The Great Man from Liaozhai in the Late Ming Dynasty

Seeing the author's well-intentioned criticism, I don't know if it is well-intentioned, but I am just sharing the poisonous points in the text As far as I have read your books, I can read them from the beginning. The most classic thing is that you often mix your worldview and private preaching. I want to package it as great and upright, but I only have greasy air and no youthful air. If you can't write well, why don't you write this? Wrap up the protagonist's selfishness with a high-sounding style unique to middle-aged people. Your Sword Comes Out of Emei, Chapter 37, the Tianying Sect attacks the Golden Knife Clan, and looks like it is coming to destroy the family. With just a word of pause, the two parties reconciled, and began to laugh and make money in harmony, and the people of the Golden Knife Clan died in vain. I saw 137: Save that Mrs. Shexiang, and added a superfluous sentence, not because she is beautiful in the picture, but how upright the protagonist is, and the lives of more than 20 guards are not important. That Ben Luda, you came to kill the king, Yun, I was so sick that I vomited. A lot of private information was actually used to prepare Diao Chan for the subsequent plot, so Wang Yun was let go. Lu Da and Wang Yun have class conflicts and are irreconcilable. I also specially posted this chapter below to say that Luda cut off Wang Yun's head with a knife, held it in his hand, and laughed and said: "If you want revenge, just come to the Sajia, and the Sajia Taiping King Luda is the same!" It's not that I don't pay, but you can't stand it after reading half of your book. The life of the supporting character in the background of your book is not life, and he will die if he dies. It is a paradox that the protagonist should be written as Wei Guangzheng! Do you know it?

Hello brothers. I would like to post a short article here. I want to talk about some of my personal feelings after writing online articles for several years - Compared with traditional writing, the scarier thing about online articles is that they are updated daily. This requires you to write a certain number of stories most of the time, no matter how good or bad your state is or what your mood is. So I feel that keeping a happy mood is really, really important. Generally, for a new book, the desire for expression and writing impulse brought by the novelty may be basically exhausted in just a few months. The subsequent state of mind comes from various positive feedbacks - praise, tickets, money. I used to not understand why there were some very good books. Because too many people criticized them, the authors stopped writing them. I don't think this is crazy. Just write your own words and don't care what others say about you. Later I entered the industry, I realized how important the logic is that positive feedback supports a good attitude, and a good attitude supports writing status. Of course, you can also rely solely on perseverance. There are many people with great perseverance who can write millions of words in a single machine. But since it is called a person with great perseverance, it is obvious that this person is beyond the willpower of ordinary people. And most people are just ordinary people, not to mention there are many who use it to support their families. The book "Sword Out of Emei" was originally a practice work prepared for writing original martial arts. Imagine the ending of one million words. However, due to name changes, etc., The reading experience was greatly affected. I remember someone commented: When you write fan fiction, just write it honestly. Why are you pretending to be original? Isn't this both serious and independent? I feel quite wronged, but I can't defend myself. Besides, other gold fans are also very popular, and they don't change their names, so it doesn't seem to have any impact. So I skipped a big chapter about fighting for world supremacy, ending with 830,000 words, and prepared to write original martial arts directly. During this period, a friend advised me that the current economic environment is not good, and your martial arts show is a bit bitter and grudge-driven, and I think you are going to attack it. Nowadays, people like to watch light-hearted things. I thought it made sense, so I opened the book Sanqingshan. Then I discovered that I really can't write about love. I have also had sweet love, but we were far apart and forgot the taste. Only when I picked up the pen did I realize that the flowers have fallen and the spring has passed. Now my heart is as solid as stone. That story actually had a relatively complete concept, but it was indeed not fully prepared. I didn't want to read what I wrote, so I put it aside and let the story sit until I could write it. This incident made me think clearly: The author does not write what the reader wants to see. The author must first have the ability to write well, otherwise he might as well write what he wants to write and then wait for the reader to choose. I thought I would be on the safe side, so I started "Drunken Three Kingdoms" using the Sharpshooter Shuai Feixia account, just in time to fulfill the reset promised when "Drunken Three Kingdoms" was canceled in the summer of 2023. Personally, I think the reverse pull is better than the drunk fight, but the results are worse than Sanqingshan. It has been three months since I opened the book, and my collection has only exceeded 5,000 yuan. My monthly income from subscribing is less than 1,000 yuan. And during this period, I had some physical problems, mainly hypothyroidism, feeling extremely sleepy and lethargic all day long. My friends who started books at the same time as me basically stopped writing books that had no hope of becoming a high-quality book. I said I don't want to write books, but I picked Sanqingshan because I found that I was not good at it and could not write well. I think there is nothing wrong with what I wrote. It is true that many people do not feel the protagonist Ruda. So, let's continue writing. And I have already thought about the ending. I am looking forward to that ending. As for not making money, just open another book. Originally I didn't have the ability to do this because I was so sleepy every day, but after taking the medicine for a month, I feel much better! My daily schedule has returned to normal, and the current market environment is not good, so there are far fewer people approaching me for advertising and planning private orders, so I just happen to be writing. A brother said that you should concentrate on writing about the Three Kingdoms. Alas, writing twice as much will only change the income from one thousand to two thousand. I really can't do that! The main plot of this book is the martial arts I planned to write before, with some elements of strange power and chaos added. It is mainly taken from books such as Liaozhai. I have verified that most of the stories in Liaozhai date from the late Ming Dynasty, and they seem to be independent chapters one by one. In fact, they are quite involved. I wrote this in the morning and wrote it backwards in the evening. I hope it will get better results. I hope I can finish the book in good quality. That's it - Some brothers asked why they didn't concentrate on writing a book. This can be considered a sincere and positive answer. After all, there are fewer and fewer private orders. Even if I don't write this book, I have to find a day job. Finally, I would like to sincerely thank you for your continued support, encouragement, and kind criticism and guidance. I also hope that this story can express the chivalry and bravery that I want to write in my heart.

