A Military Household in Ansai at the End of the Ming Dynasty

I endured reading a few chapters, but I really couldn't stand it any longer, so I just stopped reading after being slapped with a military stick. The ancestors have told you that no one dares to cause trouble for a fierce and ruthless person, and they will make themselves look like fools. Let's not say that a peasant is not physically strong to begin with. If you have a good hand with a military stick and a few sticks can hit your spine, you still dare to let others beat you. What do you think? Still the same old routine. I really can't stand it anymore.

I have written many books about Old White Pig. I have been writing them for ten years. I have rejected many books, and even a dozen of them were not successfully signed at the beginning and were rejected. This one was successfully signed. I will write it with all my strength. I hope to get everyone's support. I will write it as my last book, which can be regarded as an explanation of my writing career.

I'm a novice enough. The author has never been severely beaten by society. He acts in ancient times with the thinking of modern people. He is a military household, not an official. You guarantee it. You use your mother's guarantee and give those conditions. Who will believe you? It's funny.

Xiaobai can read it and use modern thinking to think about it. If you don't die, no one will win over you.

This is a historical text, so you are not required to use classical Chinese. However, at least the words should be concise and concise, the spoken language and the written language should be clearly distinguished, and no modern words should be used. These requirements are not excessive, right?

The book "Ming Mo" is written very well.

