Hong Kong Comprehensive Report: the Wind Is Blowing in Hong Kong, Am I Crazy?

First of all, the title of your title has Jiu Yao Madness, which reminds me of Kowloon Walled City and the character Wang Jiu. Goldfinger can learn from his fighting ability, such as fighting with the Tornado Fist God or something. Also there is something wrong with your rhythm. Your first three cards are not the golden three. The biggest problems are three questions. The first comprehensive film and television drama. Your intention is unforgettable, and I don't recognize the photo you provided. In comprehensive film and television, if a face is not familiar, it can be treated as if it does not exist. Your intention is unforgettable, but everything is wrong. The second point of comprehensive movies is that the plot drives the characters, not the characters. You have too many characters and character names, so the story in the text is almost correct. You introduced so many characters in the first three chapters, which is of no use at all and is all nonsense. Third, for a character like Andy Lau, if you are the younger brother, you can die. Without that, the protagonist's face would be dead from the beginning. He can die, but your death is not appropriate enough. It can be said to be meaningless. The only bright spot in these three pictures of yours is the character Ma Chao. If I remember correctly, one of his plots was when Andy Lau was released from prison, Ma Chao killed his eldest brother, and then raped his pregnant wife to death, right? He is an unpopular film and can be written. Your story, the film and television plot that takes place, is a world. The story is driven by the characters and the plot is developed, not by your character name. For example, when I go out and meet my younger brother, Andy Lau, his difficulties are caused by Ma Chao, and then you introduce the details of this movie. We write about comprehensive film and television. So if readers don't know what the plot is, it means writing it in vain. The focus is on the familiar male and female protagonists and the classic plot. Then adding your protagonist into the plot of a film or television drama, you push a different plot. You have done some justice, what kind of scheming, what kind of bad guy you killed. In film and television plots, you get what you change. Your first three cards use a lot of names. Successfully turned himself into a roll call. And your protagonist is not subversive enough. The three types of epilepsy are the highlights. One is anime and one is comedy. One is the evil and terrifying kind. Your madness is just a noun, and the plot you wrote does not correspond to the title and introduction of your book. If you want to attract people, you can keep everything except Ma Chao and overturn and rewrite everything else. You have too many characters and the protagonist's character is too vague. The story is boring. As a reader, you cannot attract me. In your first three pictures, none of them are tight. Not attractive. You have no gimmicks. And you have a literary problem. That wing of yours must be another protagonist, if I remember correctly. It's not that the protagonist of the film and television cannot die, but your death is meaningless. One last thing for you, only the stronger the enemy can make our protagonist stronger. Any protagonist can die, but it must be tragic, classic, and unforgettable. The strong wield their swords against the stronger, and the weak wield their swords against the weaker. The foreshadowing you gave at the beginning made the film and television protagonists like Andy Lau die. This can only make your protagonist a loser. You are stepping on them and praising your protagonist, but you are not capable of doing this. The protagonist's image is terrible. Can you understand me? Other readers will only feel uncomfortable and will not feel that you are talking about brotherhood. Your first three cards, except for Ma Chao, can be used, and then similar to the crazy one in Kowloon Walled City, with the martial arts golden finger, you can use it. Nothing else will work. What are you doing, and you met your little brother. He is in trouble, and it was Ma Chao who caused it. Ma Chao comes from a certain movie. What is the specific plot? You have to stand up for your younger brother and get rid of Ma Chao. What rewards did you receive. What kind of support do you get, and then who do you compete with for hegemony? This is the normal flow of the story. Where is your base? Do you have any territory? How to grab another territory. Then after becoming a big boss, how do you clear your name and go ashore, how do you get out of Hong Kong and compete with others around the world for hegemony. If you get good results in the end, go back in time and start over again. This is the normal Hong Kong variety genre. In addition to the world similar to Young and Dangerous, there is also a world similar to supernatural zombies. These are the two genres of Hong Kong comprehensive. The rest is to make a movie in a world similar to Young and Dangerous and acquire the skills or expertise of a certain actor. Do business to make money and sleep with beautiful women. These three roads are the ones I see the most. The others are the God of Gamblers genre, and are recommended as side projects, not mainstream. I have said what needs to be said, it is your business to listen or not.

From your profile, I feel like you want to take advantage of Jiulong Wangjiu. There is really no need, the Hong Kong and Taiwan circles are dead. The stories written by them are not down to earth. The Kowloon Walled City is attractive, but the movie is not as popular as expected. Bring the vast sea into wine and the Hong Kong TV series written by Meng Jun, copy it, and compare and learn from it.

We are brothers in our hearts. If something goes wrong, we can't get through on the phone. The author, who has been practicing in society, doesn't understand the simplest principles. Money is still money. If it can be used, why do you need a boss? Find a few boxing champions to be the boss.

I didn't check the book writing materials carefully! In the movie, "Jiang Kun" himself said that in 1978, he killed those long-haired "Xiang Doo" in Lam Tin; in 1983, he killed Sha Pei and took back the fish stall in Aberdeen; in 1985, he went to Tsim Sha Tsui East and hacked Chen Qi to death (sent to prison for 3 years). After he came out, he "tied up" the straw sandals and became the sole. In the book, Liang Kun has just been released from prison, and the time has reached 1995. When writing about Hong Kong variety shows, can you pay attention to those movies that have a clear time background? You can't just sew it in when you think of that movie, without paying attention to the bugs in the timeline. Can't we write other plots first, wait until the time in the book reaches that time period, and then stitch these plots together?

You're here again. How many words are you going to write about "Eunuch" this time?

Rebirth is not worthy of a golden finger, you are seeking death

It's been so long since I've updated. Why don't you write?

In fact, it's better to write about Hong Kong TV series without including a timeline. The timeline of Hong Kong TV series is inherently vague. It would be too troublesome for you to write about 97 and later. It's good to let readers make up their own minds.

Did you cut it and open a new book? Yes, just say it. I'm going to read a new book.

Damn it, I bought it all before I saw the eunuch

It's good if it's written quickly, and it's fun to read, but the author should control the plot and think about the plot. Don't be like the first Hong Kong variety show that collapsed after only 300,000 words. I also played "Quit the World and Go to Work in the Police Station". I stopped reading it, and then I jumped on the second and the third one even more. This one can develop a little slower, and the plot doesn't collapse too quickly.

Have you ever watched the Hong Kong movie? In 1995, Dumbledore's bones were all rotten.

Young and Dangerous don't have to think, they are always airplanes.

The writing in Hong Kong Magazine is pretty good, but I don't know why there are so many nitpicks.

One thing is not resolved, and another thing is followed immediately. It's such a mess. It's only been a few chapters. How many characters have appeared?

I don't understand why you have to write a weak point. It's thankless. Other plots are fine, but family members always pop up to disgust people. You need to advance the plot and just feel comfortable. But family members always appear out of nowhere to push the plot, and the writing is not good.