
Game of Thrones: the Rebirth of the Bucks
权游:雄鹿的新生
- Status
- Ongoing
- Length
- 386k Words
- Genre
- Light Novel
- Audience
- Male
- Subgenre
- Fan Fiction
- Updated
- 2y ago
- Source
- Qidian
Stats
0Monthly votes
6kRecommends
21.4kFans
153Chapters
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Come on author
Come on author
What is the use of this time traveler background?
Since the protagonist is exactly the same as the aborigines in terms of way of thinking and behavior, then why should the protagonist be given a time traveler background?
The protagonist does not look like a time-traveler at all. He probably has not received compulsory education and is a time-traveler who received a happy education in Europe and America. The possibility of being an indigenous person cannot be ruled out.
It would be better to replace the heroine with Margaery, who will support you and give you food, grass and money for your army. What does Dragon Mother have besides blood? Moreover, a person like Long Ma is so ambitious that she is still colluding with outsiders and may become a disaster in the future. She is not suitable to be a queen at all.
It feels like the sad dramas of recent years to me, neither killing nor fucking.
The protagonist's own abilities are useless except for personal force. The only advantage compared to the original work is that the North, West, King's Landing, Stormland, and River are still united, but they are also broken at a touch. Once Ed dies, the North will be separated, and Hejian will follow the North and will be separated. The reason why these places are not separated is because the protagonist is Lao The identity of Bob's biological son has nothing to do with the protagonist's own ability. If Emperor Joe was Robert's biological son in the original work, that would be the situation, and it might be better. After all, Emperor Joe finally married the Crooked Rose, and the protagonist traveled through a lonely place. The co-author's protagonist is better than Emperor Joe in terms of blood. I don't understand why I set up the background of time travel? The protagonist is the same as the indigenous people throughout the whole process. In fact, this is completely okay. After all, the identity of the protagonist is the person who has died in the original story. However, adding the background of a time traveler to the protagonist is completely superfluous and has become a little poisonous point. The identity of this time traveler does not bring anything to the protagonist. It requires a plot, but I don't know the plot. It requires a system. If the system is not reformed, it requires technology, but the technology is not available. What's the point? I'm really speechless. If it weren't for the author's writing style, this plot would have been a long time ago 😵
Forcibly increase the difficulty
Anyone who has read Binghuo knows that there are actually three major contradictions in Binghuo. 1. The contradiction between the deer and the lion, that is, none of the queen's children is Robert's biological child. The resulting battle for the Iron Throne. This problem is solved by the origin of the protagonist (it seems that the author wants to force the difficulty.) Robert's death is reasonable, but the death of Jon Arryn and the three giants of Druid is really impossible. Original Mr. Martin wrote this plot to make the Wolf family continue to make mistakes. The king has no biological children, and King's Landing is controlled by the Lion family, which only allows the Lion family to make a comeback. The Lions have been fighting headwinds without stopping, and they did not survive with any wisdom, it was entirely due to luck. If you want to forcefully march on the Five Kings front, you shouldn't give the protagonist such a strong background. The protagonist should not be allowed to be in charge of the golden robe. This is like playing LoL. All three super soldiers were pushed to the high ground. As a result, the author found that he could not continue writing like this, so he forcibly unplugged the protagonist's network cable and let the opponent secretly explode the crystal. (The author was sprayed so badly because he forced the protagonist not to act. The so-called crisis, let the protagonist talk to Robert. Let Robert talk to Eagle Wolf and it can be solved.) 2. The conflict between the old dynasty and the new dynasty. (Obviously the author doesn't have Prime Minister Cao's quirks. Instead of making the dragon mother a widow, he made the sleeping dragon become a real dragon.) It's against the grain but acceptable. 3. The conflict between the Red God and the Cold God (Martin hasn't even written it yet, the White Walkers have been gone for decades since the beginning of the book)
I'm so stupid, really. I only knew that subscribing could support the author's non-supervision, but I didn't expect that I would be attacked by the plot of wanting to promote before suppressing; There is such a type of author, their writing style is often good, if the results are good after being put on the shelf, their hidden literary youth will be unable to restrain themselves; When this book The writing is good, but when the protagonist who is clearly a time traveler starts to look more and more like a native, I feel bad. As expected, the protagonist has a high profile and a low profile, a personality change, bitter hatred, and now parricide; Have you ever discovered that the protagonist's son William Baratheon is actually more like the Destined Child? I will make some predictions about what will happen to the protagonist next, and set up a post as evidence: If the author is not supervising, the fate of the protagonist is by no means as everyone imagines, only "suppressed" once before the birth of the dragon, and then no longer suppressed, Because parricide is in the world of ice and fire Just like having Harrenhal, it is cursed by the law of cause and effect; In addition, the protagonist's personality visible to the naked eye has darkened after the parricide, which is inconsistent with his external impression of greatness and integrity. Therefore, when someone close to him discovers his true identity, he may stab the protagonist in the back. I will make a bold guess. In this backstab, the author will at least make the protagonist face a life and death crisis, and may even arrange for the protagonist to die; After death, considering that Mesandre is in the protagonist's camp, he may resurrect the protagonist like Stannis was resurrected in the original book.
