Beasts of the Myriad Heavens: I Feed on Monsters and Demons
诸天恶兽，我以牛鬼蛇神为食
- Status
- Completed
- Length
- 1.5M Words
- Subgenre
- Infinite Flow
- Updated
- 7mo ago
- English
- Request a translation
Synopsis
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Reader comments 50
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The protagonist is a classical, chivalrous type. If this were a series of episodic dramas, then the protagonist in each episode would perform quite well. However, if the episodic series were strung together, it would actually become a bit visually tiring. In addition, the main character never really had a clear goal for the current stage.
I finally understand where the problem lies in the reality section. It's even more exhausting than the dungeon-like storyline. In the dungeon, things can be resolved with action, but many real-world problems are simply unsolvable. Reading it is emotionally draining and makes me want to escape and quit the book.
Is this the promise you made before?
Who promised that the realistic story arc would be shorter and focused more on action and excitement after the poor performance of the previous arcs? And this is it? Beating up a branch manager of a company isn't even a breeze, and you've written over ten chapters of realistic story arcs with no end in sight? And you expect it to do well? Do you really think your realistic story arcs are that good?
A brief review of this book
Let's first talk about the comparable works: Di Sha, Monster Slayer, Infinite Glory Scroll, and Guhuoniao. The Journey Through the Heavens | The Righteous Protagonist Regarding the multiverse system in this book: it's somewhat [disorganized].
Being sent to a death trap by your own people is really unpleasant, no matter how you try to explain it later, it's still unpleasant.
One or two instances of the official characters failing are fine, but too many make them seem incompetent. The key is that the official characters you wrote are actually quite good, but when trouble arises (with the protagonist involved), they become utterly useless, leaving the protagonist to struggle for survival. I think this kind of plot is completely unnecessary.
Welcome to everyone who clicked on this page. Below are some questions about this book.
1. The worlds depicted in this book are primarily original. Only a few worlds, similar to those in Journey to the West, are borrowed from other classic works. 2. The first story in this book, with its data and prop descriptions, serves to set the stage for the protagonist's victory against overwhelming odds, representing a unique opening.
It's getting increasingly pointless. Reality is suppressing us, but the villains are only getting happier, and they're all quite capable. What's the point of suppression? It's just limiting the actions of our own people.
Seeing the beginning of the Great Qin Heavy Industry arc, all I can say is that the protagonist, an official cultivator, lives like a rogue cultivator. The protagonist is from a respectable family; even the author himself stated from the start that his loyalty wasn't absolute, but it was definitely not.
What is reality writing? Is this some kind of pretentious, artsy escapade? I came to see your triumphant revenge, not to watch you suffer setbacks.