I Became a Singing King, and Only Then Did the System Finish Loading

What era are we living in that we're still writing about system puppets and task penalties?

The system is seven years late, and the reward is a song that someone else released seven years ago. The protagonist has to buy the copyright to cover it. What's the point of this? Is it to see how the system messes with the protagonist?

Terminating the contract with the company costs 50 million, and the contract only lasts six months. Why spend 50 million to buy six months' worth of rights, especially when you don't even get the copyrights for the songs you already own? I'll just refuse to buy it outright and maintain a stalemate with the company. The company can't do anything about the protagonist right now.

Rewards should be practical from time to time! Otherwise, it's hard to feel fully engaged when doing tasks.

Even the best food vendors have turned into gold diggers from poop.

The synopsis and the system that made me a movie star seem to have just finished loading. Are they by the same author?

What a terrible first choice! There are so many great foreign language songs out there, why pick an obscure one?

Why did it end so inexplicably?

This chronological writing style is great for audiobooks... But even better for variety shows! Like your celebrity escape! Too much hype in the beginning makes it hard to write the later parts!

The protagonist is a chosen working-class individual, a noble ox or horse, a nuclear-powered donkey. When the singing king's contract expires, not only is the copyright gone, but the contract is only six months old, and all the money has been lost in breach of contract—truly an idiot. Writing about these outdated systems isn't the problem.