I'm Being Kept by Monsters

I have a few words to complain about that may offend the author. I have read comics and novels with similar settings. The subject matter is very attractive, but there are too many contradictions. By the way, I have only read less than a hundred chapters in the first part. I don't know if there is any progress in the future. 1. Let's talk about the protagonist's situation first. I just learned the basic information about this world. I have a six-year-old body and an adult's mind. My first reaction is that the value of force is limited and I should collect information calmly, especially when my mother wipes his butt. If you have doubts, why not test it? If there is a death rollback, the biggest advantage is to collect intelligence, but the protagonist did not do it. 2. When the protagonist is talking to Teacher Orange, there are obviously many places in the dialogue where the protagonist can go to get information. The protagonist in the novel wants to give people the feeling of being a smart person, but he just doesn't ask or think too much. The information revealed in those conversations feels like it is not for the protagonist, but for the reader. The protagonist seems not to have heard it, and the first impression is that it is water! What a mess! Not just conversations with teachers, but conversations with everyone. 3. The above is the general direction. Here I will talk about my feelings in the plot, especially when the protagonist tells others that I can solve this instance, but you have to despair... I tm..., Okay, okay, bear with it for now. When the protagonist went to that fantasy ghost, he was discovered by a dog, and he said he couldn't kill it, so as not to scare the snake. Do you want to listen to what you are saying? They were all discovered by dogs! ! ! You are so plausible that you don't alert the enemy! It was discovered later, emmmm, the protagonist seemed to be very clever, but in fact he was very difficult to describe, like a clown. Everyone, go and read it yourself. Maybe I'm too intrusive. Anyway, it's very awkward to read. I clearly understand what the author wants to express, but when I describe it, it becomes a different situation. Sorry, I made me very irritable when I read it in the middle of the night.

Honestly speaking, the beginning is good, and the first part of the escape is absolutely not bad. However, the classic newcomer hides the foreshadowing and hides it in the next book, which is comparable to hiding the BP sword pointing to Sn+1 in the world game. At the end of the first paragraph, it's time to lay out a general view of the world, establish the main line, and then start the normal dungeon process, various sizes of dungeons, and add settings during the dungeon process. Instead of being ambiguous, be the Riddler, sometimes Beasts and Beasts, sometimes The Matrix, sometimes Parasite. The drama of Daogui is not bad, but the two world lines are almost clear at the beginning. As long as the two worlds are handled well, it is easy to arouse the readers' emotions. The relationship between "ghosts" and "human beings" in this book has not been made clear yet. It is purely for the sake of the Riddler. The unclear relationship between the two parties results in a lack of clarity in the protagonist's main line. Readers cannot feel feedback on everything the protagonist does. What is the purpose of all actions in the ghost world? The current clear meaning is only one, in order to "live". Living is easy to deal with, because you are the protagonist, and everyone knows whether the protagonist can survive, but the goal of "surviving" is not enough. Writing in this way requires the author to have a high level and give various subjective initiatives. For example, the main purpose of cultivating immortality is to achieve immortality. Immortality alone is not enough for you. Qingxiu in the mountains also leads to immortality. There are people who hinder you along the way to immortality, and then the protagonist is forced to upgrade and fight monsters. This is often referred to as pretentiousness and slap in the face, giving the protagonist constant agency and legitimacy through branch plots. Just like this book has a first main line for "living", but what about flower work? What about agency that is forced to live? The ghost wants to play the protagonist. This has been thrown out. It is nothing more than ghost numbers 1, 2, 3 and 4 trying to trick someone else. What about the protagonist's agency to engage in mischief? As of writing, there is only one big initiative to "survive", and there is almost no small initiative. For example, if someone is in danger, the protagonist is forced to rescue and open a new copy. Survival alone is not enough to support the long-term main line, and it is easy to get tired of aesthetics. Small branches must be added to form highlights. This problem has something to do with the author's foreshadowing. To add a branch line, the world view must be clearly set. However, this book is still ambiguous about the relationship between humans and ghosts, and dare not clarify the world view. This leads to the fact that everything the protagonist does is still unclear whether it has any meaning. If the protagonist's early battle of wits and courage is not handled well, the protagonist may become "🤡" at any time. One bad thing is "Oh, so it took a long time to do this?" If you are a master and write hundreds of chapters and then expand it, it will be okay. A newcomer is just looking for shit. He wrote a decent beginning to attract people in. As a result, The Riddler took a long time to directly persuade some hidden readers to quit. I believe that there must be more readers who like straight games than readers who like The Riddler.

The starting setting feels really good. But, the protagonist is reborn as an adult, and his thinking is also that of an adult. He knew that he would be eaten at the age of 7, and that he had a rebirth cheat on him. Then do nothing and wait for 6 years. He started escaping again when he was 6 years old, and used a plug-in to bravely and cunningly kill a monster on the way. This setting is really fascinating. Knowing that he only has 7 years to live, he doesn't explore the information through cheats or rebirths. He just waits for 6 years and doesn't know anything before running away. Don't worry about the cost. The baby has used this trick twice and only has 7 years to live. Why should he be afraid of the cost? The protagonist's age setting and plug-ins are not suitable for arranging head-on conflicts and fighting monsters, but if you are older, it won't be so awkward. I wanted to use my young age to highlight the desperate environment, and then the protagonist had an encounter with a monster while escaping. He also successfully killed the opponent alone, absorbed unknown energy, and continued to escape without any injuries. It smells like upgrading to fight monsters. But the protagonist is 6 years old and has done nothing in the previous 6 years. Even though I had this ability, I acted like a fool and did nothing. It's amazing It's really just for the sake of setting, without considering rationality at all. The setting is purely used as a background board. There is no need to consider the setting for the plot.

