I'm Trapped by Monsters

Maybe it's because I'm sexy (br) I've finished reading the free chapters and the testimonials so far Although there are a lot of unclear explanations, and some parts look particularly contradictory The protagonist is also a little too young Let's not talk about the plot. Is it similar to other books? I won't say anything since I haven't read other books But I think the author's writing style is quite detailed. It's greasy Especially the character creation of the mother It made my heart go crazy when I saw it As a very mommy person, I felt uncomfortable and breathless I was lying there crying💧, although it was a bit embarrassing But the tear point was low, I understand everything Anyway, come on, author, I will continue to read Don't cut it, I have been looking for a good suspense article for a long time

Isn't this the same setting as "The Lost City"?

Advantages: The setting is good, the plot is pushed quickly (although it is twists and turns, but the twists and turns are also very fast, the good and the bad are both powerful), the atmosphere of pressing for survival is in place, the balance between rendering the atmosphere and promoting the plot is not bad, and the ability setting is also interesting. Disadvantages: Insufficient writing power and insufficient logic will form a reading experience of "you can't understand without a brain, but full of loopholes with a brain", similar to that kind of mystery novel, in which the reasoning clues observed by the detective are revealed only when the truth is revealed, thereby forming a sense of suspense caused by the information gap. The essential reason is that the writing power is not enough to hide the clues in the text. The line of foreshadowing is too obvious and blunt, and it seems very inconsistent with the surrounding text. It's even so fragmented that it gives me the feeling of a deus ex machina. In other words, each "little story" about meeting a glutton is good, but the combination does not fit well, and the transitional plots to connect them are a bit stiff. It's similar to when I write science fiction. The idea is good, but it doesn't hold up, and then I write a piece of slimy mud wrapped around a small pearl. The overall reading experience is like eating chocolate with the carton and wrapping paper. (Yes, I love using synaesthesia and metaphors a lot) That's it for this one. I'll polish it later and write another one or rewrite it. I feel like I can get out of the circle. For this book, let's practice writing. Explain the worldview and let a deus ex machina cut it off. Then write and read or write character reasoning or light novels (these two paths are different, but they can both be used). Practice the overall situation and transitions, improve some details (yes, I just stand and talk without backache), and then write this story well. I have a good idea, but it is a pity that I can't write it. Come on!

After thinking for a moment, I finally remembered. The book "I Know How to Repair Air Conditioners" seems to start with a family that loves each other.

I have a few words to complain about that may offend the author. I have read comics and novels with similar settings. The subject matter is very attractive, but there are too many contradictions. By the way, I have only read less than a hundred chapters in the first part. I don't know if there is any progress in the future. 1. Let's talk about the protagonist's situation first. I just learned the basic information about this world. I have a six-year-old body and an adult's mind. My first reaction is that the value of force is limited and I should collect information calmly, especially when my mother wipes his butt. If you have doubts, why not test it? If there is a death rollback, the biggest advantage is to collect intelligence, but the protagonist did not do it. 2. When the protagonist is talking to Teacher Orange, there are obviously many places in the dialogue where the protagonist can go to get information. The protagonist in the novel wants to give people the feeling of being a smart person, but he just doesn't ask or think too much. The information revealed in those conversations feels like it is not for the protagonist, but for the reader. The protagonist seems not to have heard it, and the first impression is that it is water! What a mess! Not just conversations with teachers, but conversations with everyone. 3. The above is the general direction. Here I will talk about my feelings in the plot, especially when the protagonist tells others that I can solve this instance, but you have to despair... I tm..., Okay, okay, bear with it for now. When the protagonist went to that fantasy ghost, he was discovered by a dog, and he said he couldn't kill it, so as not to scare the snake. Do you want to listen to what you are saying? They were all discovered by dogs! ! ! You are so plausible that you don't alert the enemy! It was discovered later, emmmm, the protagonist seemed to be very clever, but in fact he was very difficult to describe, like a clown. Everyone, go and read it yourself. Maybe I'm too intrusive. Anyway, it's very awkward to read. I clearly understand what the author wants to express, but when I describe it, it becomes a different situation. Sorry, I made me very irritable when I read it in the middle of the night.

