Immortal Me, Starting from Nightfall

Absolutely a good book. After the books about Mu Su Su Zhuan and Mushroom, this is the first book I have read that can make me immerse myself in it. It is not just food and grass for spare time, but the fairy grass that I can spare the time to read. The writing is good, the plot is neither procrastinating nor compact nor blunt. The daily life seems to be a little lacking. Basically, I am either fighting or on the way to fight. There are not enough battle scenes to write well, so I don't think it matters. Every battle basically impresses me. The character portrayal is even more outstanding. Each character is vividly drawn and has his or her own unique personality. They are not mass-produced masks. To be honest, Mitsuki is not very realistic. The recent plot does have some problems. Many people mentioned it in the chapter description. It is that the presence of Brother Hadron in the recent plot is too low. "Mirror", other members of District 12 and the little fox are all better than Brother Hadron. Highlight, it's not that it can't be done, it just needs to be balanced Why do I feel like so few people are reading such a good book? 🙂 I clicked on the book circle and found that there were not many comments. I wrote this review quickly and have already recommended it to my friends 🤓

It's on the shelves, and it hasn't reached the 100th chapter yet, but the day is special, so I wrote a long review for this book as promised, hoping to give some help to book friends who are still hesitant to read it. The first is the conclusion. It is absolutely a good book. The most interesting thing about it is the romance, not a silly romance, but the ultimate romance of finding hope in despair. The world is in danger, and the protagonist you have brought in is doing one thing - saving the world. At this moment, you in the book are the true savior! The settings in the book continue to deepen this romance. To this end, the author uses a variety of techniques, contrasts, foreshadowing, bright lines, dark lines... Every moment, someone unexpectedly tells you that you are doing a just cause, and it is the only just cause in this desperate world. Let's throw in a little bit of setting. First of all, my favorite point is "Being a king requires a price". The more powerful the linker is, the more he loses. Just like the world in this book, he is being deprived and people are experiencing loss. The Night Organization where the protagonist belongs is a group of people who have lost the most. They use broken concepts to protect a group of complete people and let them live a happy life. This is a unique shock. There is a plot in the book where a group of people fight to the death on a commercial street, but a couple across the street is shopping happily, people are off work, relaxing, and everything is as usual; the fighting people are angry at night and risk their lives for this. The second interesting setting and the one I feel most comfortable with is "firmness". The protagonist is firm, Boss Chu is firm, the little fox is firm, hope is firm... Everything in the night is so firm, no one will be shaken by a few words from the enemy, and the great thing about the author is that even the enemy is so firm! They are so firm that their logic is self-contained and their beliefs are self-consistent. Sometimes I can't help but nod as I think along the way. There are two factions of good and evil in this book. They are clearly divided, and the most heroic one is here. Everyone has only two ways to enter this circle, join or surrender. There is no third way. Everyone is determined to complete their choice until death. After saying this, it's time for my private goods. Next, the subjectivity will be stronger, and I will no longer be objective to save face! The author is the god of storyboarding! The plot in the book is extremely romantic. In the big setting of salvation, the author magnifies the feelings of small characters, and some broken guardians hug each other for warmth. Some people gain invincible power and lose everything that is real; some people gain a hidden figure and lose the link of the relationship; some people are immortal, but the past is like a mirror, only they believe in it, and the closer they get, the more false they feel. They are obviously the ones who have the most to lose, and they are stubborn and determined to protect everything that healthy people have. In one clip, the protagonist and Boss Chu go to the outside world, where it is twisted and out of order. Do you know how the author handles this unspeakable situation? That was the foreshadowing five or six chapters ago. The two embraced each other in front of the twisted moon and counted the stars in the sea of ​​stars. It is difficult for me to describe the shock this scene brought to me in words. I only know that the scene will be reflected in my heart. In the end, I want to say that this is not an absolutely easy book. The protagonist is decisive in killing, but not a lawless murderer; the protagonist is immortal, but not a funny man who seeks endless death; the protagonist is surrounded by beautiful women, but in the context of salvation, the difficult creation of hope has exhausted his energy. This is an unconventional protagonist. He belongs exclusively to this book and to the night below!

