Immortality: My Talents Are Infinitely Superimposed

If you want to change your name, you should send out a leaflet to announce it in advance, and then change your name 🙂🙂🙂

It's a very comfortable book. I feel like it's a little better than my previous experience. The emotional scenes are well written.

The writing is okay, and with support, I will be fattened up and slaughtered.

The Taoist couple's spiritual roots are only low-grade, so being able to enjoy 200 years of life is already enough! ! ! Not satisfied yet, he actually wants them to accompany him forever? Delusional! Such a protagonist cannot see the situation clearly, cannot understand the general trend, has delusional thoughts, and has a serious lack of mental state, and will definitely die a good death? ? ?

The plug-in in this book is too complicated. The function of refining blood essence to gain talents is not bad, but it is too complicated by the author. The author also created a set of names for monster level bloodlines. Isn't it better to use the traditional first level, second level, third level and fourth level? Instead of having to create an unfamiliar system of my own, my head hurts every time I watch the protagonist practice essence blood to improve talents. The talents are so many and complicated. The female characters are also not portrayed very well. The protagonist is too good to the Xu family and feels like she is a nanny. Other than that, they are all advantages.

It seems more enjoyable to copy the text and cultivate immortals. I never press the level. I will control the word count at every level.

To be honest, since you have so many magical powers, your natal magic weapon should be in line with your combat system. Choosing a sword is a moderate move. The main material is wood with space, which can be used to shape the magic weapon into a book. The material and paper quality are very suitable. Each page corresponds to magical powers, magic and monsters. Later, the blood of the monsters and formations are burned to give the monster shape. It can be used as a summoner and has the greatest bonus for the protagonist of casual cultivating. I've already thought of a name, so it's called "The Classic of Mountains and Seas"

I admit that the portrayal of the protagonist's character is indeed excellent, and he has the style of a gentleman. Only in the aspect of love, he is like a hypocrite, and he is both responsible and independent. Let's talk about the first woman Tantai Feiyue first. The protagonist's attitude is not to refuse, not to take the initiative, not to be responsible, just ambiguous, and then let others take the initiative to follow her. She knows that the other party cannot keep up with her, and she is devoted to Taoism and cannot give the other party what she wants (husband and child). Later, the other party does not give her a name and becomes a Taoist couple after they have established the foundation. As for the reason, I can only say that I understand it. Then there is the second woman, Yan Mingyi. The protagonist's attitude is still that of not refusing, not taking the initiative, and not being responsible. Why did the old man leave him alone before his death? Isn't it because he is optimistic about the protagonist and knows that his granddaughter wants to match her? The problem is that they don't know the details of the protagonist, and they don't know that the protagonist is a famous woman and has a master (Xu Hanji knew it, so he chose to give up). The protagonist knew that the concubine was interested, but he didn't stop it at the beginning, or show off, but let it take its course. If you want to have a harem, then open it. If you want to be romantic, then be romantic. Don't be both cool and independent. Learn from the protagonist in "I'm a Late Bloomer in the World of Immortality" next door. People are not voluptuous, but they are not opposed to throwing themselves into someone's arms. Either they don't accept her, or they accept her. At least they tell the truth, and it's what I want. I finally understood it. This novel is about the male protagonist keeping a clean mind, and the female protagonist throwing himself into his arms. There is only one female protagonist, Dao Dao, and the others are all female supporting characters. They are all vases with some effect but not much, commonly known as tool people.

100 votes, is it fierce or not?

They are all perfect golden elixirs. Yuanying needs to have a unique magical power or speciality, that is, it should not be so layered and watery like the golden elixir, otherwise the golden elixir will be in vain.

I don't understand, I don't understand. The Xu family is very good to the protagonist. If you want to leave, leave. Although the Xu family trains the protagonist to get what he needs, it seems too fake when it comes to treating Mo Zhaoli. Mo Zhaoli gave the protagonist a jade slip that can be copied without any cost. What did the Xu family give? Kung Fu Resources This is the gift of helping the Tao. Mo Zhaoli sent a jade slip that can be copied (although the jade slip is difficult to obtain without channels). How can it be compared to the training of the Xu family?

Hello harem, please like it if you see it, I wish you a good day

Sure enough, he ran away. It wouldn't be because he was too seriously injured and his cultivation level temporarily dropped, and then he was kindly taken back by a female cultivator from the family...

The coverage of one hundred miles of spiritual consciousness in the early stage of the Yuanying is the lowest I have ever seen. Generally speaking, other novels are about the Yuanying thousands of miles and the transformation of gods into thousands of miles.

