The Readers I Torment Knock Me to the Ground!

I think the author's subjective thoughts on Fujimoto's work should not be put into each character. Everyone's feelings about the work are different, and the word "disgusting" makes people disgusted.

It's fast to do questions with formulas. I can take a template and put it on. I can't stand the scene that can be seen at a glance. I have seen too many of this type. If I had met you a few years ago, I would probably have been very happy watching it.

Who was almost asked to quit at the beginning? No matter how you look at it, I feel that the protagonist in the opening is very mentally retarded and mentally retarded. It's okay to make such remarks in public. It's too hasty and too early to force an intersection with the heroine. The title of the book tortures the readers, but I only saw the torture in the opening. I just experienced the joy of torturing the readers and then the heroine discovered that the protagonist is the author. How about you change the title of the book and call it: Just after torturing the readers in the opening, I was discovered by a hot girl in my class.

Well, if you can, please don't keep books! Especially the new book issue! If you think this book is good, please try to read the latest chapter! This is really important to me! Please! Ernie should! As long as everyone keeps reading, I will do anything! 😭😭😭😭

Isn't he still that kind of spiritual eunuch?😰

If the author doesn't want to be burdened, then don't insist on your nonsense that is not funny. A hell joke must first be a joke.

There are three known female protagonist potentials: Sato, Shiyori, and a childhood sweetheart. The problem is, the childhood sweethearts have had a showdown, and one of the heroines has been living with the protagonist for about a year, and the heroine takes care of all the cooking and housework. The other one is the protagonist's colleague, and she has recently exchanged feelings with the protagonist. I can't find any reason right now that can prevent any female protagonist from forcing the male protagonist to have sex and express her feelings, and Sato has a great chance of winning. But if you insist on dragging it out like this, the rhythm of the plot will be ruined. To borrow from the WB you copied, it seems that you have not reached the stage of stomachache, but in fact it has passed. It's just that you, the author, have been dragging the progress, trying to use some distant sister to be a heroine. But it's of no use. You have recently devoted a lot of space to the content of the transcript, which just proves that you need some time to consider how to develop the follow-up rhythm. You have no way to delay the plot with reasonable reasons, because who reads your book to read the transcript? Either cut the knot quickly and choose one character to describe the actions taken by the other people after establishing a relationship, similar to the one next door where you only read the book after getting married, or you can make the protagonist a eunuch Sometimes writing a book based on formulas is not so easy to fool with.

After reading the beginning, I jumped directly to the table of contents and read more than ten chapters. The plot and characters are so classic. I don't know how many W-words I have to speculate in stocks at a glance. I read it to the end at a glance, so read carefully.

Could it be that the archives of old books have been exhausted?😅

I'm having a partisan fight, get out of the bookshelf