The Songstress Who Pilots a Gundam in SEED

The Gundam-Piloting Diva, over 100 chapters in, and the protagonist still hasn't piloted a Gundam, nor has he even built one. The diva portion has been simplified to just the end of the chapter.

Having followed the story all this time, I have to say, this is a typical example of nonsensical literature. It seems to be telling a story, but seven out of ten parts of the content are just filler. The main character's persona is incredibly disjointed.

Written on December 9, 2024, it was too rambling and off-topic to read, so I had to abandon this project. I also want to warn those who come after me. Advantages: The theme is fresh (but not novel; ultimately, most people still watch mecha battles, so the focus is on pilots, and there are few characters who take the singer route.

When I watched Gundam before, the protagonist was always compared to the male lead, but these male leads were all kids around ten years old, their thinking wasn't very mature, and it always felt like they were bullying children. This one is good, it's compared to Lacus, although she's young, she's mature, and she's involved in politics.

Having read up to chapter 198, the plot started to feel off... Looking at the title, it seems the protagonist is now kowtowing to East Asia? Can anyone explain? If he really does, I'm not reading anymore! This book was originally quite interesting, although it gradually became less engaging after its release, it was still readable.

How can there be a songstress without VF fighters?! How can there be no Macross battleship attacking Daedalus?!

It was too slow to get going, so I skipped around and watched until chapters 200-300, but the main character was still just slacking off. And even though it's supposed to be a war-themed world, the main character is a singer and a celebrity. I watched him sing and build Gundams all the time, but he never actually went to the battlefield, which was really inexplicable. It's like a chef who can't cook or a driver who can't drive. Don't you even look at what kind of world or theme this is?

Although the main character is a songstress, the singing part is almost entirely the settlement. I really wanted to pilot a Gundam, but there's no sign of one yet. Despite being a researcher, their research is basically just talk.

For some reason, even though songstresses are one of the themes of this book, the author always skips over their singing scenes and immediately jumps to the conclusion. The songtress setting feels so unnecessary. It has become nothing more than a tool for adding attributes and fame, without giving listeners the feeling of being moved by the protagonist's singing. Does anyone else have a similar feeling?

Compared to ogres that are directly armed, the Gaza series, which is used for mining, is very suitable as the first work developed by the protagonist! The protagonist's greatest ability is to gain knowledge through singing, so she can't switch to military development too early. After all, there's a difference between a delicate songstress and a female warrior!