Honestly speaking, the beginning is good, and the first part of the escape is absolutely not bad. However, the classic newcomer hides the foreshadowing and hides it in the next book, which is comparable to hiding the BP sword pointing to Sn+1 in the world game. At the end of the first paragraph, it's time to lay out a general view of the world, establish the main line, and then start the normal dungeon process, various sizes of dungeons, and add settings during the dungeon process. Instead of being ambiguous, be the Riddler, sometimes Beasts and Beasts, sometimes The Matrix, sometimes Parasite. The drama of Daogui is not bad, but the two world lines are almost clear at the beginning. As long as the two worlds are handled well, it is easy to arouse the readers' emotions. The relationship between "ghosts" and "human beings" in this book has not been made clear yet. It is purely for the sake of the Riddler. The unclear relationship between the two parties results in a lack of clarity in the protagonist's main line. Readers cannot feel feedback on everything the protagonist does. What is the purpose of all actions in the ghost world? The current clear meaning is only one, in order to "live". Living is easy to deal with, because you are the protagonist, and everyone knows whether the protagonist can survive, but the goal of "surviving" is not enough. Writing in this way requires the author to have a high level and give various subjective initiatives. For example, the main purpose of cultivating immortality is to achieve immortality. Immortality alone is not enough for you. Qingxiu in the mountains also leads to immortality. There are people who hinder you along the way to immortality, and then the protagonist is forced to upgrade and fight monsters. This is often referred to as pretentiousness and slap in the face, giving the protagonist constant agency and legitimacy through branch plots. Just like this book has a first main line for "living", but what about flower work? What about agency that is forced to live? The ghost wants to play the protagonist. This has been thrown out. It is nothing more than ghost numbers 1, 2, 3 and 4 trying to trick someone else. What about the protagonist's agency to engage in mischief? As of writing, there is only one big initiative to "survive", and there is almost no small initiative. For example, if someone is in danger, the protagonist is forced to rescue and open a new copy. Survival alone is not enough to support the long-term main line, and it is easy to get tired of aesthetics. Small branches must be added to form highlights. This problem has something to do with the author's foreshadowing. To add a branch line, the world view must be clearly set. However, this book is still ambiguous about the relationship between humans and ghosts, and dare not clarify the world view. This leads to the fact that everything the protagonist does is still unclear whether it has any meaning. If the protagonist's early battle of wits and courage is not handled well, the protagonist may become "🤡" at any time. One bad thing is "Oh, so it took a long time to do this?" If you are a master and write hundreds of chapters and then expand it, it will be okay. A newcomer is just looking for shit. He wrote a decent beginning to attract people in. As a result, The Riddler took a long time to directly persuade some hidden readers to quit. I believe that there must be more readers who like straight games than readers who like The Riddler.

The starting setting feels really good. But, the protagonist is reborn as an adult, and his thinking is also that of an adult. He knew that he would be eaten at the age of 7, and that he had a rebirth cheat on him. Then do nothing and wait for 6 years. He started escaping again when he was 6 years old, and used a plug-in to bravely and cunningly kill a monster on the way. This setting is really fascinating. Knowing that he only has 7 years to live, he doesn't explore the information through cheats or rebirths. He just waits for 6 years and doesn't know anything before running away. Don't worry about the cost. The baby has used this trick twice and only has 7 years to live. Why should he be afraid of the cost? The protagonist's age setting and plug-ins are not suitable for arranging head-on conflicts and fighting monsters, but if you are older, it won't be so awkward. I wanted to use my young age to highlight the desperate environment, and then the protagonist had an encounter with a monster while escaping. He also successfully killed the opponent alone, absorbed unknown energy, and continued to escape without any injuries. It smells like upgrading to fight monsters. But the protagonist is 6 years old and has done nothing in the previous 6 years. Even though I had this ability, I acted like a fool and did nothing. It's amazing It's really just for the sake of setting, without considering rationality at all. The setting is purely used as a background board. There is no need to consider the setting for the plot.