Methods of building a sense of picture External stimulation: the starting point of the event, the external factor that triggers the character's reaction. Description of expression: The character's subconscious reactions, such as frowning, closing eyes, etc., Reflect inner emotions. Action description: specific actions of the character, such as pushing, rubbing, pushing away, etc., To show reactions. Language description: characters' dialogue or soliloquy, expressing emotions or thoughts. Psychological description: indirectly reflecting emotions through the character's inner thoughts rather than directly describing emotions. Writing formula The article proposes a general formula: external stimulation + demeanor + action + language + psychological description. This formula is suitable for the construction of short stories, novels and unit plots. Notes Reader logic: The writing order should conform to the reader's reading habits, not the simple order of receiving events. Emotional expression: Indirectly reflect emotions through actions, language and facial expressions, and avoid direct descriptions of emotions such as "fear" and "anger". Environment description: Optional, unless used to enhance the atmosphere or polish. Okay, although there is no absolute "mathematical formula" that is universally applicable and can guarantee results, there is indeed a set of **highly effective, dismantling, and practiceable combination of core elements** to build a picture. We can understand it as a "recipe" or "formula framework": **Core picture sense "recipe" = sensory details + figurative language + dynamic sense + precise metaphor + emotional projection + perspective and rhythm** Let us break it down one by one: 1. **Sensory details (especially visual, but more than that): ** * **Visual:** This is the core. Describe shape, color, size, texture, light (light and dark, shadow, reflection), spatial relationships (position, distance, overlap).         *   ：` + + + + `         *   *：* "**The rusty** (material)**square**(shape)**iron**(material)**mailbox**, **alone** (location/status)** nailed to the faded blue painted wooden door** (location), **the afterglow of the setting sun** (light)** gave it a warm orange halo** (light + color)." * **Hearing:** Sound can greatly enhance the sense of presence.         *   ：` + （）`         *   *：* "****（）****（）****（）****"     *   **/：**         *   ：`// + /`         *   *：* "****（）**** ****（）****（），****（）"     *   **/：** Very capable of evoking memories and atmosphere.         *   ：`/ + /`         *   *：* "**** ****（）****（）" 2.  **：**     *   ** > ：** Replace vague concepts with real, tangible nouns and verbs. * * *Formula conversion: * "He felt sad" (abstract) → "**He sat by the window, digging at the faded window frame unconsciously with his fingers, staring blankly at the empty swing downstairs**" (concrete). * **Noun:** Use specific and vivid nouns. Instead of saying "flower", say "**wild daisies** stained with dew" and "**dry and curled rose petals**". * **Verbs:** Use precise, powerful verbs. Instead of saying "walk", say "**stagger**", "**jump**", "**quick step**", "**pace**". 3. **Dynamic sense:** * **The power of verbs:** Choose verbs that can reflect the strength, speed, and method of the action.         *   *：* ` + (+ /)`         *   *：* "**** ****（），****（）****（）" ( "")     *  **Suggest Time Flow/Change:** Even a static image can add movement by hinting at its origin or impending change.         *   *：* "**，**" () 4.  **：**     *   **：** /，                                                     *          * Formula fragment: * `Ontology + like/like/as if + metaphor (+ similarity)`                                            *  *  *  *Key: * The metaphor should be **fresh, appropriate, and serve the atmosphere**. Avoid clichés.                                                                                                                * Example: (Use "silver bell" as a metaphor for "laughter", the similarity is "crisp, sweet, and penetrating") 5. **Emotional projection/atmosphere rendering:** * **Choose details with emotional color:** The details depicted can convey the mood and atmosphere. * *Formula ideas:* What emotion do you want to convey (loneliness, joy, depression, mystery)? Choose details in the scenery that reflect this mood. * * *Example (solitude):* "**In the gaps between the steps of the old house, a few stubborn weeds trembled slightly in the wind.**" (The "tenacity" and "trembling" of the weeds imply the vitality and fragility in loneliness). * **Use of adjectives/adverbs:** Use adjectives and adverbs with subjective emotional color (such as "sad", "happy") with caution, and try to let the details speak for themselves. But sometimes a precise adjective can add the finishing touch. * * *Example:* "**He smiled a tired and sincere smile.**" ("Tired and sincere" accurately conveys complex emotional states, and has more visual and emotional depth than simply saying "He smiled"). 6. **Perspective and Rhythm:** * **Observation Perspective:** Whose perspective is the picture seen from? Is it a panoramic scan or a close-up focus? Looking straight up, looking up or looking down? Perspective determines how readers "see". * *Formula ideas:* `Who is watching? + What to see? + What do you think? (Distance/Angle/Sequence)` * **Language rhythm:** Short sentences can create a tense and fast picture; long sentences are suitable for laying out soothing and complex scenes. Punctuation (especially dashes and ellipses) can also affect reading rhythm and visual pauses. * * *Example (short tempo):* "**The door opened. Black shadow. Gunshot.**" (Fast, impactful image) * * *Example (slow tempo):* "**The setting sun slowly sinks into the embrace of the distant mountains, turning the clouds in the sky into a piece of gradient silk from light gold to deep purple, and the lake surface is like a huge piece of molten gold, reflecting this magnificent ending.**" **How to apply this "formula":** 1. **Clear the core image:** What is the most critical image you want to bring to the reader's mind? A letter? A person's expression? A landscape? 2. **Activate the senses:** Focus on the core image and ask yourself: * What exactly does it look like? (Shape, color, texture, light) * What does it sound like? (If there is a sound) * How does it feel/touch? (Temperature, texture, body sensation) * How does it smell/taste? (If relevant) 3. **Representation and Verb Choice:** Use the most specific and precise nouns and verbs to describe these sensory details. Avoid vague adverbs such as "very" and "very". 4. **Inject dynamic/change:** Is there movement in the picture? Or a hint of impending movement/change? 5. **Looking for an appropriate metaphor:** Is there a precise and novel metaphor that can instantly light up this scene? 6. **Enhance atmosphere/emotion:** Can the details and description methods you choose naturally convey the emotional atmosphere you want? 7. **Adjust perspective and rhythm:** From which perspective is the best description? How to arrange the length of sentences to enhance the effect of the picture? **Important Tips:** * **Observation is the basis:** The effective application of this "formula" is rooted in careful observation of the real world. Pay more attention to the specific shapes, sounds, and textures of things around you. * **Restraint and choice:** Not all details have to be piled up. **Choose the details that are most expressive and best serve the theme and atmosphere**. Too much is not enough. * **Serve the whole:** The sense of picture serves the story, emotion or theme, and cannot be used for the sake of the picture. * **Read more and practice more:** Read excellent literary works and analyze how the author constructs a sense of picture. The most important thing is to practice writing more and try to describe different scenes and things. **Summary:** Although it is impossible to provide an absolute formula like mathematics, by following the combination formula of **"activating multiple senses + using concrete and precise language + capturing dynamics/changes + finding appropriate metaphors + projecting emotional atmosphere + controlling the rhythm of perspective"**, and through continuous practice and observation, you can significantly improve the picture-building ability of the text, making readers feel as if they are actually there.