All in all it looks really good. Nothing serious about it. But I think you need to change the way you write it. Don't imitate the storyboard descriptions in movies and TV series. It will be very divisive. A copy is heating up, so you can switch shots and say some unnecessary things. Your writing method should also take into account that you are writing chapter by chapter, not the entire book at once. Each chapter must have a small beginning and transition, and it cannot be delayed for too long. The characters should be killed when they need to be killed, because your character portrayal is not very good. They should die if they deserve it. You have laid so much groundwork anyway. Add interesting new characters when it's time to add them. You have a wonderful thing. You always like to let your opponents go. It doesn't feel good at all. Even if they shoot you, you still don't kill them. You BB in front of them, and then deliberately let them go. I really feel strange, because wouldn't it be better to kill? Because according to your description of combat power, they must die? Why are you specifically setting it up to let them run away? Don't make the mistake of being a literary youth, and don't write "hi". Note that what you write is a web article. What a subject. If you had the right rhythm and carefully followed the online writing model, this book would have become popular a long time ago.

There are all kinds of different [concepts] and prices. It's really interesting to see how these concepts in our lives are derived in the story. I also like the various characters in it. Everyone really has their own charm. Although I felt that the small details were lost in writing later, they basically had no impact. The emotion of reading the whole story is coherent. I like [Sun, Moon and Stars] very much, and I also like the encore of [Rock and Roll]. The courage of Moon Chapter [Mirror] is indeed great. The romance of science and metaphysics in Sun Chapter Quack and Fox is great. The Chen chapter is relatively dull, but the white-clothed night officially begins to reconcile. (By the way, the fanatics really ceased to exist after Chen Tong's death.) I was very happy to watch the Stars chapter. Xu Wen's monster and sinister rock will have white clothes and night fighting each other (without falling in love). I feel that I like Xu Wen the most in the whole story. Although the center of the plot is not entirely on him later, it is like the last chapter, which is the story of a group of people. Maybe the only regret is that I didn't see Boss Chu's portrayal, but it's reasonable. Because there is really no way.

Extreme pressure breeds extreme heroism, and extreme heroism breeds extreme romance. A group of extremely romantic people fight against an extremely desperate situation, taking a break from their busy schedules to make daily jokes. This book tells such interesting stories.

Oh, the core of the relatively innovative Cthulhu-type superpower urban combat novel is the invasion of the world by alien phenomena. Various concepts are at risk of being contaminated and distorted. Once the phenomenon occurs, ordinary people will be judged by extremely high sanity values. The contaminated concepts will be "cognitively distorted", "forgotten" and "incomprehensible" by all humans as the pollution progresses. For example, the moon is half contaminated, so people also firmly believe that the moon has always been half. There is no setting inspired by the sanity bar. Instead, there are "Connectors" that resonate with a certain "concept". They are all self-destructing trucks, cleaning up the pollution before going crazy, until they go crazy and are cleaned up by those who come after them. Each Connector has his own values ​​and world view, and the more he believes in it, the stronger he becomes. In other words, there will be a large number of abilities in various urban, fantasy, science fiction, two-dimensional, etc. Different styles. The activation of the final ability requires a "price" to be paid. The price has no rules and depends entirely on the author's setting. Well, it is a very classic high-cost and high-power superpower witty setting, which is convenient for the author to kill in the plot. However, the author of the "cost" setting is not very good at it yet, and has not yet experienced it in the characters. Just like activating armed domineering power, which only requires renewable physical strength, the current various costs will not directly affect combat effectiveness, and there is no damage to combat effectiveness caused by defects. The most charming setting of this type is to offset multiple negative debuffs and defects, and then enjoy the super abnormal ability provided by each price. Well, maybe it is because the book has a short number of words after all, and it has not yet prepared for a brain-burning battle of wits.

