All the Mythical Class Holders Are My Employees

The latest employee, Qingmei, became someone else's girlfriend. It was explained that someone wanted her to be his girlfriend or else he would kill the protagonist's employee. Qingmei became his girlfriend to prevent the protagonist's employee from being killed by others. The person who wanted to kill the protagonist's employee was killed by the protagonist's employee. The follow-up has not been updated yet. I don't know if the author will write that Qingmei returns to the protagonist's employee, and this employee is adopted by Qingmei's parents. You can decide whether you want to watch this plot or not.

I really didn't understand the plot of the latest chapter. There were a few obvious poisonous points. It can be said that I was already eating up the setting. First point, as mentioned earlier, how rare and powerful the epics are. Two epics even went to the extent of starting a war with aliens. As a result, knowing that the three epics and one legendary in the paradise were guaranteed, which is equivalent to the level of human nuclear weapons, two or three people came to the park. Is it true that in the early stage it only exists in the sky, but in the later stage it is not as good as a dog on the roadside??? The Novice Village hasn't even been released yet, brother!!! Second point, if the human race is a strong race, it can fight one against two, one against three against the alien race. I can understand that the people above are afraid that the protagonist will share the cake. The critical crisis of the genocide of the human race is right in front of us. The high-level envoys also push the paradise to the hostile side of the human race, which is equivalent to hanging a Sword of Damocles over the head of the human race, which may be in danger of genocide at any time. The third point, logically speaking, the most enjoyable part of a book with this kind of setting is that the members of the park usually show off, and the protagonist pretends to be awesome at critical moments. As a result, the protagonist is always running around, and the band members have been reduced to tool people who provide experience. They occasionally mention a few words during the settlement and then disappear. Last point, during the first Rabbit dungeon, passers-by on the roadside said that the protagonist's approach was unwise and forcibly subdued him. Now the protagonist also said that the emissary was stupid and bad. The author clearly knew that these were mindless subjugation plots that readers did not like to read, but he still wanted to write them to disgust the readers. The original intention of writing this is also to hope that the author can handle some details in the book better, and the book can go further. The author's writing, fighting, and setting are all in line with my taste, so I read it every day, but this kind of poison from time to time is equivalent to a rat droppings appearing in a pot of soup. It is really unbearable!

It's too deliberate. When the enemy is strong and we are weak, it is normal to be angry. Little Japan has suffered a lot from the Yankees, but he still swallows his anger. His writing is not even as good as Little Japan. A little verbal dispute exposes himself. He has no scheming, but he still feels that he is very shrewd and strategic. .

Forget it, copy it, the pace is not as fast as that of Tomato 😥Who has the heart to slowly watch your plot progress?

It has been removed from the bookshelf, but I can't help but come back to say a few words. The author is crazy about feeding readers💩

This is it, and it can be included in the selection. As expected, there is no best, only the best. If you have a stronger contrast in the same direction, you will stand out.

A certain 🍅 has a book with the same setting, the same theme, and the same name. That book is really enjoyable, but this one is not as enjoyable as it is. It is a brainless and aggrieved book.

It's tasteless, and it's a pity to abandon it. I like the style and structure, but there are too many poisonous points. I can understand it as a new author, and I hope it will be better in the future. After writing it, first look at the logic to see if it makes sense. Why is the villain a villain? What interests are there? You can't just write a villain and say he is the villain. You have to write out why he does what he does. For example, why does this God teach him to do what he does? If he can lurk for so long, at least his brain should be fine. It must be because of some interest issue that makes him do this. Is it possible to be anti-human without logic? Also, your protagonist's background is a time traveler. How many years has he lived? Why does he still have the mind of a little kid? He couldn't write an IQ story, so he just wrote it as a battle. It's like a 01 business war movie. It's a child's play house. Your subject matter is very good, but the way you write it is problematic. You really can't find a few popular articles on immortality, science and technology, etc., Copy their character descriptions and battles of wits and courage, and change them. Also, your background is about the survival of the race, so why is this internal fighting method? Don't talk about trying to win over, at least stay neutral, or observe, if you look unhappy at first sight, just arrest him, right? Are there any conflicts of interest? Also, the protagonist's early abilities are so limited, but in the end, he catches just one of them, and he catches a lot of traitors by following the clues. Everyone else is doing nothing for him. How can he stay undercover for so long if he is so easy to catch? The character descriptions are also not good. I saw more than 120 pictures, and the only one that is more distinctive is the professional war director of the city where I start. I don't understand how they got others to sign the armistice agreement when they were so cowardly. It's not about taking the overall situation into account. Can you write about the three pillars? Why are the other two parties all targeting one party? Are you strong? Being targeted like this, he still managed to survive. There are many places that I don't understand logically. Why does the protagonist take so many chances when dealing with things? I've suffered losses twice, but I'm still arrogant. It's been more than 100 chapters, and it's time to grow up. After all, I traveled through time and lived for a few more years. It's better to set it as a local, and even a local is not so brainless in this crisis-ridden situation. Let's be less poisonous.

Are tomatoes the same?

Are you complacent about releasing poison? At around Chapter 100, if you make an enemy with a strong background, it's okay. If you make an enemy that's unbeatable, that's normal. Then you know he's going to use his background power to check you. You have a perfect way to avoid it. So why do you have to leave a tail for others? You also ask whether it is better to fight Tyson or Tutu? The way you beat Tyson is to tell Tyson the location of your home, and then tell him that my mother will stay there. If you catch her, I will let you eat her? It is indeed a good idea to sign employees and reset Tyson's level to zero, but you didn't know it afterward? Yes, he can give you a job, but is the career you gave him bad? And since he can't find you anyway, avoiding him perfectly is also a good solution. Negotiating, deceiving, or even changing the location can still deliver the contract to Tyson if you do it again. You have to expose your skills.