In the Myriad Heavens, I Reincarnated as a Daoist

First: I never believe in any powerful backers. I only believe in myself. Second: They don't believe in family ties or brotherhood. They don't trust anyone else. They only trust themselves. Third: Don't meddle in other people's business. Don't show off, don't get into pointless fights. Don't fight if you're not confident of winning, don't fight if you don't gain anything.

The problem is that the power levels in all the works are inconsistent. In *A Record of a Mortal's Journey to Immortality*, cultivators with weak physical strength can be killed by martial artists if they lose their spiritual power. In *Battle Through the Heavens*, speed is lacking; even a Dou Huang (Battle Emperor) is slower than someone riding a bicycle. In *Covering the Sky*, a King-level cultivator would be crushed by a million tons of weight.

The second world shouldn't have been written as perfect; it would have been much better to write *Covering the Sky* first. Writing it as perfect completely ruined the protagonist's charisma.

It's just that I feel like these descriptions of cultivators above the Nascent Soul stage are only ten zhang or a hundred zhang, and the previous statement that this object weighs no less than a thousand jin is also problematic.

They've been saying they're going to switch worlds since chapter 20-something, but now they're over 70 and still haven't switched worlds. Are they planning to switch worlds only after the book is released?

The protagonist's image has plummeted. Staying in the perfect state is worse than rushing to start transmigrating. The Dao is the foundation, yet now they are frantically chasing external things. The protagonist's cheat is that the world level is high enough, theoretically giving him an infinite advantage in comprehending the Dao. He just needs to find enough classic Daoist texts to refer to.

It turns out the protagonist's early talents in the "Mortal Realm" chapter weren't even mentioned. In other words, the exciting parts were gone, and it became no different from a typical fantasy novel.

The dungeons in Perfect World are terrible, not fun at all, and not visually appealing!

After its release, the protagonist described in the perfect script became too unconventional, failing to maintain the character's established persona and the hype surrounding it.

The protagonist repeatedly says he wants to leave the mortal world for a new world, but the readers have been waiting day after day and are still playing house in the mortal world. You gave the readers expectations too early, and then dragged it out for so long without fulfilling them, which has worn away the readers' expectations!