This Lord Is Far Too Loyal

So, I have a suggestion for the author's next book: the male protagonist transmigrates into a female-oriented urban novel and gains a critique system, but he believes that critique of weapons is also critique, and the system judges the protagonist's critique to be without fault.

It feels like a mechanical copy of a standard industrial process, so there's not much to say about each point, and it just becomes a monotonous account when put together. The author should think more about how to integrate elements of the world-building, like magic and the undead, with the industrial process, rather than simply using them as early, inferior replacements.

Question: Why would an underage witch, trained as a one-time suicide mission, have the thoughts and ideas of a normal adult? Was the person training her doing so out of good intentions?

I feel there's no need to write too many female leads; they can just be used as puppets and servants. Writing too many princesses might be toxic.

The author's writing is weak; even someone like me who read it in one go couldn't handle it.

Dude, you wrote such a good opening, but you update so little.

I'll just briefly share my thoughts. First, are the knights and mages on this continent really that useless? Secondly, even if the Duke's troops consisted of knights at most, weren't there any grand knights? Also, there was no information about the mage corps and archmages; what was the range of their magic? Third, the book mentions a seventh-tier expert; how powerful was this expert?

Hmm, we should be able to unify the world soon. Or maybe a night raid by cavalry... Just like in World War I. A night cavalry charge. Wiping out an entire infantry battalion... Becoming the final, triumphant moment for the cavalry.

Seeing this cover made me a little uneasy; it felt a bit disloyal.

Physical punishment would cause problems for a group of people who are chronically hungry; the solution is to simply use a "spiritual injection stick" to hit them.