You pointed out a crucial detail in the description of the environment - the layering of the sound of rain directly constructs the auditory picture of the rain. Using a general "rain sound" is disastrous. Accurately distinguishing rain sounds of different intensities and different falling points is a key weapon to create a sense of immersion. The following is a breakdown of how to use precise words and multi-sensory linkage to present the sound pictures of different rain patterns to avoid description collapse: Rain sound grading dictionary (from weak to strong): 1. Extremely light - almost silent: · Characteristics: The rain is extremely fine, almost like mist. It does not break when dropped, it only moistens the surface. · Exact word: · Onomatopoeia: rustling (very slight friction sound, requires a very quiet environment), almost silent. ·Visual/tactile linkage: rain and mist, drizzle, wet clothes, dark water marks slowly spreading on the ground, fine water droplets condensed on the surface of leaves, rolling down silently. · Atmosphere: Quiet, hazy, gloomy. 2. Light - Background white noise: · Characteristics: Raindrops are dense and even, the sound is soft and continuous, similar to a stable spectrum. · Exact words: · Onomatopoeia: rustle (the most classic gentle rain sound), patter (with a slight rhythm). · Metaphor: Like spring silkworms eating mulberry leaves, like countless tiny fingertips caressing all things. · Sensory linkage: · Hearing: Continuous whispers, even breathing between heaven and earth. · Vision: Thin rain curtains, intermittent water lines hanging from the eaves. · Touch: The air is moist and slightly cool. · Atmosphere: Quiet, soothing, and slightly melancholy. 3. Medium - Clear sense of rhythm: · Characteristics: The raindrops become larger and denser, making a sound when they fall to the ground. Individual impact sounds can be distinguished, and the sound differences on different surfaces appear. · Exact words: · Onomatopoeia: bata bata (the clear impact of raindrops hitting the hard ground), tick-tick-tick (the crisp sound of falling on metal/plastic/leaves), crackle-pop (the slightly muffled sound of falling on dry leaves/earth). · Metaphor: Like countless small drumsticks gently tapping the earth, like broken pearls rolling down a jade plate. · Sensory linkage: · Hearing: The rhythm of raindrops hitting the window glass, the soft sound of ripples in puddles, and the sound of a trickle starting from the drain pipe. ·Visual: Small water splashes appear on the ground, leaves tremble frequently, and rain lines are clearly visible. · Touch: The raindrops feel slightly cool to the touch when they hit the skin. · Atmosphere: Vibrant, busy, slightly noisy. 4. Big - Roaring and drowning feeling: · Characteristics: Rain pours down, the sound merges into a huge roar, the sound of individual raindrops disappears, and the sounds on different surfaces are "drowned". · Exact words: · Onomatopoeia: hurray (the most typical sound of heavy rain), gurgle (more emphasis on continuity), rumbling (often accompanied by thunder, emphasizing momentum). · Metaphor: Like the Tianhe River bursting its banks and pouring down, like thousands of war drums beating at the same time, the world is covered behind a huge water curtain. · Sensory linkage: · Hearing: The deafening roar of the rain curtain, the iron sheet/tiles on the roof were smashed loudly, the rainwater roared in the ditch, and the human voice/car sound was completely covered up. ·Visual: A vast expanse of white mist, rain lines as thick as whips, splashing water, ground water flowing into rivers, and visibility plummeting. · Touch: The raindrops hurt people, the air is cold and humid, and the rain soaks through clothes instantly. · Atmosphere: violent, depressing, powerful, suffocating. 5. Heavy rain (extreme): · Characteristics: On the basis of "heavy", accompanied by strong winds, thunder and lightning, the sound is extremely destructive and oppressive. · Exact word: · Onomatopoeia: Crackling! (Emphasize that the raindrops are big, fast, and hard), wow—! ! ! (Drawling sound, emphasizing the continuous and huge impact). · Metaphor: Like countless hailstones hitting the earth, like the gods pouring waterfalls above their heads, the whole city groaning in pain in the rain. · Sensory linkage: · Hearing: The scream of the strong wind whipping the rain and whipping everything, the thunder bursting in the rain curtain, the crisp sound of tree branches breaking, and the loud sound of objects being blown down and hit. · Vision: The world is in chaos, lightning tears through the dim sky, and the streets instantly turn into torrents. · Touch: The strong wind makes it almost impossible to stand still, and the rain is bitingly cold. · Atmosphere: Catastrophic, doomsday, extremely dangerous. Key skills: Multi-dimensional description beyond onomatopoeia 1. The surface material determines the timbre: · Tile/iron roof: crackling (high-frequency crisp), tinkling (metal). · Leaves/grass: rustling (soft), swishing (when it rains heavily). · Mud: Puff puff puff (a dull sound of absorbing water). · Concrete floor/slate: rattling (clear), splashing sound. · Water surface: Tick-tock (small), Ding-dong (medium), Plop (large). · Car windows/glass: crackling (clear impact), rushing sound of water washing. · Umbrella: bang bang bang (the dull sound of raindrops hitting the umbrella cloth). 