Crisis Management, I Formed the Heroes Association Behind the Scenes

It's very well written. Don't write it next time. There are a lot of logical loopholes. The preface doesn't match the postscript. I don't know what I'm writing. It just smells like self-pleasure.

I thought it was a punch, but it turned out to be a lump

There are too many supporting roles. A woman who cannot be the heroine would have no effect at all by describing how she is doing in several pictures. Instead, it would be verbose.

The pace is a bit too slow for the current plot. . It feels a bit like a child to me

The structure is too small and petty. Whether it's a disaster or the protagonist's rescue, it's all in a house-like manner (you're a novel, not a comic, and the only expressive character is the plot). It's a group portrait, but it's too clumsy to depict a one-on-one woman. . . Godly hackers (assumed to be at least 10 times more advanced than Earth) can completely invade national networks or high-level private phones and control the deployment of nuclear bombs and satellites. You are a planet-level disaster and you are still trying to act like a hero.

To be honest, in the second accident, X vest understood Y vest, but not. And if you bring it in according to the situation, your advance notice is of no use. It will kill the little hands Q + 2-5 little jcs. It's better to have a bigger picture and directly control nuclear weapons to target your own cities, and then threaten the troops to dispatch, so that the masses can evacuate directly, leaving the battlefield. And to be honest, instead of dividing the capabilities, it is better to prioritize the military.

The setting is very good, crisis management - the founder behind the Hero Association However, the logic is not strict enough. This plot is suitable for being made into a comic or tokusatsu drama, and novels are very picky about logic. For example, when hunting the Insect King, between thousands of soldiers and two high school students, the protagonist chose the high school students. The position of the Insect King was given to the high school students but not to the army. The airdrop abilities were given to the high school students but not to the army. In fact, a logical closed loop can be formed through reasonable design. Method 1: Add the hostile sensing ability to the Insect King. If a large number of people know the location of the Insect King, the Insect King will directly lead the victim to self-destruct. So the protagonist can only tell two high school students. Method 2, big data prediction, the protagonist gives a brief background to all the people present, and uses big data to predict that high school students have the highest probability of solving the incident after they get superpowers. This method is applicable to all unreasonable casting choices and is the scientific version of prophecy. Why must a brave man kill the Demon King? If the prophecy says it, just ask the prophecy. Another little trick that makes the novel very logical is reverse thinking. For example, the chief does not believe the anonymous warning text message. This is normal thinking but has no sense of logic. Reverse thinking means that after the chief sees it, he would rather kill than let go, and believe first and then investigate, which shows that the chief is very educated. For another example, college students in horror movies must take adventures and not look back when warned. This kind of thing happens in reality, but readers have high IQs and feel that they will not do it, so it is illogical. Reverse thinking is that college students just reverse the car and drive away. The main character is to listen to advice. The character is established through such small details.

The subject matter is good, the writing is poor, there is a sister and a mother, a small plot is worth dozens of chapters, and I can't walk when I see a woman, and a supporting actress is confused for a few days (the supporting actress cannot be the heroine if she has a childhood sweetheart).

This novel gave me a deep understanding that some setbacks are inevitable

Like a villainous protagonist, TM's success depends entirely on the script. Don't you know how much you weigh?

The layout is too small. In this kind of trial of civilizational transition, the protagonist is thinking about hiding himself. He can give his abilities to others. Instead of looking for the government to cooperate, he wants to live in seclusion behind the scenes alone. I feel that I can only watch it without using my brain.

The author is not good at writing. I am probably a novice. The background setting is very large, but what he writes is just like a family. It is even better not to explain the background setting and just talk about game simulation in the early stage. Even if the event happens, the news is blocked, and the protagonist can guess a little bit, but not completely sure. In the middle and later stages, I can write it out and then explain the setting of the Civilization Trial.

Elementary school student writing + high school literary youth + college student, etc. 🥚 The writing is great, beautiful, excellent, and powerful 👍🤭🤭🤭

You want me to directly hack into the communication system and send an evacuation broadcast

I have read so many novels, but I have never read it. This is the first time I have written a plot, and I have more than 30 pictures that I haven't finished yet.

I originally thought that 30 chapters would be enough to focus on the theme, but it turned out that it took more than 40 chapters to spread out. The period from 40 to 48 can be completed in three or four chapters, which is actually 8 chapters.

What did you write🤔

? ? ? ? ? Has the author ever seen himself writing a novel?

Why did you send text messages in the first place? The impact of such secret messages is limited and it is easy to be regarded as a scammer. If you want to save the world, make it public, get more help, and then announce it live, making it easier to establish a hero organization. The logic and expansion are both average, so I will discard them first 😅