Qingmei Has Become a Queen, and the Training System Is Here

I had so many thoughts while reading it that I forgot all about it when I opened the book review section. I'll just write whatever comes to mind. First of all, there is the problem of the male protagonist's character. I hate protagonists who are slow and have low emotional intelligence. The protagonist of this book happens to have these two problems. I almost quit the book several times in Chapter 25, but in the end I thought, "I'll just stick to reading this word count" and I managed to survive. The character of slowness is not lovable in itself, and more importantly, love stories often lead to various misunderstandings due to the protagonist's slowness, leading to all kinds of bloody plots. Originally, the heroine's favorability is full, but then due to the girl's reserve, the hero refuses to go any further, and the hero is not aware of the heroine's feelings. As a result, it may be that he went to the civil affairs bureau in 1,000 words to establish a relationship. I have had enough of this boring and disgusting plot. So at first, I had a very poor evaluation of this book, thinking that they were all the same, but the chapter about the heroine kissing the hero really surprised me. I haven't felt this emotion when reading an online article for a long time. There is a saying on the Internet, "I will take 99 steps toward you, and you only need to take one step towards me." No matter who the hero or heroine is, the most important thing is that someone is willing to go first, which means that the relationship between the two will not continue to stand still after the 100th chapter. More importantly, the male protagonist began to examine the relationship between the two, which meant that the male protagonist began to notice the female protagonist's emotions. The male protagonist became enlightened and used Internet buzzwords to call the protagonist a "character arc." This plot gave me a sense of expectation, so I stayed. Originally, my evaluation might be 3 points. After that chapter, my evaluation can be given to 7 points. I rarely read love stories with single female protagonists. The reason is that many authors are not strong enough in writing and blindly extend the length of their works through various accidents. The result is that they seem to have experienced a lot but the relationship between the two has not made much progress. In fact, I think that if you want to make the content of your work richer, you should increase the depth of the work rather than simply increasing the length. To put it simply, through one or several plots, the heroine's favorability quickly reaches 100, and the relationship between the male and female protagonists can be confirmed (or not, but I personally don't like this. Since two people like each other, why not be together), and then after experiencing some things, the heroine discovers that the upper limit of the favorability is not 100, and she can love him more, rising from simple liking to soul compatibility. I think those who can write such a plot are qualified love stories. Of course, this kind of plot requires strong skills from the author, so I can only look forward to it. So I love and hate books where the heroine is very fond of the heroine at the beginning. What I love is that it skips the process of the hero accumulating the heroine's favorability, and saves a lot of bad plots. What I hate is that the hero is often the kind of "slow" person mentioned above, and the heroine barely notices it even though the heroine has made it clear. The above are just some of my feelings and personal insights, and the advice I can give to the author is that the plot design should give readers a sense of expectation. For example, the protagonist's enlightenment is a kind of story. The reader sees that the protagonist is somewhat aware of the heroine's emotions, and then they will look forward to the subsequent development. At this time, do not push back the protagonist's brain and say "How could she be interested in me?" This is equivalent to pouring a basin of cold water on the reader, and all expectations are lost. Just leave a seed and slowly take root and sprout.