2. Spatial layering to construct the sound field: · Close shot: The sound of raindrops hitting the window sill in front of you, the sound of water dripping from the eaves on the stone steps. · Medium shot: The rustling of leaves in the yard and the gurgling of rainwater flowing into the drainage ditch. · Long view: The rushing sound coming from the distant streets, blurred by the rain curtain, and the roar of wind and rain passing through the woods. · From far to near/from near to far: The sound of rain first sounded from the distant roof, then quickly spread to the window, swallowing the world in an instant. 3. The dynamic display of time changes: · Crescendo: The rustling sound... Gradually became denser and thicker... And finally merged into a deafening roar. · Fading off: The thunderous rushing sound finally became exhausted and gradually thinned out into a clear tick... Finally, only the water droplets on the eaves were left stubbornly beating on the bluestone. · Sudden change: After a thunder explosion, it seemed as if the gates of the Tianhe River were suddenly opened, and torrential rain suddenly fell! 4. Interaction with other sounds: · Covered by the sound of rain: His shouts were instantly swallowed up by the roar of the rainstorm, and the car horns seemed weak and distant in the rain curtain. · Prominent in the sound of rain: The sound of strong wind tearing at the old wooden door is particularly harsh during the intervals of heavy rain. Occasionally, a shrill crow penetrates the thick rain curtain. Golden rules to avoid crashes: 1. Exact match: The onomatopoeia/description chosen must strictly correspond to the rain intensity and scene you want to present. 2. Multi-dimensional verification: never describe sound in isolation! Be sure to incorporate: · A visual description of the rain itself (rain line thickness, density, splash size). · The reaction of environmental objects (how leaves shake, how water flows form, the state of the ground). · The character's sensory experience (how does it sound? How does it feel on the skin? How is the vision blocked?). 3. Consistent logic: If the previous text is "a drizzle", but the character hears a loud "crash", or the clothes are instantly soaked, this is a system crash. 4. Serving the atmosphere: The sound of rain is a powerful atmosphere tool. The sound and description of the rain you choose must match the overall mood you want to create (is it tranquil? Sad? Tension? Furious?). Example (moderate rain): (Visual foreshadowing) The sky is getting darker and darker, and the lead-gray clouds are heavy and heavy. The thin rain lines gradually became thicker and connected into a piece. (Core of Sound) The raindrops began to hit the windowpane forcefully, making a clear and dense pattering sound. (Environmental reaction) The leaves of the old locust tree in the yard swished together under the wash of rain. (Spatial level) In the distant alley, rainwater flows into the drainage ditch, and there is a continuous gurgling sound. (Character Senses) He stood by the window and could feel the moist coolness in the air. A few drops of rain falling in fell on the back of his hands, bringing a slight chill. Summary: The sound of rain is not background noise, it is a dynamic scene with volume, texture and emotion. By accurately grading vocabulary (rustling/battering/clashing), combining surface material timbres (tiles/leaves/water), constructing spatial levels (near/middle/far) and dynamic changes (crescendo/decrescendo), and always closely linking it with vision, touch, and atmosphere, you can use words to "record" an immersive symphony of rain sounds, making environmental description a solid pillar that supports the writing style rather than destroying the system. Your keen attention to nuances of detail is a key trait in great writing!

It's better to open up your writing a little louder, and then don't worry about economic logistics, and don't worry about all the messy burdens. Just grab it in one sentence, using the three horses of the Tang Dynasty to divide the fat. It's simple and crude, and it has combat effectiveness. It doesn't need to be a headache to write, and it's fun to read.

Like a primary school student's composition, the Manchu text is full of immaturity. A time traveler constantly competes with ancient people for physical fitness and strength. If you don't see the time travel, the protagonist Xiaoqiang, who has an aura and can't be beaten to death, is boring.