Stirring 1979!

The book is a good book, but it is too restrictive for a writer from the 1980s. The writing is very good for an old author, but it is too restrictive. This book has already begun to filter out readers at the beginning. Personally, I feel it is not as good as the previous book.

Also for you at the beginning of the month

The author really likes writing about stallions.

I originally wanted to make a suggestion. If there is a donation event for a major national event like Dawn, it would be really comfortable to directly donate money for a Hong Kong concert. The interaction between the 2 heroines is also handled well

I spent more than a month searching the information of more than 1,000 female celebrities and came up with the following list of female celebrities. Divide the first, second and third tier stars according to each age group. See if any of the female celebrities you are familiar with are on the list. 👤🆔{"NickName":"Supervision and Restriction","UserId":406440657}

Zhu Lin, Gong Xue, they all make me sick, are they the only ones recognized by male videos? Among the billions of people, there must be someone better-looking than them, even if they are original amateurs, they are still better than these two people who have gone back and forth.

Apart from Hong Kong, it is really inappropriate to have a harem in the mainland. The mainland was too innocent at that time, and a harem was a bit unconventional in the mainland at that time.

✍️✍️✍️ Take a look at the female celebrities in the Chinese entertainment industry who are both beautiful and have relatively big headlights! 1975~1979 Li Xiaoran 1976, Zuo Xiaoqing 1977, Dong Xuan 1979, Qin Lan 1979, Chen Qiaoen 1979. 1980~1984 An Yixuan 1980, Liu Yan 1980, Huo Siyan 1980, Yang Rong 1981, Zhang Meng 1981, Li Xiaolu 1981, Wang Zhi 1982, Zhou Weitong 1982, Jiang Xin 1983, Li Yixiao 1983. 1985~1989 Li Yufen1985. [Jiang Yan, Yang Mi, Gan Tingting, Clara] 1986. [Alan Dawa Zhuoma, Li Feier 1987 or 1981❓, Zhang Yuqi, Zhang Xinyu, Zhao Yihuan, Mou Xing] 1987. [Jing Tian, ​​Kan Qingzi, Wang Xiaochen, Liu Yuxin, Guo Xuefu, Zeng Zhiqiao] 1988. [Chen Xiaojun, Shen Mengchen] 1989. 1990~1994 Zhang Tianai 1990 or 1988❓, Guo Shuyao 1990, Lin Yanrou 1990, Xu Dongdong 1990, Wang Zixuan 1992, Bailu 1994, Xu Lu 1 994, 1995～1999 Zhao Yue 1995, Meng Ziyi 1995, Yu Shuxin 1995, Cheng Xiao 1998, 🈶 Welcome to add➕➕➕➕➕ ·{"NickName":"Supervision and Restriction","UserId":40644065 7} Click on the topic tag ☞{"TopicId":"1044241049063587840","TopicName":"China Entertainment Sexy Female Star"} to enter to see more...

It's awkward to mention cultural export when reading the introduction. Behind cultural export is national strength. Otherwise, the students in so many Confucius Institutes around the world would not be basically Chinese. Just like this Little Red Book incident, if foreigners find that Chinese people live worse than them, it will be a different story. In the past, Hollywood in the United States = international entertainment industry. Stars from too many countries want to develop in Hollywood. Just look at the Hong Kong stars who are trying their best to squeeze into Hollywood. But now China's entertainment industry is becoming more and more influential without publicity. All kinds of products are purchased and imported, especially in Southeast Asia. With so many Chinese movies and TV series bought every year, many Chinese stars must be familiar in Southeast Asia. These are all derivatives of national power. So every time I see cultural export mentioned in entertainment articles, it's useless even if the protagonist produces a lot of good-looking movies and music every year. People won't buy your account. Unless you establish channels to promote and sell in other countries, you have to be reviewed by other countries, and you have to popularize the basics of Chinese culture to foreigners. Otherwise, many movies and TV shows with Chinese culture will not be understandable, and cultural export is very difficult. Nowadays, foreigners take the initiative to learn Chinese culture. At this time, it is very easy to promote movies and TV shows.

Since it is a period novel, don't rely on Huayu. Characters like Xiaoran Yuanyuan, who are obviously labeled, can appear in the form of easter eggs, but don't appear in such an obvious and blunt way, otherwise it will be very confusing. You must write the characters who appear in the later period after the sense of period, with clear priorities and clear themes, otherwise you will lose the unique advantages of period novels.

😅The whole family, whether directly or indirectly, is no worse than the protagonist. . . . . . Isn't this cool? 😰 Great grandfather, little aunt, great aunt, and biological sister. . . . If the whole family is so awesome, what's the use of the protagonist? His own father has the racial talent of being close to animals. My aunt and my sister, who are going to get married after all, are described in such detail and so much ink is given to them in this later period. . . I don't know what to say. It's a matter of personal preference. Anyway, I personally feel that there will be problems later.

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Since I started studying abroad, I have no desire to continue reading. It is interesting to see when the subplots of the two female protagonists in China will come to an end. The branch line about my sister that has a pen pal inexplicably is not good to watch, and there is no foreshadowing at all.                 The most impressive branch of the heroine is actually the career line of the foreign ex-girlfriend. In China, after winning the Golden Rooster, Queen of Hundred Flowers can be ended directly, and there is no branch line. I can't stand the Hong Kong heroine subplot. It seems like there's nothing wrong with it, but something just doesn't look right. There is no female supporting sub-plot Lizhi that seems to be satisfactory. I can only say that it is readable. I can barely score 3 out of 5. The first 300 chapters are at least 3.5.

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This book is actually only interesting in the first few hundred chapters. The rest of it is basically boring and a pity to throw away. The book that gave me a similar feeling was the last book of Meiyu by White Thirteen. In the later period, it basically has the same tone. The main character has grown up and I don't know what to write anymore. I just write some ordinary things every day. The plot is unremarkable, and the pig's feet are perfect. It is similar to Lao Wang's literary giant of the Republic of China. The same is true in the later period of the book. The difference is that when Lao Wang writes the plot, he always popularizes some things that readers don't know or the deeds of historical figures. I have subscribed now mainly because I am used to it. Also, the writing of this book is very suitable to my taste.

This book was renamed: Guarantee the Day Before Tomorrow. The author changed his name: Great Mage of Time. After reading the book every day, I reflect: What day is today? Have I traveled to the future? Or did the author take me back in time? The money I spent was spent today? Or is it because the system delayed the deduction for the large amount of money spent the day before yesterday?

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Speed…

Old Buddha, look

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Why is the order of the four characters in your idiom so weird every time?

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