Tokyo: Inspector Rabbit and Her Evil Partner

The early stage was very good, but I don't understand why around chapter 200, extraordinary elements were added, and the plot became very strange and nondescript. Because of the extraordinary elements, the plot did not follow conventional logic. However, there was also a feeling that I didn't want to add extraordinary elements, so I just used science to get around it. I don't understand the meaning of the author's creation of this villain cult.

Overall, the male protagonist has very little "personal description" The male protagonist's personal length feels less than one-tenth The plot of this book is extremely compact, and a new case will start immediately after one case ends, so the plot of the male protagonist is basically about solving the case. In the male protagonist's plot, there are rarely the male protagonist's own thoughts, emotions, and words, and there is only a brief mention of the male protagonist's personal emotions and inner activities. There is very little description and shaping of the male protagonist's personal emotions and inner activities General readers "see" the world in the novel from the perspective of the male protagonist This book From the current perspective of the book, the perspective is almost that of the narrator, not the perspective of the male protagonist The male protagonist temporarily clicked on skill points when he was surrounded by Yakuza, and pretended to defeat a group of people. He was not excited, nor was he happy about gaining "the ability to surpass ordinary people", nor did he defeat ten and feel a little complacent because of the police's amazement It does not describe the "human nature" that the male protagonist should have But the whole page is devoted to the main plot of solving the case This shows that the male protagonist's sense of existence and reality is very weak The character is a bit dry One hundred of the one hundred and forty chapters are about solving the case, and the twenty are transitions Look at the title of this book , the label of daily love in light novels cannot be said to have any connection, it can also be said that there is only three melons and two dates Almost no love, no daily life at all I won't talk about it earlier, let's talk about the recent one Rabbit washes the feet of Fujian Road. When he washes his feet for the first time, there must be half a chapter to describe the little plot between the young couple, right? Hey, that's not mentioned at all! In an understatement, rabbits are old social animals who work for dead wages? Have you gotten used to it so easily? The description of the relationship between these two people was only the one in the hotel on the mountain In the end, it suddenly jumped to the two of them, one is "possessive" and the other is "tough-tongued and arrogant" I wonder if I, too, blinked, boss, did I miss Chapter 10 and Chapter 20 Of course, it can be seen that this book is almost 90% based on reasoning, which is understandable, but you can't just brush it off in such an understatement every time Rabbit pinching Fujian Road's feet is as natural as an old couple who have been together for three years. The author is very fond of them. This is the view of the status Because they are an old couple, there is nothing better. Rabbit does not feel shy and embarrassed, and does not have any common shyness, "different from his own feet", "this guy is too stinky", "always has to find his place" and other descriptions The author really doesn't care about the plot of this very important first time, he only cares about the case It's already one hundred and forty chapters, I guess the author of this book just wants to write a mystery, but in order to cater to the market, he posted a love day Chang's label is not impossible but the male protagonist's personal description is too little the two supporting roles of the criminal police duo, the plot of the case is compact one after another, and new characters are constantly appearing There are also the rabbit and the cardboard box The description of the male protagonist is further compressed The description of the male protagonist almost exists only for the plot of the case Rather than that he is a "living person" The male protagonist adopts the "sister" of the cardboard box This plot is really just the above ten There is no word, nothing else is there There is no interaction between the male protagonist and Cardboard Box, there is no inconvenience and happiness in daily life, there is no Carton Box's views and emotions towards the male protagonist, there is no male protagonist's current feelings and thoughts about Cardboard Box The male protagonist has a dog, That's called simplification I wrote about the dog selling place, and the male protagonist suddenly said that he wanted to get a dog And then he got it, and even if he mentioned the dog, he had to "pay dog food" After a few words with the rabbit, he called him "Ajun" It was gone No, why, buddy? Why do you suddenly want to get a dog? Do you like dogs? With your delicate, selfish and trouble-free character, would you want to keep a dog? Or this kind of "wild dog" of unknown origin I feel like a student who took the exam naked Huh? Are you taking the Chinese language test tomorrow? Huh? Did you just take the math test? Huh? Did you finish the English test yesterday? Looking confused I can't do it without love, and I can't do it in daily life, but it's a bit uncomfortable if the perspective is not on the male protagonist In every plot Scenery, old supporting characters, new supporting characters, and the development of the case have occupied 95% of the chapter content The male protagonist is like the compliment in cross talk "You are right" The function is to make the teaser (case) develop Speaking of which, in the first plot, the male protagonist will be angry and want revenge because of the instructor's insults, because the rabbit best friend feels angry and impulsive I will also look at the instructor and want to kill the instructor, and want to save the rabbit best friend Then At that time, the male protagonist looked like he had flesh and blood This kind of feeling is missing now The male protagonist is very indifferent, he doesn't get excited after clicking on the skills, his heartbeat does not exceed 120 after doing ten times, he will not be proud of having his feet pinched, raising a sister and a dog is purely to complete the target It may be that the pursuit of emotions is discontinuous, the rhythm of solving the case is too tight, there are too few updates every day, etc. Many causes and one effect The above are just personal thoughts

When Fushimi fired the shot at the beginning, he knew that this story would not have a perfect ending. How sad, but this is reality, otherwise Minamoto Tamako would no longer be Minamoto Tamako. The characters in the writer's works act according to their own beliefs, which the writer has no control over.