The reading experience is terrible. When I read it continuously, I felt that the characterization and imagination were simply amazing. However, the more I followed the latest chapter, the more uncomfortable I became. What is the reward for spending a few days in real life and narrowly resolving an incident with death? Randomly consume half to several consumables named responsible persons, but other than that? Nothing. The more I watch, the more tired I become, and I don't expect the incident to be resolved at all.

It's so tiring to watch, I want to watch something exciting, and I don't mind seeing the protagonist encounter difficulties, but I really don't see hope here. Although the protagonist came from "time travel" and his ability is "immortal", it really made me have no desire to continue watching. I endured it for a long time and I was able to hold on when I hit the moon, but I really couldn't arouse interest in the plot of the ten origins later.

The "concept" will be polluted, causing evil thoughts about the original world, and will be forgotten by mankind. What if it is a concept of natural phenomena such as "darkness" and "typhoon"? How long can this world last? Sooner or later, even the concept of "humanity" will be polluted, right?

Absolute food, I stayed up late reading for three days in a row, and I have read chapter 213 so far. But there is a very awkward problem, that is, as an official, no new people have joined except the protagonist, and the old man cannot die. Every time they went on a mission, they were seriously injured, and every time they were almost out of control, but when the next incident happened, these people still followed like strangers. Gives me the feeling that four people from District 12 are going to fight until eternity.

It's such a familiar plot. Is this a resurrection match?

Emmm, you don't want to write about male and female supporting roles, do you? If you have any, please tell me. Thank you.

Blessings, great writing. This is not a routine article, everyone is guarding, struggling, crazy, and persevering. Remembering the article I read before, the world was invaded and in chaos, and the boss of the organization was the incarnation of the world itself. There is a saying "When you meet him, you see the world" (this is probably what it means, I have forgotten it after a while) and everyone is struggling crazily.

The idea is really good, but it's too tiring to watch, one scene after another, and then there is a huge disparity in the combat power between the enemy and ourselves. After being frustrated for a long time, it feels a little better, and I can't keep up.

The book is very interesting, and it makes my sense of logic fragmented and my rationality evaporating. Each linker recognizes different things and pays different prices, forming a different world view, a true "chicken talking to a duck". It feels like Squidward is watching Patrick Star and SpongeBob SquarePants.

Ahhhhhhhhhhhh! I have no resistance to women with 100 million points of nerves! Ahhhhhhh!

I'm almost halfway through reading it, and there are a few issues I really want to talk about. The first one is Gu Xixi that I have seen so far. Many people say they hate this character, which I think is right. I feel that the arrangement is a bit unreasonable. When I went to find someone, what everyone thought was that they had just experienced a split. The protagonist group has been fighting life and death. This time they should replenish their important combat power. As a result, she went to the enemy side. It is difficult to understand. I don't know what her motivation is. Then a squad leader who sacrificed his life for the people was repeatedly ridiculed, which is difficult to accept. The second one is Boss Chu. His strength has completely gone, and the fight has almost become invisible. He has become a complete partner for the protagonist. At the beginning, he said that he couldn't beat him and shouted for help. But halfway through, he felt that it was useless to shout for help. Now as an individual, he can be evenly matched with Boss Chu. He is faster than Boss Chu, has the same strength as Boss Chu, and has a higher IQ than Boss Chu. So Boss Chu is the person in charge simply because everyone else is a rotten fish. Can she still be tolerated? The Abyss is similar. It felt very awesome when it came out, but it turned out to be a T and turned into the background of the protagonist. The problem is that the protagonist has not been upgraded. The third one is the clichéd problem of the protagonist becoming stronger. At the beginning, it was said that everyone should use their imagination, but basically everyone played the game literally. The only one who looked past it was the second-in-command who was slaughtered at the beginning. He really showed some tricks in the game, and the others It just relies purely on recklessness. The dragon really only relies on strength and speed. Then it roars and overloads. It's just pure recklessness. The quack doctor plays a thunder method and describes it as very powerful, but it's basically a 50-50 split. The little fox uses fire. I still can't understand the connection between fire and deconstruction and reconstruction. Abyss pure t , except for ridicule, I hope I think it is the most able to dig out, but it has not been revealed. Now the fights are purely based on recklessness. I am too lazy to say anything else. The most outrageous thing is that the protagonist is beating Santa Claus, purely deus ex machina. The understanding of Christmas by people in this world is wrong, so why can Santa Claus be so strong, and then use the public opinion offensive to make him become rubbish? Then the protagonist suddenly said, "I am also Santa Claus, and I am 50-50 with him." The final explanation is adapted to it, is it? The fourth one is the issue of infighting. Halfway through, it seems that the only ones that really compete with powerful concepts so far are Santa Claus and Addiction (I just saw that they are going to solve the sun and the moon, so I won't comment on it later, but I feel that there will be another infighting). The others are either brushed off or just rotten. Shrimp, the losses caused are not as great as the internal fighting (it only refers to the loss of combat power. Anyway, according to Care Xixi, NPCs without names will not appear in the future, and readers will not feel anything). Just after defeating a fanatic, a man in white pops up. We really have an enemy within.

