No Ultraman? Then I’ll Fight as a Monster

Have you ever been a monster? I take some things for granted and write them in a messy way

Although it is from Lu, there are surprisingly no poisonous points. The protagonist is not mentally retarded and is decisive in killing. The author also knows Ao's settings very well. It is much better than those who just write it out without knowing the settings.

There is no forced reduction of intelligence, forced suppression of combat effectiveness, selling the dog's meat over the sheep's head, and forcibly writing the original plot for the sake of hydrology. Pure monster battle, beautiful numerical values, very good monster battle text, there will be no situation where the enemy's combat power is beyond the limit and the protagonist cannot cope with it, nor will there be the boring situation of the ten-chapter and nine-chapter original drama, which only has one chapter of monster war, where you just kill every evil monster and spaceman you see. The combat power is upgraded quickly but it is not super-model (because the upper limit of combat power in the Ultraman world view is too fierce), a very good monster development story. If you continue to write at this enjoyable pace, and don't engage in literary youth, and don't create a plot that is just to complete the plot and not let readers enjoy it, it is completely worthy of a masterpiece. Highly recommended for readers who like monsters.

The protagonist's golden finger is very strong. After the initial development period, he will become more and more invincible through fighting. Perhaps it is precisely because this dark plane where there is no Ultraman but where the arcane villains gather is so desperate that the protagonist is forced to have a deus ex machina that is qualified to compete with the mysterious Four. (Don't forget that even the current teammates such as the trio of ultra-ancient dark giants and Masaki Keigo were not good people at the beginning. The other human body teammates cannot transform and are no different from ordinary people. It is really a hellish start!) The current protagonist's ability performance: 1. Cultivate monsters The monster is a monster, and the monster is of the same body as the protagonist. In the high-end version of Reblondo, the monster training game is embodied in the mobile phone, but there is reason to suspect that it is useless if the mobile phone is stolen. The protagonist can continue to start the "monster training game" if he changes to a mobile phone, a tablet, or even in his brain. 2. Create monsters. All killed monsters can be cultivated, and each monster will be the strongest among the same race after 100% cultivation. This means that these monsters may be some kind of real conceptual life. Although the form of expression is the same as the monsters in the apeng, the core is the character written by the protagonist, the "Demon God" in the "script", and is the incarnation projected by the thinking of high-dimensional life. 3. The monster star with unlimited energy can allow monsters to survive their weakest "infancy period", which is equivalent to the monster version of the plasma spark tower. 4. Use the copy ability to let the monster reach 100% cultivation. It can travel through time and interfere with cause and effect, the same ability as the Little Golden Man. Reblondo + Demon God + Small Plasma Spark Tower + Little Golden Man, just a game is nothing, in reality it would be too explosive. I speculate whether the protagonist merged with the Demon God in the dark plane when traveling (laughing), otherwise it wouldn't be so outrageous.

In the work, the protagonist inexplicably becomes a powerful department leader (hud captain) who can mobilize resources. It is actually quite dark technology. After all, there is not even a serious interview test. The protagonist does not even know what his department does, and there is no one to help hand over the tasks. I feel that the author took this for granted when setting it up But the setting itself I think it is actually very good and has a lot of room for development. Just like when the protagonist Changxiang was able to recruit friendly cosmic people from major works, especially those who provide black technology, I think this idea is very interesting. First, through the operation of this department, the protagonist can exert his own value in addition to front-line combat. After all, as a department leader, he has no achievements other than front-line battles every day. This is quite problematic, not to mention that most of the protagonist's own battles are not visible Secondly, through the black technology output of the protagonist, whether it is using the black technology of the space people, or the various black technologies developed by the Human Eagle Brand Technology, artificial arcana, etc., Can be improved through foresight, which can activate the combat capabilities of other troops, increase interaction with the original characters, and avoid the situation in which the good guys in the original characters are useless, and the awesome and useful people are all Eagle Cards As a middle-aged arcana fan, I no longer like the protagonist as a character. The old-school special shooting of an invisible hero taking on the world alone has been launched. Compared to the recent writing method that likes to crowd the protagonist with pressure monsters, I would like to see the protagonist interact with the traditional lawful and good defense team members, so that the defense team can have more highlights and help the protagonist defeat aliens and pressure monsters together, instead of just shouting "Come on 666" Nothing can be done In addition, the protagonist himself seems to have no specific ideas about whether to hide his identity. He is overly familiar with alien information and interacts with King Airei, and often does not demonstrate at all. This approach also feels a bit like asking for trouble, and it can easily attract stress monsters. I personally think that hiding or not hiding is acceptable as long as there is a reasonable reason. Of course, I prefer hiding. However, the protagonist's current approach is more of not considering this issue at all in the process of pretending. If you write a plot in the future where the protagonist is targeted by a pressure monster, it will easily lead to the problem of "the protagonist is stupid and gets into trouble." This kind of intelligence-reducing plot has a huge impact on the protagonist's image. Even if the protagonist uses a golden finger to get over in the end, it will be difficult to save him, especially to persuade him to quit.

King Ailei

If you have any favorite monsters, can you recommend them?

What does this book say? It can be regarded as a masterpiece, but the biggest feeling for me is that there is no main line. It is a step-by-step book that can pass the time, but if it makes you linger and can't wait to catch up, it doesn't have the feeling.

By the way, the eternal core was originally set to destroy all universes, but the translation was wrong and it said it would destroy the entire universe, directly reducing it from multi-dimensional to monomer. Which one does your eternal core focus on? Is it the original one or the wrong translation? !

The description of the protagonist facing major events basically messes up the mind. I have already said it before and I am used to it. If it is described like this, it seems that the protagonist's mental growth has not kept pace with the growth of strength. As a captain, his mental growth is a little slower.