I found that different people have different opinions on books. To be honest, I haven't seen such an interesting and attractive book in a long time. I think it is really good to read.

It's very good-looking. Although there are some minor flaws in the suspense reasoning, the plot and characters are very three-dimensional and very graphic.

I've given you all ten monthly passes, come on and give me more

The combination of Moriarty and Sherlock Holmes has become a legendary story in the police world. One is a standard tough guy and model in the eyes of the public and contemporaries, and the other is a girl with a righteous heart. I am really looking forward to the growth and choice of the heroine after experiencing so many things Think about the male protagonist's glorious words and the final showdown of the heroine who takes them as truth. The last sentence "Longing is the farthest distance from understanding" is twisted. I am so excited. I hope the author will not cut it.

Share some nice fanart

The future famous police detective!

It starts to get toxic at the beginning of more than two hundred and sixty chapters. It is recommended not to read it after reading the copy of Looking for Mom (ps: if there is any change later, please give it a try)

The heroine is not a normal person, she is simply a saint (pseudo). I don't know why, but the common lovable heroine settings in tomorrow's comics make people feel disgusted once they are expressed in words.

Turning off chapter reviews makes reading a book easier and avoids a lot of diode and anthropomorphic remarks.

I can't stand the Tree Man anymore. Cat Island is still a little bit fun. The daily life behind it is pretty good. The main story line is so frustrating to watch. The Kujo Family Shark is a bit fun.

I read it for free and subscribed to a few chapters. I have some thoughts that I don't want to share. I'm sorry if you don't want to read them. No need to organize it. Written in bits and pieces. 1. It mainly focuses on a single female protagonist, but love is boring and there is no sweetness or sourness. To exaggerate, they are just two troublemakers, just causing trouble for each other. 2. Hira Sakurako is very nice and cute. 3. The male protagonist's character is very contradictory. I also want him to recognize himself as a bad person, I want him to do good deeds, I want him to find it troublesome and want to sleep peacefully, and I want him to be special to the heroine and take the initiative to do something. So much so that double standards and the male protagonist's behavior being different from readers' expectations are inevitable. (When the reader thought he would lie down, he acted. When he thought he would act, he lay down.) 4. Princess, Mountain, Villa, Vegetative In this copy, the protagonist has nothing to gain. I thought he would get the truth, but no, the female reporter got it. I thought he would have connections with the princess, but he didn't. Later he mentioned that the maid and reporters came to his home. It's just a disease. 5. Daily life and crisis are mixed together. Generally speaking, it is dealt with during a crisis, and then after a while, a new crisis occurs. But the protagonist is not like this. He has been letting the crises around him go. At first, I thought he was prepared and could handle it, but when the crisis broke out later, the hero became anxious. Example: ①The mother who believes in a cult is so abnormal and lives next to the male protagonist. The hero doesn't take any action. I kidnapped someone and became anxious. ②Kazama, the woman with the knife. The male protagonist has also noticed her problem a long time ago. 6. In the copy of Cat Island, the male protagonist has nothing to gain. Beginning: A large group of relatives and friends are kidnapped. The male protagonist sneaks in to rescue people alone and arrives at the cult's base camp. Ending: Nothing happened, everyone should do what they should do. It seems that it is not a life and death crisis. The protagonist, the male character, can explain it and get used to it. Are the female protagonists, female leaders, and male subordinates also so relaxed? Isn't this picking up high and putting it down gently? Including Yui Kujo, one of them is particularly aggressive towards the male protagonist, but knows nothing about the others. The protagonist did not gain anything after killing the cult's top executives and sneaking into the main control room (or some similar place, where the No. 1 Designer is). Except for fifteen million, this kind of harvest seems useless to readers. 7. I thought the male protagonist was hypnotized when he listened to the tape for the first time. Did you still want to be so awesome back then? Later I listened to the tape again. Could it be multiple dreams within dreams? 8. The most lovely thing about the heroine is when she writes a letter to her mother. 9. There was nothing to gain from the cult dungeon. I originally thought that the male protagonist would finally become powerful, but he gave up. It was all in vain, the male protagonist didn't get anything, this dungeon has nothing to do with the female protagonist, and the female protagonist didn't grow. Also left the tail of a cult fanatic. This cult fanatic was a participant in the Cat Island copy. He originally thought he would be taught a lesson, but in the end he was killed quickly. So much wasted pen and ink.

