From Blue-Ringed Octopus to an Ancient One

Lovecraft's family tree, which means that Mr. Luo himself is really a descendant of the old days 😏 Q: What should a writer do if he travels through the book and enters the terrifying world in his own novel? Lovecraft gave us the answer! Answer: Give yourself an awesome background! 😁

I feel that it would be more comfortable to watch if the protagonist or the investigator's perspective is removed ( Whether it's the giant octopus fighting other giant beasts or the middle-aged investigator destroying the conspiracy, it's all interesting, but mixed together it's a bit messy This problem can be solved with more updates. Jpg

From free to subscription, it feels like the main plot is dragging. The protagonist sleeps all day long, and a lot of sub-shots are made up of supporting characters. Supporting characters are used to promote the plot. Seven of the ten chapters are supported by supporting characters. The protagonist wakes up in one chapter, does tasks in one chapter, and sleeps in another chapter. It feels like there is no distinction between priorities. Let's see you next time. I will retreat first this time.

The White Worm Lulim, the Great Old One, lives in the great iceberg Igils. Has the ability to be severely cold and frozen, but is weak during the new moon and falls into a deep sleep. No religious order worships Him. He will select some magicians as servants and promise supreme knowledge, but this is a lie. He will devour the magicians after they are attuned to their own bodies. Finally, he was killed by the mage Avager with a sword during the new moon.

One of the problems with this book is the author's style of writing, and the other is that the plot line is as loose as the Holy Roman Empire. First of all, let me say that I only read about fifty chapters before I couldn't stand it anymore, and I didn't read any further. Firstly, when you write about the Imperial Port Massacre, the beginning of this paragraph is not written together with the sequel. Instead, it is suddenly included in a chapter in the story of the protagonist passing through the script. I don't know what the purpose of this is besides cutting off the originally integrated dungeon plot. The following sentence is followed by "Lin Kenan did not know that the tragedy occurred." What I want to say is that the readers do not know what the tragedy was about, because you did not explain the relationship between the case and the existing plot in that chapter, leaving the readers completely confused. The characters in this chapter appear in order of priority and not in formality. The police sergeant who has no egg function is mentioned in a big book. The container possessed by the core character is mentioned briefly, and nothing is explained except the name. Giving Western names to a bunch of minions not only makes it difficult to remember, but also distracts attention from the main characters, causing readers to not understand which characters are important and which are insignificant. The perspective jump is too random, for example, in the plot of the temple designer, you just finished talking about designing the temple, and then jumped to the designer's perspective. What's humorous is that you didn't reveal even the slightest possibility that this person is the temple designer. For example, when a normal person writes about my teacher XXX, it means what kind of person my teacher xxx is, but when you write it, it means what kind of person xxx is and he is my teacher. In short, your writing style is like that of Fornac. The scenes keep changing, the characters' perspectives wander, and everyone is gibbering like a psychotic person. The plot line is roughly divided into two parts, one is the protagonist's copy and the other is the indigenous cult. If there is no communication between the two, it is at least better than nothing. Did the protagonist's dungeon experience have any impact on the Order? It seems that there is, but it is not written about the dependents, but it is not written at all. Has the development of the sect had any impact on the protagonist? It seems that there is, after all, it gnawed the white worm. However, the white worm was summoned by another group of cultists, and the ones who attacked the white worm were a group of police. The cult did nothing except shake the protagonist awake, which can only be said to be crucial but insignificant. Double-line designs are very common, but designing two parallel lines is less common. They should be entangled together, right?

No one should read what you write like this. What are you writing about? It's so boring. It's getting worse and worse than when you started.

The Dark Young is a creature in the Cthulhu Mythos created by the American novelist Howard Philip Lovecraft. The body of this creature is a huge mass with black whip-like tentacles growing on it. There is a huge mouth around the mass, and green mucus is dripping from the mouth. There are huge hooves underneath the body to help it stand. The outline of their bodies resembles that of some kind of tree: their stubby legs are the trunks, and their bodies covered with tentacles are like the canopy. Its height ranges from 12 to 20 feet. Their name "Black Goat Babies" refers to the "seed" in Shub Nicholas's title "The Black Goat of the Forest that Breeds Thousands of Seeds". There is a very close relationship between black goat cubs and Shub Nicholas, and they can only be seen in areas where Shub Nicholas is worshiped. The young black goats act as agents of Shub Nicholas, accepting sacrifices offered to her, being worshiped by believers in her place, and eating those who do not worship her, spreading the mother's gospel throughout the world. Fortunately, they are quite rare.

B'Moth is one of the incarnations of Cthulhu, appearing as an icy cloud glowing with blue, green or yellow fluorescence. It is the embodiment of Cthulhu's spiritual power. It has powerful spiritual abilities and can influence humans through dreams and telepathy. It can transmit horrific nightmares to any corner of the world and is an important medium for Cthulhu to spread his thoughts. It has the ability to control thoughts and can read the thoughts of any animal and human being at will. The former will be easily controlled, and the latter can use its own will to resist this influence. If the influence fails, Beamon will wrap the victim in layers of clouds and gradually devour his consciousness, causing his consciousness to be completely lost and controlled by himself.

Chorazin is one of the incarnations of Cthulhu. It is the self-like will of Cthulhu in his sleep, and is the most accessible part of Cthulhu's mind. Its true form is the same as the majestic Cthulhu, but as blurry and distorted as in a dream, composed of flickering lines, static snowflakes and shining green arcs. It will appear as Cthulhu in dreams, and will only appear in the real world under very rare circumstances, but it can still appear from electronic screens or other areas with high-density psychic and electrical energy. Krasin is used by Cthulhu to influence artists or those who are psionically sensitive in their dreams and is part of his will. So anyone who encounters Cthulhu in a dream has almost certainly been exposed to Krasin

Mi-Go is a type of creature in the Cthulhu Mythos created by American novelist Howard Philip Lovecraft. They are metaplanar creatures, originating from far outside the space-time continuum. Mi-Go possesses science and technology that far exceeds that of humans, and they can travel through the ether with their huge wings. During the Jurassic Era, a group of Mi-Go descended on Earth and fought against the Ancient Ones.