In terms of setting, ghosts have reason and thoughts, and are no different from humans, except that they can eat people. This is really not scary at all. Moreover, the strict social organization and institutions of ghosts are too difficult to write, and it is impossible to get rid of bugs Ghosts have reason and thoughts, and there is also a strict social organization system. Are you still a ghost? Human beings' fear of ghosts is unknown and incomprehensible As a reader, let me talk about the setting background 1 The world is still dominated by humans 2 Ghosts are incomprehensible, indescribable, cannot be summarized scientifically, have no rules, cannot be killed, can only be suppressed and contained, similar to the world Boundary rules bug, in short, no need to explain 3 Ghost, he is not a replica of a human, he should be something else, scary 4 Must be crazy enough, parents really love the protagonist, but like a crazy person, they love the protagonist one second and are sincerely good to him, but the next second it becomes a horror game, constantly showing the original shape, testing the protagonist, can you see me? Can you see it? If I can see it, I will eat you 5 The country, the country is aware of these events, but it must have no good solution, they can only cover up, contain, isolate, the institutional department is similar to the organizational form of the genetic society investigators 6 The entire world view, human beings are ready to attack at any time 7 The protagonist's parents really love him, and then he is a ghost one moment, and maybe a human the next moment, the protagonist is trapped Into the feeling of love, fear, and madness 8. The main plot is that the protagonist becomes an agency clerk, dealing with, sheltering, and isolating all kinds of weird, absurd, and terrifying incidents, not just ghosts, monsters, monsters, evil cultists, and Cthulhu elemental pollution 9. The protagonist of the sub-line returns home, and then has a warm daily life with his parents (can you see me?)

I have read about 130 chapters, and then I subscribed to a few more chapters; I am getting more and more tired from reading. The author's advantages and disadvantages are that he is too thoughtful. . . As a result, the more I write about the places I care about, the more fun I get. The overall control of the story is getting lower and lower. The premise occasionally mentions everyone's characters and emotions; the middle period is completely invisible; the story is as lifeless as the world in the story. But if you don't care, it may be because you don't like your work. An author becomes a boss, constantly trying to push and end the world. Looking at it makes me exhausted. Obviously you want to write about lotus flowers growing in the mud, but in the end you only write about the mud every day.

Enter the perspective of the protagonist, infinite death, infinite resurrection, and there is no mental pollution when dying. It is really time to clean up the surrounding area in seven years. Just go to the street and shout that you are all man-eating monsters. You will die within one minute. Resurrection before twenty minutes is not a matter of trial and error.

It was really uncomfortable to watch. Every time the protagonist thought about a lot of random things, none of them were correct. After reading the first copy, I couldn't see the main plot at all. It's like getting out of a new book. The first world has been laid for hundreds of chapters, and I have been fighting for survival. There is no main plot at all. The protagonist is thinking and planning, but it is useless. Finally, it is over after dozens of chapters of the main plot. After reading the first world, I blocked him and abandoned the book. Then I found this book and saw that it was of this type again. After reading the first copy, you will feel a lot of suspense, and you will feel as uncomfortable as abandoning the first copy. . . Can I still pursue it?

Stopping at Chapter 103, apart from the ability to rewind, the protagonist is really too ordinary in other aspects. He needs strength but not strength, and IQ but not IQ. Anyway, there is no outstanding point. In addition, there are too many decryptions, which does not mean that decryption is not possible, but I feel that I am looking at it very bluntly, forcing the protagonist to solve the same problem, and the protagonist is not smart.