I just want to see that although the protagonist does all kinds of bad things, he still retains a conscience in his heart, so he is truly attracted to Miss Rabbit and gradually falls in love with her as we get along with her. But the protagonist's mouth is tougher than diamonds and he refuses to admit it. Although Miss Rabbit also has a good impression of the protagonist, the relationship between the protagonist and the protagonist never progresses, so the two of them continue to get along ambiguously. During this period of time, the protagonist still did all kinds of bad things, and Miss Rabbit gradually discovered the clues. Clues of emotional love and rationality are constantly accumulating, and finally both explode at the same time. Miss Rabbit brings a grand ending to the protagonist with tears in her eyes. It is capture, death but absolutely impossible to indulge. The sense of justice in Miss Rabbit's heart, the arrogance that the protagonist cannot let go, and the hormones between men and women are intertwined and distorted. Gua, this is what I want to see.

Supernatural is a bit unexpected. I have read a novel before. I forgot the name. It was about inheriting a gym with my sister. I suddenly saw someone else's entry. I borrowed a loan shark to go to Tokyo University. I broke up a group and asked the gang to restrain me.

The first 100 chapters actually have a pretty good pace, but the Qianji chapter starts to get weirder and weirder. Can someone give me a brief overview of the plot behind it?

It is recommended to read this book without reading the comments, otherwise you will find that there are many anthropomorphisms in society

Demining, the heroine was kissed by another woman in front of the hero🤣

I have the ability to do things but don't do them. What a waste of settings. The dog's death was a failure, but the plot has been really bad in these recent episodes.

1. The character design is very good, the daily life of the male protagonist, female protagonist and sister is very interesting, the love story is also written to a high standard, and the climax of the plot is also handled well. 2. The story is average, with poor coherence between chapters and chapters and plots. 3. There is a problem with characterization. I can understand that the character is growing and changing, but I cannot understand that the core of the character is changing. Adhering to the original intention is the charm of the character. 4. The ending is too sloppy. It feels like the author just came up with it. What is the difference between this kind of ending where the heroine loses her memory and writing the heroine to death? The heroine's persistence was wasted. 5. The system's sense of presence is too low. To be honest, the protagonist has basically no sense of existence in the system. The villain can cheat the system by pretending to be crazy. Isn't this purely funny? You might as well just let the protagonist be born with supernatural powers. Anyway, the system is basically useless except for force and cooking skills. I made a hypnosis level 8 and said that only women can use it. Isn't this nonsense? 6. There is no feedback on the protagonist's growth. The intelligence of the male protagonist and the female protagonist is just for show, especially the male protagonist. His super brain decided to use super power, right? The few pistols and skills the female lead trained were all used to fuck the male lead, which was of little help in handling the case. 7. I want to write too much, always thinking about the supernatural things. I don't need to say more about this. This author has a long-standing habit of wanting to add some supernatural elements as soon as he gets excited about writing. My suggestion is that next time the author should not think about writing a novel that is too complicated, but should be simpler and more detailed. Instead of trying to give people a sense of enlightenment, at least the logical chain should be self-consistent. Don't think about writing a novel that is too complicated. The most important thing is to be simple but interesting.

I've been writing very rubbish lately. What I want to see is him go straight to the person behind this. Instead of being played with like a toy.

The idealistic messenger of justice is the heroine, and it is also a dark detective story. A smooth completion of one million words is a success. Let me start with a violent theory: only the greatest violence can maintain justice that is accepted by the majority of people. During this period of modern times, I can't think of any kind of person who can possess powerful violence in the urban world view and act as a messenger of justice without the protection of rights. The police inspector died in the first case, will he be killed later? We can't let the heroine and her mother revolutionize her own life and directly betray the rule of capital. Ideals, lynchings, and ordinary world views are combined together. I can't figure out how to end it smoothly in the middle and later stages. I hope the author will slap me in the face with a perfect ending.

From chapters 246 to 277, I felt that the author was over-written, giving up on himself in the early stages, and then forced himself to outline the plot later. Readers who haven't seen it can skip it. Apart from giving the pig's feet a skill, the rest will not affect the subsequent plot. It feels like cutting all the lines left in the front with scissors. I was preparing for a finale, but my conscience found out later and I tried my best to save it. The plot behind it returns to daily life, you can watch it. Therefore, lightning protection is needed. Don't look at 246 to 277. It is meaningless and affects the perception.

I no longer want to ask about right or wrong

Although they ended up together in the end, wouldn't Okja have forgotten all her previous experiences? I can accept everything else, but the ending is a bit disappointing. I still hope that Okja can get a better ending.

I believe the author is satisfied with this ending. So what does Yuan Yuzi's persistence count for so many chapters?

Maybe I'm different from many people. I don't care that much about whether a book is reasonable, whether it's poisonous, or whether it's enjoyable or not. What I care about most is whether a novel is interesting. After all, no matter how good the starting point novel is, it can't be high-end. Although this book has several major plots that were very fragmented and didn't feel like a world anymore, and sometimes it seems to be abstract, I think this is a very interesting book. If it can catch up with the airwaves, it should be pretty good.

The creativity of this book is okay, but it feels weird. It feels like something weird has been mixed in.

In the end, I felt that amnesia was really bad 😥. The way to write amnesia is to make dumplings.