Li Yunlong Wields His Sword in the Northern Song Dynasty

The starting point of Lu Qian that Li Yunlong wore this time was too low - no money, no force and no reputation. Li Yunlong himself is just a revolutionary warrior. He does not have the super force to overturn the chessboard. He has not completed the palace fighting skill tree and has not learned the revolutionary theory well enough. This is really difficult...

My old account was banned and it was troublesome to appeal, so I changed my account to post. I've always been a fan of Lao Qiang, and I've been following Wu Dalang's book since I wrote just a few dozen chapters. After reading about a third of Emei, I didn't really want to read it, and when it came to Lu Zhishen's book, I had no desire to read it in depth. Lao Qiang, I can also see that you have been working hard to adjust, but I always feel that you are not out of your own world of ideas. First of all, Wu Dalang's book is based on the idea that Cao Cao is a famous historical hero. The contrast in the world of Water Margin and the thrill of crushing him with his strategic courage are supported by the writing style of Lao Qiang. This is the highlight of this book. In Lu Zhishen's book, although Master Lu is also very popular, the first reaction of readers is that in the star-studded world of the Three Kingdoms, although Lu Zhishen was rough and fine, he could not act against nature. In addition, he did not have Cao Cao's majestic temperament, so there was no sense of satisfaction. This book by Li Yunlong is really hard to give people the sense of contrast and excitement of entering the world of dimensionality reduction. I am afraid that Ximen Qinglai in The Golden Ping Meili could be more prosperous than Li Yunlong. After all, the Northern Song Dynasty still had to write about temple struggles, economic operations, and plans for external expansion. I hope Lao Qiang can think about it carefully. For example, if Zhang Zuolin travels through the Northern Song Dynasty or Du Yuesheng travels through the Northern Song Dynasty, will there be a better sense of contrast and satisfaction? It's just a suggestion, just like Shi Potian's feeling of killing randomly in the world of Swordsman and Low Martial Arts, and the feeling of Luo Tuo Xiangzi's temperament transforming into a Green Gang boss.

Brother Yunlong, do you still remember "Entering Yunlong" Gongsun Shengfu? It's just Chu.

Don't you know how to summarize? In your book about how Cao Cao succeeded in crossing Wu Dalang, wouldn't you just continue to write according to this routine, such as writing about Liu Bei crossing Songjiang and Lu Bu crossing Lin Chong?

I figured it out. Brother Lao Qiang was suitable for writing stories set in the Song and Ming Dynasties, because at that time the commodity economy was developed and the market culture was rich, which had many things in common with today's social life. It would be easy to adapt to other stories.

Taoism flourished in the Song Dynasty, and the belief in spiritual officials began to take shape. The name "Lei Zhenzi" was too ordinary. Or it is named after the spiritual official who controls thunder and fire to punish evil and promote good. Or the name "Yunlong" is named after the dragon that moves clouds, spreads rain, and drives away thunder and lightning.

Don't cut the books today and open more books tomorrow, which will make the brothers feel cold. I hope Lao Qiang starts well and ends well.

Oh, you didn't notify me when a new book was released, Lao Qiang's conscience is greatly broken 😜📖

We have traveled thousands of miles, fought against the invaders, and fought ideological battles. The mind has been baptized and the national consciousness is high. Warriors tempered by blood and fire come to a fantasy book about resisting feudalism. The characters in it have no ability to turn rivers and seas upside down, but no determination to stabilize the sea. Heroes who are less bound by strength than bound by thought long most for the redemption of thought. And when Li came, for those of them who couldn't see the road ahead clearly, like being tangled in shackles and scratching at random, their bodies were bruised and bruised, and their heads were bruised and bloody. Lee was the spark, the guiding light.

I think that in the Northern Song Dynasty, during the Huizong period, there was no food shortage in the early period, regional food shortage in the middle period, and regional food shortage in the later period. Don't forget that during the Northern Song Dynasty, China was a closed society and had the most prosperous economy in the world, and agriculture was the economic foundation. The overall agricultural technology in the Northern Song Dynasty was developed, especially the promotion of Champa rice (11th century), which increased the grain output in the Jiangnan region, making the south an important granary. In addition, the improvement of water conservancy facilities and land reclamation also promoted food production. So Huizong of Song Dynasty had no shortage of food in his early days. But the artist is a man who can destroy good cards. During his time in power, political corruption and tax oppression became an irreversible trend. During the Huizong period of the Song Dynasty (1100-1126), in order to build royal gardens (such as Genyue), "Huashigang" was forcibly collected, which led to the decline of the people in the south of the Yangtze River, farmers were forced to abandon farming and serve, and agricultural production was seriously affected. Exorbitant taxes and miscellaneous taxes: In response to the military pressure and extravagant expenditures of Liao and Xixia, the government increased taxes, causing farmers to go bankrupt, land annexation intensified, and many farmers became refugees. Floods in the Yellow River: In the late Northern Song Dynasty, the Yellow River burst many times (such as the big breach in 1117), flooding farmland in Hebei, Shandong and other places, causing large-scale famine and displacement. Droughts and locust plagues: Historical records show that regional droughts and locust plagues occurred many times during the Huizong period (such as the severe drought in the north in 1119-1121), which further weakened grain production. So in the middle period of Emperor Huizong of the Song Dynasty, there must have been a regional food shortage. When the Northern Song Dynasty came to an end, wars and water transportation were interrupted, and food shortages became serious regional and staged. -The Jin Army's southern invasion and war damage: In 1125, the Jin Army marched southward in large numbers. War in the north led to farmland being abandoned, people fleeing, and food production interrupted. During the siege of Kaifeng in 1126, the city's food supply relied entirely on reserves, which eventually ran out, triggering the tragedy of cannibalism. Paralysis of water transport: The Northern Song Dynasty relied on southern water transport to supply food to the north. However, the war caused the canal system (such as the Bianhe River) to be destroyed, and southern food could not be transported northward, exacerbating the food shortage problem in the north. Fang La Uprising (1120-1121): The uprising in the Jiangnan region directly impacted the main grain-producing areas, causing production to stagnate and further reducing grain supply. There is also the problem of refugees. Famines and wars have spawned a large number of refugees, forming a vicious circle: refugees are unable to engage in production, exacerbating food shortages and triggering more social unrest. So I think the food shortage problem in the late Northern Song Dynasty was not a nationwide continuous famine, but concentrated in the northern war zones, Yellow River disaster areas and besieged areas (such as Kaifeng). Although the south was affected by the uprising, its overall food production capacity was not fundamentally damaged. The direct triggers of food shortages are: political corruption, war damage and water transportation interruptions.