Journey to the West: Marshal Tianpeng

The prehistoric period does not necessarily have to remain in the prehistoric period. The Jade Emperor rules the heavens not only in the prehistoric period, but the prehistoric period is already a bit petty! The Jade Emperor can endure one thousand, seven hundred and fifty kalpas, each of which lasts for 129,600 years! This was a complete refutation of the simplified version of the prehistoric myth! It's really impossible to improve the style if you don't write about the world of heavens!

It's tasteless and it wouldn't be a pity to throw it away, right?

Head of the Four Saints of the Arctic Marshal Tianpeng has a very high status in Taoism. He is the head of the Four Saints of the Arctic and is subordinate to Emperor Ziwei of the Arctic, one of the four emperors. The full name of Marshal Tianpeng is the Patriarch Jiutian Shangfu and the Five Directions Commander-in-Chief, General Zuo Yuan, General Marshal Tianpeng Zhenjun. His titles include: Tianpeng Yu Zhenshouyuan Zhenjun, Arctic Dharma Master Tianpeng Du Marshal Cangtian God, Protector of the Country and Eliminate Demons, Zhengguo Dharma Cloud Universal Tianzun, etc. In the Taoist mythology system, Marshal Tianpeng is in charge of rivers, lakes and seas, as well as sailors and generals. He is the master of the water god.

The subject matter is good, but the author is too bad. Writing something can reach the sky and then bring it back again, and there will be water in the middle.

It's so nonsense. Qin King Ying Zheng has the chance to knock Hongjun out of power. What a bullshit.

You are addicted to writing about hegemony, right? Is the theme of your book about hegemony?

It's a young man again 😭😭😭 I want to see the Taoist priest with three locks of black beard floating on his chest.

You have written more than 50 chapters about the trial of a small world. You should focus on the prehistoric world. What you write now is meaningless and a waste of time.

It's too watery, with some basic repetitions and no actual plot advancement.

How to say, this book really gave me a lot of surprises. Some people say that prehistoric times should not involve political intrigue. Then, why do people compete for a breath of air and Buddhas compete for a stick of incense? Gods and Buddhas are humans too! It is good to have passion, thinking and disputes. What's even more awesome is that the plain narrative contains a lot of subtext. A big worldview structure is bound to bring lightness. Because it needs to be narrated. Overall, a superior work.

If Tianpeng is Hongwu, then who is his angel investor Queen Ma? After all, Hongwu and Queen Ma have been the benchmark among emperors and couples for thousands of years.

The most supreme thing in mythology is "Tao". He also has vests, which are downgraded and personified. Although there are not as many as ordinary Roman armors, those vests are quite famous. One is Taiyi, another vest is God Haotian, and there is another vest called Fuli Yuanshi Tianwang. This vest may not be very famous, but his children are all famous. Sanqing is his son and Houtu is his daughter. 🙂

Isn't it a bit inappropriate to describe a genius as a beast?

I want to write about the supremacy of Da Luo, but unfortunately my imagination is poor and my writing skills are poor, so I can't write in such a compelling way. I emphasize Da Luo's supremacy over and over again, and lower the character over and over again, such as this lust demon.

The author's writing is very innovative. It is the most interesting fanfic of Anhuang, Fengshen, and Journey to the West that I have ever read.

How can I put it, the plot is dragging, the inspiration is very good, I can only watch it after fattening up.

Why are there so many stories about immortals and heroes nowadays that all focus on plotting and fighting for power? Isn't this beside the point? I'm a little speechless.

It's a good book, but it's a pity. There are too many psychological activities, as is the case with Da Luo Liu. There are too many psychological activities and too many calculations. Every chapter has to pull out the settings that have been discussed and tell them again, for fear that readers will forget. It is too watery and the serious plot cannot be advanced at all.

Who can relate to a pig?

When I read Chapter 40, I felt like a bunch of big guys were acting with a script, and the plot was still fixed. Although in Chapter 30, it was said that this script was pushed out by a certain big shot and then conspired to spread it to the heavens. But that "small trends can be changed, but the big trends cannot be changed" plus the protagonist replacing the plot character Tianpeng, all the conditions can be combined to draw a conclusion: "The future is fixed, at least Ronaldo's position or plot role is fixed, and everyone else is earning the qualification to play this role." Writing like this is boring and has no variables. The plot at the end of this book is probably just some kind of mythical conspiracy interpretation from the history textbook, which is just the same. So a plot is needed: a character changes his fate against the will of heaven and successfully overturns the future of Daluo Observation. Afterwards, whether the historical process enters a completely unfamiliar timeline or many big bosses turn over the table afterwards and change the plot back to the original one. But such a plot is necessary. Is Bu Lun, a character who defies fate and changes his fate, the protagonist? Otherwise, what is the point of a bunch of big Luo efforts?

Can you add a supporting character named Chen Manxing?

Reminds me of the days when I watched Canopy Demon Lord, but it was a pity that it was unfinished.