This time travel is in vain, nothing can be changed, the situation is worse than before, the whole world is the enemy, what is the difference between this time traveler and no identity? And let me ask the author, will the protagonist have his own dragon in the future?
Let me tell you a number, 500,000 words eunuch
So difficult? It's not necessary. If you have to suppress the protagonist, is it necessary to write this identity? If the identity is high and you have to press hard, it will look uncomfortable.
I will be here to help with the new Game of Thrones book
They are already the biological children of a lustful queen, and they can still lead to a plot where the Lannister turns against him. This is a huge increase in intensity. Being an illegitimate child is not so embarrassing.
Inexplicably, this plot sounds like schizophrenia
Can we not do some operations that deliberately make the protagonist more difficult? Purely disgusting
As long as the protagonist doesn't die, there's no reason for the melee that follows.
After it was released, it became a domestic drama. The plot jumped up and down without logic, and the main character's personality and behavior were inconsistent. There was also a conspirator who could instigate the entire plot. The bald head was the protagonist, right?
The position is unclear, if you want to fight, fight, and the lord is unclear. As a result, the people below are also confused, and in the end it will only give the enemy an opportunity to take advantage of it.
The first half is great, but the contradictions become more and more serious in the later part And due to the perception brought about by the separation, it makes people feel that she is not like a time traveler at all, at most she is a woman who is good at palace fighting. (The protagonist's description itself is very smart, but for the sake of the plot, the protagonist is forcibly suppressed, and the sense of separation is particularly great. The author's description makes people feel that the protagonist has a chance to win in a big way, but as more and more pits are dug around him, the protagonist For many things, you can only be forced to be ignorant, or forced to wait for the subsequent development after being informed. Of course, it is a lot more interesting. The purpose is to make the protagonist start from Tianhu and be forced to collapse, which is equivalent to turning the prince of the dynasty into a rebellion with some troops.)
At present, the character of the protagonist is really not suitable. At the beginning, as a time traveler who did not understand the plot, he became a novice at the power table. Being able to listen more, watch more and do less is far beyond some people with so-called 9-year compulsory education. However, in the last few chapters, it has completely failed because Rob took one look at his sister and felt unhappy and personally participated in the competition. Looking at this scene, you can see that the protagonist's ten years of forbearance has completely brainwashed him into a native. He has completely abandoned all the knowledge brought by the time traveler and completely integrated into the native. In this life, his parents killed each other. The protagonist already understands the reasons and motivations and knows that both sides will take action in the near future. As a time traveler, he does not wait for an opportunity to imprison the queen like Qin Shihuang, nor does he directly go to the Xuanwu Gate like Li Shimin, but at least the protagonist should do something. As a result, the protagonist turns around to provoke the heir to the north.
From the beginning to the present, I feel that the author is driving high and low. At present, it is obvious that the author is forcibly suppressing the protagonist. Originally, starting with the protagonist as the son of Cersei and Robert was a good entry point. I have not seen this point written by the author so far. It can be said to be a new track. However, as time develops, the identity and behavior of the protagonist's time traveler obviously conflict. The protagonist knows Cersei and Robert, but does not know Littlefinger and Varys. This is not in line with the character of the time traveler. In addition, when the protagonist was a teenager, the author had already revealed that the protagonist should be a qualified crown prince. As a qualified crown prince, his EQ and IQ must be online. Whether it was dealing with the relationship with Joffrey, or not taking decisive action when he discovered the conflict between his parents, or acting like he didn't know the plot of the Game of Thrones, it failed to show the protagonist's vigorous and resolute way of doing things and the quiet style of being a qualified crown prince. I believe that the author must have watched the Game of Thrones film and television series and the original novel before deciding to write this novel, whether it is to make up for regrets or to bring himself into the magnificent world of Game of Thrones. As the protagonist of a certain side of the author projected in the world of Game of Thrones, I personally think it is unqualified in the storyline so far. I have also posted in support of the protagonist before, and even registered a Qidian account, because I think the author's starting point is This game can be said to be a great highlight, and even the starting point for a new Game of Thrones fan track. What I want to see is the battle between the protagonist, the heir to the current orthodox Baratheon dynasty, and the royalists who want to restore the old dynasty. Can the protagonist turn the tide and save the building from collapse? Can the protagonist successfully influence the direction of historical events, which allows me to see another Game of Thrones world; can the protagonist become a wise emperor instead of another mad king... Etc. In short, these are my brief remarks as a reader. I hope that the author can brainstorm, have his own ideas and narrative style, and absorb useful suggestions from readers to make this book better and better. I will still continue reading, because I like the beginning of this book, and I also hope that the ending of this book will make the author and readers have endless aftertaste and linger for three days. I hope the author can take us readers into a world of intrigue, family ties, grandeur, and humanity, and lead us to experience a real and epic world of Thrones.
This author has opened a new book called Game of Thrones Blackfire, but it's still the same routine with no improvement 🤭
Found a cheating book, Black Blood and Kingship, not bad🤫
People who don't understand the plot are not even qualified to serve on the table if they travel to the past.
Is Cersei's eldest son dead? So who is Gendry?