It's All Real Experience, So How Are the Other Actors Supposed to Perform?

Being human in two lives, traveling through time, and being hooked, the hook can instill all kinds of languages ​​down to the mother tongue level. So, author, if you think about it from your perspective, would your first reaction when encountering this situation be to look for various scripts such as martial arts, superpowers, superpowers, high technology, etc. To see if you can instill it? Even if it doesn't work, then top technologies from all walks of life can, right? The result? Author, aren't you embarrassed after reading it yourself? Author: Do you know the social status of the masters in various technical industries, especially the top masters on the high-tech side? The IQ of Pig's Feet is equal to the author's knowledge. It's been more than a hundred chapters, but I'm still nervous and embarrassed when meeting some actor or actress. It makes me sick with embarrassment. To sum up, the author is a writer with a bias towards knowledge and knowledge, and everyone is smart!!!

It's not because the culture accepts your culture, it's because your fists are so powerful that others have to accept it. The protagonist's operation is very strange and he is unstable at home and still wants to show off abroad. Why do foreign stars endure the temptation to say that they love Chinese culture and it's not just about making money. Chinese people have very little understanding of their own culture.

The tone is too high. It starts with a three-time Best Actress and a top domestic director. The protagonist has no room for improvement. The system does not give the protagonist any room for improvement at all. It is a one-step approach. If you shoot two movies in China, you have to make them overseas. Your system is so powerful. After reading the script, you can speak Japanese and foreign languages. According to this, there is no need to play the role of Shenjing Bing at the beginning. It would be better to just play the boss of an Internet company, a technology company, or a business elite. Anyway, the protagonist can enter the script, and he will understand how to make money in his mind. Let me mention your system again. Since it is so powerful and the protagonist can travel into the script to experience it for real, why not write it in detail? Create the characters in the script more fully. Write down the character's background, life, experiences, thoughts, etc., Because you have assumed the role of the character himself and you know everything about him. Like the villain in "The Perfect Specimen", what did he think when his sister and mother died, what did he think when he killed his father, and wasn't he a serial killer? The feeling must be different every time he kills, right? Don't you write about these? Then, when writing dry dialogues when acting, how can this have a sense of immersion? At the very least, it must give readers a space for imagination. But I haven't written much about this kind of thing. I just travel into the script, and then come out and start acting. People around me praise my performance and say it is great. What's so great about it? Isn't the selling point of this novel real experience? Isn't it these four words? It feels like the author is putting the cart before the horse a bit. Also, the writing is too detailed, from the strands of hair to the high heels, the key details are not worth writing about in detail. He always describes his appearance, hair, and what kind of glasses he is wearing. When he is nervous, he rubs his fingertips on the seam of his pants. This is not a female video, so there is no need to write such things. The protagonist's character is a bit morbid, and he always looks cold to everyone. Then all the actions of the protagonist are all misunderstandings, relying on the imagination and speculation of the people around him. He just doesn't understand anything. He is shocked and nervous with a cold face. If he is shocked and continues to have a cold face, the people around him will start to have random thoughts. Isn't there anyone who doesn't have random thoughts? The most ridiculous thing is that the protagonist has a dog-licking heart under his cold appearance. As soon as I called the protagonist, I was very excited. A series of psychological activities, hints, and even touching my thighs and knees with excitement. As soon as I connected the phone, I returned to that iceberg state. This kind of character is so lovable. This is not the White Lotus, but the White Lotus with some psychological problems. I feel like the author is a domineering president who falls in love with Silly Baitian. The protagonist usually pretends to be like a domineering president. As soon as he answers the phone, he starts, wow, she called me. This protagonist could have had a character arc, but it was all gone. Every time he came out of the play or entered the play, he could write about what he was going to do and how to do it. However, every time the protagonist came out of the play, he returned to his iceberg appearance. It was all the imagination of the people around him. This kind of routine is enough once or twice. There is no need to use it all the time. It will get annoying if you watch it too much. Also, can I write five movies with 1 million words? We're going to do a talk show again later, but we won't be doing boxing, right? Caution, remember never to punch.

A flawed fantasy entertainment article!

I've read Chapter 14, what on earth are you writing about? The inexplicable script is completely unfamiliar to me. I don't even know the plot, and I have no sense of involvement at all. The big names rush to join in for no reason. It feels like I am writing a daydream. It is so unreal.

Just blur the memory, otherwise the memory will be confused, and the next memory will be sealed or something.

There's a freshness to the front and it looks pretty good. However, the story, meaning, and spirit were not expressed. The character of the protagonist was too rigid, with a sullen face, and an inhuman feeling. He talked to himself, and cared too much about his personal image. It seemed that the perception was a bit poor. I wonder if there will be any growth in the future?

Maybe I looked too fast? Why is it so confusing? I couldn't tell the difference between the inside and outside of the play several times, and I felt rushed. The main character kept spinning, and it was a cycle of acting + small theater from the beginning. All the plays were original and could not reflect any level. There was no difference between the B and the A. All the plays were only a small amount. There is not even a synopsis or anything in the part. The director and the director are going from low to high like fighting a boss in Dragon Quest. Now you have a legendary director in China and a top director in Japan. The next step is basically to pick up a few groceries and go to an S-level drama in Hollywood. In the end, it is a top Hollywood director plus a top script, right? The only thing that attracts me about this novel is how the author ends this farce. I bet 10 monthly tickets that this novel will be a eunuch.

Catkins

I have a question, the pace is too slow and not exciting enough.