In terms of setting, ghosts have reason and thoughts, and are no different from humans, except that they can eat people. This is really not scary at all. Moreover, the strict social organization and institutions of ghosts are too difficult to write, and it is impossible to get rid of bugs Ghosts have reason and thoughts, and there is also a strict social organization system. Are you still a ghost? Human beings' fear of ghosts is unknown and incomprehensible As a reader, let me talk about the setting background 1 The world is still dominated by humans 2 Ghosts are incomprehensible, indescribable, cannot be summarized scientifically, have no rules, cannot be killed, can only be suppressed and contained, similar to the world Boundary rules bug, in short, no need to explain 3 Ghost, he is not a replica of a human, he should be something else, scary 4 Must be crazy enough, parents really love the protagonist, but like a crazy person, they love the protagonist one second and are sincerely good to him, but the next second it becomes a horror game, constantly showing the original shape, testing the protagonist, can you see me? Can you see it? If I can see it, I will eat you 5 The country, the country is aware of these events, but it must have no good solution, they can only cover up, contain, isolate, the institutional department is similar to the organizational form of the genetic society investigators 6 The entire world view, human beings are ready to attack at any time 7 The protagonist's parents really love him, and then he is a ghost one moment, and maybe a human the next moment, the protagonist is trapped Into the feeling of love, fear, and madness 8. The main plot is that the protagonist becomes an agency clerk, dealing with, sheltering, and isolating all kinds of weird, absurd, and terrifying incidents, not just ghosts, monsters, monsters, evil cultists, and Cthulhu elemental pollution 9. The protagonist of the sub-line returns home, and then has a warm daily life with his parents (can you see me?)

I have read about 130 chapters, and then I subscribed to a few more chapters; I am getting more and more tired from reading. The author's advantages and disadvantages are that he is too thoughtful. . . As a result, the more I write about the places I care about, the more fun I get. The overall control of the story is getting lower and lower. The premise occasionally mentions everyone's characters and emotions; the middle period is completely invisible; the story is as lifeless as the world in the story. But if you don't care, it may be because you don't like your work. An author becomes a boss, constantly trying to push and end the world. Looking at it makes me exhausted. Obviously you want to write about lotus flowers growing in the mud, but in the end you only write about the mud every day.

Enter the perspective of the protagonist, infinite death, infinite resurrection, and there is no mental pollution when dying. It is really time to clean up the surrounding area in seven years. Just go to the street and shout that you are all man-eating monsters. You will die within one minute. Resurrection before twenty minutes is not a matter of trial and error.

It was really uncomfortable to watch. Every time the protagonist thought about a lot of random things, none of them were correct. After reading the first copy, I couldn't see the main plot at all. It's like getting out of a new book. The first world has been laid for hundreds of chapters, and I have been fighting for survival. There is no main plot at all. The protagonist is thinking and planning, but it is useless. Finally, it is over after dozens of chapters of the main plot. After reading the first world, I blocked him and abandoned the book. Then I found this book and saw that it was of this type again. After reading the first copy, you will feel a lot of suspense, and you will feel as uncomfortable as abandoning the first copy. . . Can I still pursue it?

Stopping at Chapter 103, apart from the ability to rewind, the protagonist is really too ordinary in other aspects. He needs strength but not strength, and IQ but not IQ. Anyway, there is no outstanding point. In addition, there are too many decryptions, which does not mean that decryption is not possible, but I feel that I am looking at it very bluntly, forcing the protagonist to solve the same problem, and the protagonist is not smart.

After reading a few chapters, I stopped reading. I felt that the protagonist was quite mentally retarded. He obviously had the ability to rewind, but he didn't know how to use it. Starting from the age of four, he tested whether a person was a monster a week. By the age of six, he could test more than a hundred people. Since you can escape when the monster's parents are asleep, why not try wiping their necks while the monster's parents are asleep? After killing the monster, study what the monster is like, then commit suicide and go back to before wiping the neck, and wait until you grow up to kill the monster and run away. And the first time I escaped, I encountered a monster and actually chose to fight. Shouldn't I have committed suicide as soon as I found out I couldn't defeat it? Aren't you afraid of going back to when you first encountered the monster? Really retarded

Let me briefly summarize it for you. The protagonist should be a time traveler who travels through time and then goes crazy due to unknown factors. The current plot of the novel is shown from the subjective perspective of one protagonist, which means that the protagonist is mentally ill. In fact, the protagonist has been weak and sick since birth. When he was one month old, he almost sent it. When his parents came to tuck him in the middle of the night, he felt that his parents were going to eat him, which means that the illness was severe. Feeling that there are always people who want to eat him, he ran away from home many times. His parents were very worried about pretending to be on the protagonist. The protagonist sneaked to the station and met the neighbor's sister. He tricked her into the construction site and pushed her down from a height. After being witnessed, the protagonist killed and wiped out the traces. Finally, he burned both bodies with a fire. When he arrived at the station, he was discovered by the train conductor. He searched for the protagonist's parents and contacted Teacher Tachibana who happened to be at the station. However, the protagonist's illness worsens and he travels to the Nuo world...