The Celestial Official Has an Edict

The biggest problem with this book is that the author mixes the cultivation of immortals with the imperial court. As a result, it becomes unclear and they become completely different. Many places he makes are very inconsistent. Sometimes a certain plot tends to cultivate immortality and the plot characters are very fantasy. As a result, the focus of the next paragraph becomes temples and investigating cases, and everyone's thinking in talking and doing things becomes ordinary. It understands the thinking of ordinary people. For example, one second he was riding an eagle and flying in the sky, and the next second he was running wildly on two legs. One second he could search for souls and go back in time, and the next second he caught someone and there was nothing they could do without recruiting. It all relied on the protagonist to trick people and use their imagination. Cultivation is not like cultivating immortals, investigating crimes is not like investigating crimes, and temples are not like temples. For example, the first volume has almost nothing to do with cultivating immortals. Whether it is the villain's criminal methods or the protagonist's investigation methods, they are basically mortal methods. The second volume begins to add settings and characters to improve the overall level and focus on cultivating immortals. It can obviously search for souls and go back in time, but a group of big guys are all counting on the protagonist to investigate the case, which makes the protagonist's investigation become dispensable, which is very inconsistent. There is also the setting of the temple and the character of the emperor. Many places are contradictory and cannot be justified. In the novel about cultivating immortals, these people with cultivation do not put how to improve their cultivation first, and do not want to practice to become a big boss. They are only thinking about how to be an official and how to make money every day. They are all honest and willing to be loyal dogs to the emperor. The emperor boasts of being wise, powerful, and thoughtful, but in the end he only loves his concubine. The prince, the prince colluded with his relatives to win over the ministers, and the prince had an affair with his concubine. He didn't know anything. The country was infiltrated by the enemy. He had no choice but to rely on a few disciples of Xuanmen to catch spies for him. Before the enemy country was defeated and the world was unified, he began to be afraid of his most capable general. It was said before that he had the means to deal with the three great immortals. But in the end, the immortals were not afraid but were afraid of his own superior skills to shake the master? An emperor who cultivates immortality does not think about improving his own strength or immortality. He deals with all this mess every day. What is the difference between an emperor in the mortal world? Personally, I feel that the author should stop writing such a hodgepodge and should focus on one aspect. Should he write about immortality and chivalry, or about low-level martial arts in the temple, or write about the everyday and relaxed style like Sword God? Forcibly mixing immortality and temple together, making it neither fish nor fowl, but he still has to focus on a certain aspect.

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I watched part of it, and to be honest, it's far worse than the first two. The plot of investigating a crime is very boring in this fantasy and high-level martial arts world, and there is too little description of the main supporting characters and is spread over many other characters. Especially since the heroine is much worse than Jiang Jiang in the previous book, the author is still suitable for writing invincible or genius-style fantasy. Although this book describes the protagonist's understanding that is incredible, there is basically no real sense of the protagonist's realm, and there is basically no description of the protagonist's moves, and there are not many moves. This understanding seems to be of little use. Most of them are writing about small cases one after another, which is very boring To be honest with the crow next door, the author seems a bit like they are all into comedy. You can refer to the next door. Although it's a bit unfinished, the writing in the early and middle stages is very attractive and the characters are well developed.

Liang Yue is not a serious person. Every time there is business, there is something urgent to do over there. You come over and have a chat with Senior Sister Wen. Normally there is nothing important, so it is a good time to communicate with Senior Sister Wen. You don't even see her once. What are you doing? Can't tell when to do what? What I wanted to say during the last battle to seize the city was that so many people looked at you and believed in you, and then you flirted with Senior Sister Wen here, and you only went to fight because Senior Sister Wen was injured. So if Senior Sister Wen had nothing wrong with you, would you admit defeat in the battle to capture the city? The same goes for saving Xiaoyun. When he saw Senior Sister Wen, he forgot everything. Is there anything serious? If I were a relative or friend of Liang Yue, I would be really heartbroken. It's not that you, Lao Pei, are not allowed to write about Senior Sister Liang Yuewen falling in love, but you should divide your time into writing about daily life. When it comes to the critical point, you should first be tired of it. Are you filming TV series at other times? The chapter on love in Chapter 999 ends at the end, right?

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Happy fourth anniversary in the industry, I am also very happy to read your book😁

Toshiro Toyojin😁😁

Uncle, I like driving the most