Make up Myths, and All Sentient Beings Will Help Me Become an Immortal

The words are a bit short, and the ideas are well summarized. The writing style is very rubbish. There are a lot of modernized words in the ancient feudal background, and the idiots are all out.

In fact, this system can perform the operation of Lord God Avenue.

It's okay to create an illusory world and convert it into reality. Or the fantasies and dreams of sentient beings to create a world.

There are also settlement rewards. Why does it feel like a one-time deal? You must know that in ancient times, news transmission was very slow. For example, it would take several months for remote places to know what happened in the imperial city. You can settle the matter in a few days, and the settlement can only be based on the points provided by the people where the incident occurred and the people in the court. How much is this? Compared to the whole world, it's not even 1%, right? It would be better to build a marquee or something like that and place one in places with a lot of traffic.

I thought it was purely about cultivating immortals, but when the Yin Division came out, it was just like a myth. I felt that these two were incompatible. The cultivators were immortals and demons. Don't do the Yin Division's bull-headed and horse-faced trick. It felt like a drama.

Your level is here now. When the demon clan comes out, will your gatekeepers also come out? How many come out? It all depends on you to pretend. No matter what happens, only one cultivator will appear at a time.

To be honest, the script was a bit too, how should I put it, sloppy. Writing about big scenes is almost impossible. You have upper-level reactions but no lower-level reactions. The perspective is too narrow and lacks an epic feel. The entire script is a one-shot deal, and your gains seem reasonable, but there is a lack of foil and subsequent impact. It is difficult to get a subscription.

It feels a bit petty. Cause and effect or something. If the protagonist needs it, it will be there. If the protagonist doesn't need it, it won't be there.

The writing style is very awkward. I suggest using the immortality template and letting everyone kneel down to be the protagonist's dog. Then slowly manifest Taiyi Sect or other sects. Then write about other worlds.

It feels okay, but it's outrageous that the system allows debts to be owed. Imagine, wouldn't it be profitable to directly find the cheat point where the system owes millions and then create a projection that most people can see? For example, if a large number of battles between immortals and demons are projected, or a large number of cracks appear in the sky, and the cracks are full of monsters, and then there is a suppression by gods and gods, this will not take off directly.

It's too colloquial, full of words like WC, which makes it difficult to read.

The writing is rubbish, the plot is fluent, there is no imagination at all, and the characters are as good as tomatoes

I read a little bit, the subject matter is okay, but the plot..., Your image is in the extraordinary world, but for some reason, the cultivation of immortals is cut off.

When you engage in a mysterious resurgence, the cause and effect is a bit awkward and blunt at first, and then the deal with the emperor is too straightforward, and you don't know how to turn around at all. If you are pretending to be awesome, you can also pretend not to understand. If you don't know how to write, you can refer to "Fengshen" to make the fortune of the dynasty. Two or three groups of immortals need to recruit talents because of the shortage of manpower for the Jade Emperor. King Wu joins the world to defeat Zhou, and when he dies, he will be sent to the heaven. The characters are brought in to perform under the general background. In a script about the change of dynasties, everyone from the bottom to the top is not spared. The general background is set up, and then the five declines of the immortals are made, but the author is afraid that the writing power is insufficient.

Forget about poor writing skills. Look at other spiritual writings. Only monks call each other immortals. Mortals should call each other immortals. Don't just call yourself immortals.

Goldfinger has too many restrictions. What you want to see behind the scenes is to deceive all sentient beings and play with the world. What you want to see is the lives of others changed because of the protagonist's actions, so you can do this.

In the latest chapter, the protagonist ends the retreat and sees the system prompting that the Red Lotus Witch is causing trouble. Next, King Zhou comes to talk about what the Red Lotus Witch is doing. As a result, the protagonist looks confused and wonders if life is serious? So the price for the protagonist to become an immortal is to burn his brain, right 😁, he really doesn't use his brain at all

If you are already a gangster cultivating immortality, why are you still playing with cause and effect? It's a bit nondescript!

You've already practiced the art of seizing luck, but if you become a fucking national master, wouldn't you have more luck if you directly become an emperor and conquer the world? I've been writing this for so long, but the exercise is just like a decoration

Chapter 1, because I was the only one who came in, but I ended up telling me which master said that there are no immortals in the world. He made it clear that he knew it, and then went on to talk about the background of the protagonist. He didn't understand the behind-the-scenes at all. You don't want to be involved with this family. Why don't you wear it directly? You insist on an identity, and then you dislike it and don't want to be involved. What is the meaning of that identity? Since the meaning of family has no meaning, why should we add superfluous things and make it unnecessary? Somewhat dissuaded

Looks like he's a eunuch. I'll block this one and take him away to see the next one.

Things that cannot be eaten are bad luck

I'm already a eunuch, but I still read comments.

Why did the editor dare not write this book boldly? There are no opponents, no dead people, look at others, Naruto: I who fooled the ninja world was regarded as the savior, the same novel, others boldly write, for their own purposes, no longer calling for genius, not caring about destiny, not afraid of the protagonist, because there are cheats and goals, future achievements will not be lower than anyone else's future, kill kill kill, climax after climax