Tokyo Writer Starts with Children's Literature

The protagonist may be a time traveler who has lost his memory, or he may be an indigenous person who has gained the memory of parallel time and space, so I have to give it a bad review. The protagonist can travel through time and become a child, or he can lose most of his memories from his previous life, but at least he must remember that he is originally Chinese. As for the protagonist being an aboriginal from childhood... This is simply ridiculous! !

The setting is very speechless The indigenous protagonist is 33 years old in 1995, has a four-year-old daughter, and his ex-wife ran away two years ago Relying on the memory of the earth, the manuscript was first submitted to the editorial department of the ex-wife (the ex-wife ran with the top writer who wrote a bunch of answers in the protagonist's mouth) The protagonist's goal is to save the Japanese literary world 🙂

The ex-wife divorced when the protagonist went bankrupt, leaving such a young daughter alone, secretly working for other men, and even being willing to become one of the many concubines that people call pirates for him. This can be whitewashed. I can only say it is a masterpiece.

The books chosen are so strange. They are all very famous books, but they are not all in the same system. I don't know if I should say that. They are like one in the east and one in the west. Compared with the villain, the male protagonist seems to be plagiarized at a glance. Over there, they are still choosing a theme and letting the gunman write it. Here, they basically just take out whatever can be pasted. Let those who don't know who is copying also choose the male protagonist, although everyone is indeed copying the book

Putting aside things like identity, amnesia, and ex-wives, I want to discuss the growth of the author and some of the natural flaws of literary fiction. I'm usually busy with work and don't have time to catch up on reading. I just had time this afternoon to read about twenty books. I lit a cigarette and thought about it, and I felt something was wrong, because I have actually read Night on the Galaxy Railroad, Little Peas by the Window, and Snow Country. These three books in order can be said to be separated. Why? Night on the Galaxy Railway is a serious fairy tale, a romanticized story. People at different life stages will have different feelings when reading it. When I first read it as a child, I thought it was very picturesque and imaginative. After reading it after work, it has more hidden information based on the background of the times. The protagonist copied it. I have no doubts about it for the time being. It is a fairy tale, a magnificent imagination combined with a hidden reality. Xiao Doudou, if you want me to say it, the theme is education, growth, history, a bit like the Italian "Education of Love". Simple language contains multi-layered information, and it is Xiaodoudou's first perspective. But here comes the problem. This book can be said to be the childhood experience of Kuroyanagi Tetsuko after she became an artist. She experienced World War II. I remember this was also hinted at in the book. The tone of the second half is very gloomy. Later I thought it should be about the bombing of Tokyo in 1945, the escape, and reconstruction. Needless to say, Snow Country is one of the representatives of Wusai. However, first of all, this book is not suitable for children to read. Secondly, the tone is too low-painful, futile, sad. In human terms, it is depressing and awkward. I have never realized the beauty. There is a picture in the middle where the villain Arima questioned the protagonist for plagiarism. Although he also found a gunman himself, at least what he wrote was systematic - ah, the bubble has burst, Japan is finished, we should die. The Night of the Galaxy Railway copied by the protagonist, positive energy, fairy tale; Xiaodoudou - childhood growth narrative during World War II (according to the timeline, the protagonist has not experienced World War II); Saga's Super Grandma (I have not seen it, so I will not comment); Snow Country - futility, nothingness. How does the protagonist of a literary novel gain such complex experience and experiences to support his numerous, wide-ranging, and varied writing styles? Of course, if it's a deus ex machina, and events trigger memories, it's quite reasonable to copy whatever comes to mind. I'll order a dozen copies to read when it's on the shelves, and I'll give it a thumbs up after reading the free chapters for so long.

Rather than just copying the flow from the system, use the surrounding environment to trigger inspiration and write works.

Bushgomen, do you have to do this kind of thing? Then why is there a horse? Can you let him go? It's really boring. The author doesn't think we like to watch you act crazy and get slapped in the face. It's only chapter 60. You belittling Arima like this will not make people feel happy. It will only make people think that Shiraishi Ruri is stupid and the original person is low. How good can Shiraishi Rin be born from such two people? I was so downgraded all of a sudden that I don't know where I went, okay?

Recommended by book friends for many years. In the fast-paced happy culture where modern systems run amok and literature is used to worship heaven, few books touch the hearts of readers as much as this book. Reminds me of the first emotion I felt when reading online articles. I have a little suggestion. I feel that the speed is too fast and there can be more foreshadowing.

It was a bit uncomfortable to submit for the first time, not to say it was unreasonable, but quite uncomfortable. After all, there is no need to mention things like ex-wives. If I did, I had to wait until the protagonist had a certain reputation: the first work was somewhat popular. Otherwise it would be too cliche.

I thought a lot and wrote a lot, but deleted them all. My evaluation of the recent chapters: Disgusting. I thought it was Wen Hao Wen, well, I didn't expect to eat a big lump. The author will continue to work hard and create greater glories

I don't understand. Doesn't it feel disgusting to write like this? After writing three books, you start to feel disgusted that you plagiarized? Either you change it to something created by his own talent, or it will disgust the audience with no explanation, or do you want to switch to urban civil and military affairs and start making movies, writing songs, and doing business?

The plot at the beginning where the manuscript paper was thrown away in the early stage was really dissuaded. . Totally cliche, deliberate and meaningless conflict

Wen Chao is an indigenous person? This is too weird

I have written more than 50 pieces of "Snow Country" so far, and they are still in limbo and have not yet been published.

The ex-wife definitely can't be cleared. She probably got divorced because she fell in love with the gunman. Judging from her attitude towards the protagonist, she is no longer the same person. It's not ntr. She has been divorced for many years and it's not cheating. It's just that in this case, the protagonist is unemployed. She has never looked for her daughter or the protagonist. The love is gone. There is no need to care about her.

1. Although there is no system, the memory is like copying and pasting, which is not much better 2. Writing a book will save the literary world,,,,, bragging, nerves 3. The writing style is sophisticated and smooth. Although there are many details that cannot withstand scrutiny, the writing technique is worthy of reference by newcomers. The novel is not good, but the reference is good. 4. Those places that I don't like are not poisonous points, so I will give you 7 points out of 10, food and grass.

It's really hard to evaluate now, it's hard to break down.

It doesn't look good. It's not opening high but still going low.

Isn't this book well written?

I have been a eunuch for more than 2 months, please read carefully

Now that that's all, can anyone recommend a similar book?

Are there any novels about the Cthulhu Mythos written by Rebirth?