Why is it open again? Can't you concentrate on finishing Master Lu first?

What's the matter with you, old gun? Why are you shooting both ways?

Station B has two treasure UP owners: the "Cultural Heritage Transfer Committee" and the "Game, Film and Television Mythical Universe". It is very helpful for writing ✍🏻 novels. The author and teacher can watch their research videos. Neither "Journey to the West" nor "Fengshen Yanyi" describe Chinese mythology and the charm of cultivating immortals. Also, Gonggong Zhurong is a deity of our human race, not a witch race (most of the so-called twelve ancestral witches are the ancestral gods of the human race). Taiyi and Dijun are not demon emperors, they are the ancestral gods of our human race (Dijun's son Houji is also the ancestor of Jifa). It is recorded in "The Classic of Mountains and Seas" 😊 The picture below has an introduction to the gods of heaven and the power distribution of the heavenly palace guards ("Journey to the West" "There is no mention of the Nine Heavens Xuannv, and the fact that Bi Mawen, as the leader of the logistics management department, has to maintain the mounts of the three major camps in heaven, namely "Tianqi and Wanqi") The ancestral dragon king of heaven, which many people don't know, signed a contract with Yuanshi Tianzun.

Lao Qiang, when you open a new book, you need to promote it in the old book. I only found out by reading the comments 😎

Judging from the current chapters, some hidden clues point directly to the main line "The fictional late Ming Dynasty" "The interpretation of Liaozhai combined with other strange things" "Jianghu" line "Chaotang (mainly referring to military)" line Relying on Lu Xiangsheng, vaguely visible internally (countering the rebellion of Li Zicheng, etc.) External (Jurchen) The Jiangnan forces interspersed with frog demons (Donglin Party in the late Ming Dynasty) The future Taoist East (Maoshan) South (Sanqing Mountain) West (Qingcheng Mountain) North (...) Does the python-turned-dragon that has appeared in the play represent Qingcheng Mountain? You can imagine that. The protagonist starts from the "martial arts" heart, practices "Taoism", and relies on the "army to conquer the south and the north", like a straight golden cudgel, cleansing away the "returning demonic fog". Let's see how the author performs 😁

Look at the introduction, what is this? You can still revive people after death. What kind of power is this? Isn't this too exaggerated? With this strength, he would dominate the world. There are many books about gods and resurrected people going to the underworld to find connections.