Good book, but the name is too boring

Damn, I've definitely read this novel, and the more I read, the more strange it becomes.

If you haven't read it yet, read it now. I guarantee it with my eleven years of reading. This is a good book.

Although the author used a lot of personal ideas to explain and set up the work, and some parts cannot withstand scrutiny, this does not prevent this from being an excellent work. Then what I want to say is: just like reading Japanese light novels, using a lot of settings will make people tired. This is its shortcoming. However, this book made me feel the author's infinite enthusiasm and imagination for the world he created. This is something I personally like very much, and it is also in line with the reason why I was first attracted to online novels: a wonderful, abnormal, and imaginary world full of imagination.

The writing is really good, and the world view setting is very attractive and has the appearance of becoming a god. Compared with those popular novels, I feel that the only shortcoming is that the writing style is a bit bland and not rich enough. In short, it is readable by Xiancao!

I like this novel because I have the idea of ​​seeing Eri again. Life needs a bit of fantasy. So I also want to sit in the bar and watch them go crazy bragging

What a magical book, and the setting is also very good. The character's mental state is also very good

1. Ning Ning and Xu Wen. First of all, let's speculate on the truth about Ning Ning and Xu Wen. Here we need to clarify the communication mechanism between the concept and the linker. The agent of [Faith] will avoid death by receiving reminders from [Faith], and this reminder is instantaneous and can be understood by the linker without thinking, and only the linker and the link concept itself can understand and detect it. Every time Ning Ning speaks inarticulately and nonsense, "Wow" can be translated into Xu Wen's ears, and similar concepts can be seen in each other. For example, [Stars] and Ning Ning are talking, but others cannot see Ning Ning no matter what. Chapter 274 is currently progressing. Ningning was stabbed in the end, which confirms that the disguised medical staff is the concept itself rather than any agent or linker. But there is an anchor point here. If the concept itself can hurt the same kind, [Star]'s swing of the sword without any blind spots is enough to hurt Ning Ning. However, Xu Wen has never shown that Ning Ning has any wounds (except for the upper half of his head that was crushed by a car), which means that there are certain conditions for wanting to hurt Ning Ning. The existence of Ning Ning is different from other concepts. It can be speculated that the true identity of the medical staff is the [reality] that is opposite to Su Xiao's [hallucination], or the concept of [harm] itself. The former turns Ning Ning into a thing that is real to the concept on the basis of being able to see it, and then harms it. The latter directly adds a harming effect to Ning Ning, a conceptual damage. It is known that conventional physical means cannot cause actual harm to Ning Ning, so why was her head crushed by an ordinary truck when she first crossed over? It can only be proved that Ning Ning was a genuine person when he first traveled through time, but now he has become a concept. The weird thing is that both of them are almost in a state of immortality. So it is reasonable to speculate that Ning Ning linked to [immortality] at the cost of being polluted by the concept. However, when he completed the link after crossing over, his head was crushed by a truck, triggering [immortality], so he did not die, but was contaminated and assimilated by the concept. He changed from Ning Ning to [Ning Ning] and chose his brother Xu Wen as the linker. He relied on Xu Wen to link to [Ning Ning] who had [immortality]. In fact, the two were in a superposition state. Xu Wen obtained another kind of immortality because of this. However, he could not pass his own immortality and could only rely on [Ning Ning] who truly possessed [immortality] to piece him together. Therefore, Xu Wen had