questions, the author is very considerate in explaining them in this chapter, but there is one thing to say, some readers really don't like this ②Take the lead in spoilers I said above that the author will thoughtfully explain to readers some places that readers do not understand, but this creates a problem Some readers who like this book will imitate the author's behavior and "answer questions" for book friends who can't understand It is said to be answering questions, but in the end, it is a spoiler I saw a reader writing down his guess and reasoning about the plot in the middle of the copy, and then a reader who had watched the subsequent plot jumped out and replied directly to " You're wrong, what is this, what is here, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is this, what is foreshadowing."

Will there be a female protagonist? To be honest, I still quite like the yandere female priest from the previous book. After all, being an undead knight is indeed a bit embarrassing 😰

This book is a rare masterpiece of unlimited flow in recent years. After reading the first chapter, the author's creativity and writing style are remarkable, but don't pay too much attention to the readers' opinions, stick to your own outline, and at most modify some inappropriate details.

What kind of crap book actually starts charging after it is put on the shelf? It's okay not to read the book written by an author with academic misconduct like you, just throw it out of the bookshelf and never see it again!

As the title says, there are more than 140 days left for the college entrance examination, and the Internet is disconnected. Otherwise, I won't even be able to get 211. This is my last inventory before the college entrance examination. Please protect me from all book friends 🙏🙏🙏

After reading about the desert copy settlement, according to my personal experience, this book is about 4000-7000 orders from the main site, depending on the author's update volume. 4000 Per day means 4000 order levels, and 8000+ per day means 7000 order levels. If you want to reach 10,000 orders, based on the current level, you need 15000 per day and smooth communication with the editor to have a chance. The advantage is that the logic of the story is not broken, and there are occasional highlights. The writing style, visual sense, and language readability are good. Speaking in human terms means that the basic skills of story writing are good. And the subject matter is not super cold channel, the quality is well deserved. The shortcomings are that the story structure and narrative ability are insufficient, the character creation is not interesting, and the writing ideas are very limited. Without a breakthrough, it would be difficult to reach 10,000 bookings, or to have a huge increase after changing themes/updates (these are also breakthroughs). By the way, let's talk about some specific improvement methods. Because everyone's writing style is different, I will talk about some general ones. First, next, we should refer less to Gu Huo Bird and Decadent Dragon, and Carvin can read more about Thriller Paradise, the three evolutions of Fierce Players and Sweeping Fire. After reading it, I feel that I am over-referring to Gu Huoniao. Gu Huoniao is very well written but the structure in Infinite Stream is considered poor. The inability to write is also due to the overall structure. Infinite Stream, which can be written smoothly and comfortably, is closer to the player's ferocious and overwhelming structure. In Thriller Paradise, don't look at the overall structure, but focus on how the narrative/story unit is handled. Once you understand it thoroughly, you can write short and medium stories. The current structure of this book is a short novel, followed by a bit of reality, followed by a medium novel, followed by reality, and then a large novel. The reader feels very suffocated. A very important aspect of Infinite Streaming is to grasp the rhythm and allow readers to change their minds and rest. Many short and medium stories do not serve to reveal the world view or upgrade the protagonist. They mainly focus on writing a clever story to allow readers to take a break from the struggle of the fate line and show off their skills/practice. After changing the brain, it will be more enjoyable and more layered to read the protagonist's upgrade/advancement story reveal. The current realistic plots do not have such an effect. Instead of big upgrades in the script and small upgrades in reality, it is easy to get tired of the upgrade drive driven by pure income and revealing the world view. So you can consider writing a short script about the secrets of peers, or a small script related to White Line Renee, and consider using clues/secrets/production props/non-intuitive combat power superposition as rewards. Another serious problem in the second third is the derailment of the system. In the early stage, it was a battle of specialization and props. After that, knowledge became a battle of information warfare and resources. Whether it was lifespan, knowledge or secret techniques, the focus of the version was on operation and sequential moves. The protagonist's card was not suitable for the version. The system collapsed because the protagonist's kicking style in the early and mid-term was completely incompatible with the secret art knowledge system. There were not many operational methods, and at the same time, there was no reasonable and legal way to take advantage of kicking. Most of the advantages were immediately lost. It's just that the master swordsmanship and the inability to lose san appear very primitive in the knowledge version, just like other occult scholars who have revolutionized their playing styles and the protagonist has not caught up with the version. If you put the protagonist into a competitive version that is not naturally suitable for you and want to continue to maintain his performance and the previous style of the entire book, it will definitely collapse. If you handle it well, it will be a small collapse. This needs to be dealt with earlier. Of course, I feel that this problem should be fixed recently. After adding negation, the protagonist can finally keep up with the arcane play style. Otherwise, it will be like the back of Desert, where the protagonist is lagging behind in play style but the numerical mechanism can penetrate everything, which will be extra tiring to read. But the current repairs can only make up for it, and negation can only prevent being locked, and swordsmanship and dodge can solve the problem of being attacked, but the fundamental problem is that the protagonist's intelligence battle has not been added too much. It is easy to find other people's bodies or be consumed by remote attacks. Even if the protagonist's sword life usage rate is high, this kind of scene is always passive, so the plot must be arranged like a desert to allow the protagonist to locate the body. This unnaturalness is not good. Even if the plot is handled naturally, why bother to think about it every time? In addition, the protagonist's movement ability and various numerical/skill performance are somewhat limited or have to be limited by the plot. This also harms the stability of the system and does not have a clear anchor. For example, at the beginning of the desert, you have to temporarily avoid the red snake because of the sandstorm. There is instability in the ability and value of the black flame wave. Fire control and black fire cannot expect it to be particularly powerful when it is particularly strong. If you need to enter the ruins, you must temporarily avoid the edge of the sandstorm. The same goes for the abilities of flesh and blood regeneration. , When I read it, did I feel that the sandstorm was so super model? A slightly better way of writing it is to directly add negative effects to the information panel to let the protagonist know that it is a sandstorm (the heart of the Zodiac) that is more mysterious than himself - affecting regeneration and various abilities, naturally leading to the inability to fight against the home red snake and running away. Other dungeons have similar situations to some extent. For example, it appears many times that we need vehicles, and companions may need it. But in terms of actual values ​​and performance, the protagonist should be able to carry Lu Bu except being unable to fly. In other words, this book still maintains that the physical fitness of the investigators as mentioned above is still within the range of ordinary people. That is not right. After all, the combat performance is too exaggerated... In short, it should not be difficult to clarify these. (Just rank the knowledge/mystery levels.) In principle, these anchoring issues should be avoided as much as possible.

People only behave badly when they do bad things😫o(￣ヘ￣o#)

It is a very interesting book, with a dungeon and a main line. The protagonist enters the extraordinary game due to a terminal illness. The first dungeon is a pirate-type dungeon. The dungeon is revealed from beginning to end and is relatively complete. The protagonist's character is still quite interesting, with a bit of dry humor. The author's writing is very aesthetically pleasing, and the writing looks very comfortable and tasteful.