American Comics: The Path to Godhood

Everything started off well, everyone was on a winning streak, so why did you have to do this crossover? I'm leaving.

This is such a mess! It's got the immortality from *Ajin*, the Nen from *Hunter x Hunter*, then mutant superpowers and the twenty-two sequence abilities from *Lord of Mysteries*—it's a complete tangent. It even includes a similar concept to *Simultaneously Traveling Through 99 Worlds*, where different parallel universes can travel between each other, and it also has that chat group-like world-traveling element. It's just too much!

Marvel does have Cthulhu, though of course, it's highly unlikely the authors will ever actually write about it.

What trash! The protagonist's abilities are terrible. Why doesn't he escape even when he's a prisoner?

It's too chaotic. All sorts of abilities—demi-humans, Martian cockroaches, superpowers, and later even a split version of himself! Why not just have the one who desecrated the monument have it all? It's such a mess. I'd better hurry up and move on to the next book.

The way the mysterious system selects prisoners is explosive. The audience's ritual can be completed in ordinary society, but how can the prisoner's route be done?

I was initially quite interested, but when I saw the Apprentice path protagonist going through a door to find the Prisoner path protagonist, I felt it wasn't going to work. Then there's the Desecration Tablet. I didn't use it immediately after getting it; I had to use it in the prison a few chapters later.

The abilities were initially a jumbled mess, lacking any real depth, but it was still quite enjoyable. However, as the story progressed, it suddenly shifted to a transmigration/parallelism plot. Writing about a multiverse is fine, but once it became transmigration/parallelism, the book's quality plummeted.

It's too messy. The actual plot only takes up a small portion; it's all written to advance the timeline, making it very padded. The author's main focus is on overpowered abilities, constantly adding new settings and updating the protagonist's power-ups without any justification. It's extremely chaotic. So far, I know of the following:

Even if the protagonist were to be able to kill Japanese soldiers in 1938, he wouldn't. Because the Japanese soldiers are just small cogs in a larger machine; without dealing with the higher-ups, they're useless, so he wouldn't kill them.