the characteristics of [immortality] and the ability to see [Ning Ning] at the same time. 2. Standing on the basis of "Care and Cherish" I need to sort out the copy, so I will talk about it later. This girl broke the fourth wall, which is a bit interesting. Besides, what she said is good. It is precisely because the character has a name and a surname that he will not die in the short term. Even if he dies, he will appear repeatedly in subsequent plots. (Does whipping the corpse count? Mr. Chen Tong feels aggrieved) Because Gu Xixi has been running, so in order to clarify the key whereabouts of this character, the author must keep writing useless plots of her running repeatedly. In this case, she is absolutely safe. The author must repeatedly mention that the more she mentions it, the less likely she will die in a short time, so even if she suffers injuries while running Injured, but she also feels safer, because in addition to running, she is also injured. After the author's description, the reader is left with the impression that her "footing" is deeper, so she is safer. Even if she runs to a safe place and stops, it is dangerous, because she is motionless. The author does not need to spend pen and ink writing about her whereabouts. This is why she is in danger as soon as she stops. Only by continuing to run will she remain safe. This is very interesting. I think she and the only madman [Delusion] are the key to saving the world. This is the story of a group of people. This is the story of each person trying to gain a foothold in this movie in his or her own way. 3. Movie analysis. The core proposition of the entire book has always been about movies. The eldest sister agreed to invite everyone in the night scene to watch a movie, and Xu Wen agreed to take Boss Chu to a movie and so on. Including the propositions reflected in the plot of this book: faith, emotion, betrayal, justice, protection, life and even happiness. These are topics that can be discussed on the basis of film creation. For the film itself, they are accessories that enhance its artistry, connotation and depth. [Movie] is most likely one of the "ultimate conceptual pollutions" mentioned by [Xingxing]. To watch a movie, you must have a good [story] script, [music] that enhances the atmosphere, a [creative] director, a core theme that conveys thoughts and [beliefs], a [natural] and smooth structure, and a [night curtain] overhead when the cinema lights are turned off, etc. 4. Ten Origins and Ultimate Concept Pollution The ten origins currently known as [Firearms], [Nature], [Creation], [Stories] and [Beliefs] are all inseparable from human beings. They are all products of human activities. They are all media or carriers used by humans to transmit and express. They all have a huge impact and profound shaping on humans. So "ultimate concept pollution" should also include [Earth], [Humanity] or [Movies]. 5. By the way The artist said that there is no [hope] in everyone's [story] The eldest sister said that after the battle, she would like to watch a movie at night So in the final ending, the eldest sister, as [hope], will most likely be written to death no matter what. Be mentally prepared.

What attracts me most about this book is the characterization. The characters are not just empty labels, but I can actually feel their emotions and be attracted to them. In addition, the plot is also very fascinating, not enough to watch, not enough at all! At that time, I lost most of my desire to click on the book because of its resemblance to Studio. I decided to take a look at it because of the introduction. But now that I have read it, I feel that the title is quite appropriate. Why?

It's fun to show me. I'll save some more and watch them again later.

Hey, why did it end with only 900,000?

It feels like the concept of [airplane] has been restored but not completely restored. I thought it would be like "Unfortunate", it would return to the way it was before the concept of "airplane" disappeared.

This novel by Niu has good plot progression and characters, but the score may have been lowered by the title of the book.