After reading a few chapters, I stopped reading. I felt that the protagonist was quite mentally retarded. He obviously had the ability to rewind, but he didn't know how to use it. Starting from the age of four, he tested whether a person was a monster a week. By the age of six, he could test more than a hundred people. Since you can escape when the monster's parents are asleep, why not try wiping their necks while the monster's parents are asleep? After killing the monster, study what the monster is like, then commit suicide and go back to before wiping the neck, and wait until you grow up to kill the monster and run away. And the first time I escaped, I encountered a monster and actually chose to fight. Shouldn't I have committed suicide as soon as I found out I couldn't defeat it? Aren't you afraid of going back to when you first encountered the monster? Really retarded

Let me briefly summarize it for you. The protagonist should be a time traveler who travels through time and then goes crazy due to unknown factors. The current plot of the novel is shown from the subjective perspective of one protagonist, which means that the protagonist is mentally ill. In fact, the protagonist has been weak and sick since birth. When he was one month old, he almost sent it. When his parents came to tuck him in the middle of the night, he felt that his parents were going to eat him, which means that the illness was severe. Feeling that there are always people who want to eat him, he ran away from home many times. His parents were very worried about pretending to be on the protagonist. The protagonist sneaked to the station and met the neighbor's sister. He tricked her into the construction site and pushed her down from a height. After being witnessed, the protagonist killed and wiped out the traces. Finally, he burned both bodies with a fire. When he arrived at the station, he was discovered by the train conductor. He searched for the protagonist's parents and contacted Teacher Tachibana who happened to be at the station. However, the protagonist's illness worsens and he travels to the Nuo world...

There are too many riddles and pitfalls, which makes it very frustrating and painful to read. To be honest, the reading experience is extremely poor. I'm not saying it's a cool and straightforward way of writing, but your all kinds of weird plot developments really make me unable to get immersed in it anymore.

I have been a bookworm for ten years since I was in elementary school and am about to graduate now. This book is actually a fairy tale to me, but it is too subjective. Please read it rationally. First of all, read it. The whole process is non-toxic and can be entered. This book starts very well without any lengthy introduction about the past life. It is covered in a few sentences, which I am very satisfied with. And Xu Can's story at the beginning is indeed fascinating and arouses desire. What surprised me the most about Xu Can's story was the part where the ghost pretended to be a human. I thought it was a ghost that had replaced the human, but the human's consciousness was not completely dead, which made me think that Xu Can's human condition was still turning around. However, I didn't expect that the ghost was too sick to play with the protagonist in this way. If this paragraph was just a simple paragraph about Xu Can, it might still make people doubt whether the person is still alive, but the addition of the protagonist's doubts and thoughts about Xu Can's human identity diverted my thinking. Furthermore, Xu Can's plot is very tight and the story pace is very fast, which indeed makes it feel breathless and depressing. And the portrayal of ghosts like Xu Can is undoubtedly successful. Xu Can has long discovered that the protagonist has discovered that she is a ghost. It has a very restrained flavor, that is, a sense of unknown and insignificance towards abnormal creatures. Not only that, a unique world view extends from simple weirdness, that is, talents are the minority, and ghosts are the majority. Weirdness is not just the weirdness of rules, but group, organized, social structure and thinking ghosts. Human beings are the powerless and insignificant party. Just like unknown creatures in Grammar novels are all intelligent, and humans are always exploring the unknown. Rather than the weird novels that are so popular now, it is as simple as following the rules. But! What amazes me the most is that it clearly introduces the concept of superpowers, and it is very likely to become a novel about killing monsters and upgrading, but it still maintains a sense of unknown and powerlessness. In the section about the shape-shifting ghost and the hallucinating ghost, several supporting characters were dismissed without permission. The author was not ruthless enough (although in the end, due to the retrospective ability of the protagonist, he did not die, but the process was indeed dared to write). Several supporting characters and protagonists with special powers were still powerless, not only the powerlessness of strength and weakness, but also the powerlessness of the unknown. Even if you have superpowers, you can't kill ghosts immediately, because ghosts will only have a chance to kill them if they find the weakness of their rules, but ghosts are endless, and humans are like captive meat animals. Ghosts will kill you if they want to, and the feeling that humans are being teased makes people powerless and desperate. The writing here is very strong, and it is difficult for me to empathize with other kneeling novels. In the latest episode of the villa visit, the protagonist has obviously evolved a little, but still feels powerless. It feels great! If you like it, have more! Many novels clearly stated that the introduction was about the restraint system, but they did not give me a sense of powerlessness, unknownness, or inadequacy at all. Most of the novels were re-skinned novels about fighting monsters. There was no sense of restraint in the comments below, but a large number of people would criticize it. But I have never seen a real online article with the sense of restraint like "Dagon". I finally saw it today. Although it is different from what I knew, it is still the most similar and restrained episode. Amway, must read.