I hope the author will not write it down in the later stage as dragging his family to cultivate immortality. One person supports a large family and is a confidante. It is normal for some people to fall behind. After all, talents, talents and opportunities are all different. I hope the author does not write it down like the protagonist breaks through the Dan Yuanying. All the confidante also broke through easily. The protagonist worked hard, but the supporting characters easily caught up. It would be meaningless to write like this. The real thing is that some people fall behind and others keep up. This is normal.

I have seen several books written about Li Erniu, but this is the only one that did not disgust me. Many of the protagonists are like a nanny. Every time Li Erniu has something to do, he comes to the protagonist and tells him that he will go on another adventure soon. Then the protagonist gives him elixirs and talismans. After he comes back, Li Erniu doesn't say anything and doesn't pay back the money. The next time he goes on an adventure, he comes to the protagonist again and says that he might not be able to come back. Then the protagonist gives again, saying that they have a good relationship, but they don't write about their good relationship. They only see Li Erniu constantly asking for it. There are really many people who don't know how to copy. They are still honest and honest in their thirties and forties. Every time I read those books, I feel that Li Erniu is pretending. He is honest and honest on the surface but is actually shrewd and transparent. He knows that the protagonist is very powerful and relies on emotion and morality to kidnap him. He comes to the protagonist every time because he knows that the protagonist will give him pills and talismans worth dozens of spiritual stones (in the first chapter of the protagonist, the poor man does not have even a single spiritual stone, but he becomes more generous when he is rich 🙂)

What a lousy book! You actually start charging for it after it's put on the shelf. An author with a bad attitude like you doesn't care about reading the book he wrote. He just throws it out of the bookshelf and never sees it again.

Damn, is it just one update every day? The character next door and the turtle both gave birth to babies at the same time, but you made the slowest progress.

I don't understand why there are so many bonuses to the fire system. Why can't I just practice high-level fire spells? I've been using fireball spells all the time. Wouldn't high-level spells with bonuses be more powerful?

It's so difficult for a cheater

I really don't understand such a complicated soul-stealing transformation system...

This article is too long, 1.7 Million words, and I don't even dare to think about it. Don't write dozens of chapters at the end, break through several big realms in succession, and then finish it in a hurry.

Earlier, when the protagonist was still building a foundation, I had some ideas. Fortunately, there are enough first- and second-level monsters, and there are hundreds or even thousands of them. But the protagonist now has a golden elixir, and the demand for blood essence is still insignificant. It only takes twelve drops of essence and blood to complete the third level dragon! Then you want to fully obtain a monster talent. Do we need hundreds of dragons of the same species? How could there be so many dragons of the same kind for the protagonist to kill! Even if there is, this is only one kind, only the third level. What about other types? Each kind has such a large group. Even if there are hundreds of third-level tribes, will there be no fourth-level ones? This is only the third level situation! What next? What to do with level 4 or level 5? Where can I find this kind of group?

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Su Shuangjiang can find an opportunity to accept it.

Are there many female protagonists? Forget it if they are too stallions. I have three female protagonists who look like them in Chapter 120.

The book is a good book. The advantage of this book is that it does not have some brainless villains and plots. However, the shortcoming may be that it is too strict and lacks some ups and downs in the plot. The author sometimes arranges one or two protagonists to fight, but it seems to be temporary. It is not the kind of staged contradictions that are foreshadowed and then climaxed, so the plot tension is still not high. Enough, tending to be bland, for example, like Dou Po, Xiao Yan sought Qinglian's inner fire in the early stage and planned it for a long time. Finally getting it was considered a small climax, and the three-year appointment with Yunlan Sect was considered a medium climax, etc. The continuous foreshadowing in the process will also attract readers to keep watching in the hope of achieving that goal. Finally, it is achieved, which is a kind of refreshing and satisfying feeling. The main theme of this book is that the protagonist continues to practice, and then relies on Goldfinger's mediocre plan to seek blood essence. It may be said that the improvement of the realm such as foundation building and elixir formation in the future is a hope, but I don't think this is a special climax of the plot. I personally feel that the author can loosen up the plot arrangement a little, and arrange some important treasures or relatively strong life and death crises. High risks equal high rewards, which will bring high satisfaction. The protagonist can be very obscene or wretched, but if he encounters some important treasures, the protagonist must stick to his plan first, and then take action when it is time to take action at the critical moment, achieving the goal, etc. In addition, this book is really very similar to Immortal Cultivation and Turtle Walking. I even doubt whether the two authors have communicated with each other in private.

I'm so afraid of the author's knife now! The heroine must not die! I hope that an opportunity can be arranged for the heroine in the future, so that the heroine can follow her. Isn't it a waste of time to keep the heroine even if she is hooked?

How about you just let me read the book for free 😏

The author would like to add skills such as divination. There is no divination in the world of immortality. It feels like something is missing. For example, it would be good to add some magical power to monsters to increase their luck, or to sense danger on a whim.