After reading it, I don't quite understand what I want to write. . . I don't have much impression of the protagonist's character. Generally speaking, there is nothing attractive to continue watching. The writing is good, but the story is weird. When watching Time Travel Wu Dalang, the main characters are very clear. It attracts people right away, but it's a bit empty, and you can't tell whether it's powerful or not in a fight. .

It's very interesting, but if you're not a fan of gun books, you really wouldn't want to click on this title. Looking at the title of the book, I thought it was just an ordinary Liaoke Liaozhai fanfic. In fact, this book perfectly combines gods, ghosts and real history. It is a highly original fantasy story. Lao Qiang can think about choosing a good book title again.

This kind of classical fairy tale novels such as Liaozhai have never paid attention to logic. The training system is not complete enough. The strength of the battle fluctuates. How to arrange it all depends on the author's intention. For example, the frog demon can throw the protagonist more than ten miles away in one go. The range is comparable to a howitzer. However, the density of the human body is smaller than that of a grenade. In addition, the frog demon is huge and powerful, and must consume a lot of energy every day. Where does this energy come from? If it is just ordinary food, the forest land that supports a Siberian tiger would take several square kilometers. This frog monster must not be at least tens of thousands of square kilometers. And creatures like this frog monster, judging from the author's description, are not only found everywhere, but also very common. I asked, can China, a small land of several million square kilometers, accommodate so many monsters? If energy such as spiritual energy is consumed, then in such an environment, human beings should also have some spiritual body, treasure body, holy body, divine body and the like. After all, the fittest survive. The population that cannot use spiritual energy has long been eliminated. This is the world of cultivation. The emperor, officials, and aristocratic families must be masters of cultivation, so there is no need for any imperial examinations. Whoever is good at morality will be the official. But depending on what the author means, this frog monster only guards a small village. Is it possible that it can directly generate nuclear fusion in the body and survive by drinking water? In short, I have read so many novels that want to write a fairy tale style, but most of them are illogical, using mysterious and mysterious words, or using mechanical deities to cover up the shortcomings of their own settings or even self-contradictions.

The author has profound writing skills, which is better than Platinum. However, the subject matter is always very niche. I suggest writing a purely original fantasy book with a title of less than four words.

Dear writer, your new book is very good. I have joined the new book investment group. Please update~

Pig's Feet is the true Holy Mother, and she dies as a good person in every life!

I just saw that the author has released a new book. I checked again and saw that it was updated 10 days ago. Should I discontinue it?

The road is long and far away, I will search up and down, work hard and encourage each other 😁

I originally read one chapter, but I had nothing to say about the writing, and I felt quite happy. But when I saw the talisman at the end, my heart skipped a beat. Mad, there must be something fantasy again. After reading the comments, it turns out there is. It feels very difficult. The late Ming Dynasty was a very heavy era, and adding fantasy into it felt too frivolous. To be honest, I don't like fantasy in historical texts (time travel does not count, time travel is the background) and it will not give a sense of immersion. I liked the atmosphere of city life in Wu Dalang's book, and the humor in it, such as the scene where Li Kui went to Tokyo and was in a restaurant, which made my stomach almost burst with laughter. I didn't read the war part at the end, because the writing was the same. (You can go read the war part in Guili during the Song Dynasty. It is the best novel I have read in so many years.) In fact, Lao Qiang's writing style is really good, but I always feel that you think too much and are too unconventional.

The road is long and long, I will search up and down, and encourage each other😁

This is a very good book, about the world of the late Ming Dynasty where good things and strange things coexist. If the author writes well, the score will be very good, but too few updates will affect the score. It is best not to write this book carefully as it has a large readership and the upper limit is higher than that of fan fiction.

No more updates? It's been more than 10 days