The setting is OK, but the author's writing style is not good and it's very confusing to read.

Others regard the protagonist as a brat, and the protagonist himself treats himself as a brat, or the protagonist's IQ is not very good. If it is a perfect sentence, you will believe it, but if it is full of loopholes, will you also believe that he does not have the ability to think of his own? There is also the fact that the protagonist is not determined enough, whether in thought or behavior. I cannot describe it in normal words. If I have to say it, it is Changshu Arnold. Example: What is the relationship between Li Yaqiang and you? Li Yaqiang is my master! Who are you, Li Yaqiang? Of course Li Yaqiang is my dad The left brain attacks the right brain, the left fist attacks the right fist

Personal opinion. I know that the author likes to suppress the desire first but not the brainless pleasure. But your TM has just been put on the shelves, and the updates are not enough. You have been suppressing it, while others are building up a wave of small climaxes, laying the groundwork for an explosion on the shelves. Good for you, the front is still normal, it has been on the shelf for 3 days💩

It was so tortured to watch. The plot of "Momojiji" is slow and cumbersome, as if the Riddler came to this book en masse. Pure torture

The protagonist is too young, but the author has arranged too many fight scenes But the content of the fight scenes is written according to adults What we are saying is that your soul is an adult, which does not mean that your body, a young child, can complete the effects of some actions You are the only one Is Ping A intending to poke the opponent's knee or crotch? What else can you do to take a step back to dodge the attack? It's just your short legs. So what if I let you jump? Is it good to play the mechanism honestly?

The author is trying to build a thriller-type worldview. At first glance, it is quite impressive. Unfortunately, the plot begins to collapse a bit. The author's writing power does not seem to be enough to support such a huge worldview. At least to me, it feels like a castle in the air. Please vote for me and come back next month.

The subject matter is okay, but it's very confusing. I'd say it's a cool novel, but it's not. A cool novel doesn't require too much logic. I'd say it's suspenseful and horror. However, a lot of the content is inconsistent in setting. Judging from the current content, it's basically going to be unfinished.

The protagonist's 6-year-old is still too exaggerated. 17-Year-old is the most appropriate age. It would be much better if the release time setting is changed later.

It's over, now it's like a pigeon but not a pigeon, and all my bookings were wasted 🙂

Catch up on the latest chapter, and the monthly vote has been cast. As soon as I read the second chapter, I knew that the author must have read Neverland. Plus, I had read books with similar settings before, so I could completely follow the author's rhythm. The atmosphere is well rendered and the characters are well drawn. I forgot the name of a book. There is a copy in it that is even more desperate than this one. It also has ghosts devouring and replacing humans. However, the setting is realistic and does not have super-realistic abilities. The protagonist has just entered the middle and late stages of humankind's extinction. Basically, two-thirds of the world's resources are controlled by ghosts. The remaining human beings have been struggling to survive without a savior.

GKD

It feels so awkward to introduce the setting of "leather objects" into a book 😐

The first few pictures will make you look more and more amazing. Really, Shennong is here!

Watched it at night, it was so cool