People Are in Yu-Gi-Oh, and the Hyper-Integrated Audience Is Also Integrated

I have been chasing books for a year or two. I have read the last book 7 times and this one 2 times. I am also considered a half-time fan, but what you wrote in these dozens of chapters is really fucking stupid. Think carefully about the reason why the last book was successful. Is it because you wrote a mess of family ethics drama? If you can't write this aspect, just think about it carefully and think about how to embody the soul of Yu-Gi-Oh, instead of it being all driven by the author's big hand@

The origin of the heroine of Twin Flowers The little clerk girl who has been eating grass with Teacher Tony for three years. Judging from the current plot, the male protagonist has not yet crossed over to Biantana, and the female protagonist knows the male protagonist who has already crossed over to Biantana. From the scene between Nanyang Yuzi and Zuitu, it can be seen that the time between the two parties is not compatible, but I don't know what deck the author will let the male protagonist play. Finally, I carry the banner for Miss Mei

The best thing about the previous book is that the original world is written with a sense of story, but the shortcoming is that the plot is unclear, the outline and settings are unclear, and hundreds of chapters have been added to the setting, which makes the understanding threshold high and difficult to read. You must read it very carefully, otherwise you will be confused after reading a few words. This book still has the same problem. The background and settings of the world view are unclear. Even if you want to write a fragmented narrative, you have to explain the basic world view. Otherwise, the foreshadowing will only make people feel confused...

First of all, I would like to add a word of caution here. I myself have been following this author's old book last year when it was still being updated (that is, Persimmon). I joined the group around August or September last year, and you can find me by searching for Crystal Skills in Group 6 What follows may be a little bit It's long, so you don't need to read it, just let me vent myself, I'm sorry The old book really shocked me deeply at the time, that is, Yu-Gi-Oh can not only write Dm, gx opening, but also all kinds of original cards, prohibiting the random use of cards, and final construction. When Si discovers that there is a shortage of cards, he just violently replenishes the cards. Then he plays cards with the elves, and suddenly creates original cards. Yu-Gi-Oh novels can be written about fighting each other in a modern environment and still be very exciting. Storytelling can also make people excited, and every card is used. Its function, I also learned a lot of other unpopular decks, such as Scrap Iron, Gaia, and Fangjie, decks that I had never even heard of (Gaia, I always thought it only had a mortal bone form). Although it is not perfect, it is my feeling after reading it at the time. It's really good. When I saw the news about the new book, I immediately came to the starting point The beginning of the chapter is a hazy shop setting. It doesn't matter, I have read too much. Then I played cards on the virtual ladder, taking several decks to rotate up points. The taste was right. At this time, I felt familiar. The Tao is back, and at the same time, the last scene really made my long-dormant heart feel excited again At that time, I was still in the third year of junior high school and preparing for the high school entrance examination. I had no money at all. If I had to follow my progress and book books, I could only watch a dozen advertisements all day long, but I really I'm very happy, because I like this book, and I like to see those people who came before me come out again, and the new generation of people bloom with their own glory But I don't understand I really don't understand Storytelling, the biggest scene, thinking, talking, and anger These are all okay, good ideas, if I make the biggest scene, I may even move the opponent and I Kang, so there is really no problem with the idea, Lao Li has really done a good job But why does she point her sword at the elf Why? Commanding power? Destiny? I don't understand why the little Ji Lingui brought the elf. When I saw her sword pointing at the elf, I was completely confused Why? In other words, why must she win like this? From then on, from February to October, I gradually forgot about this book, but it still remained in my bookshelf, and I had expectations in my heart. On National Day, the high school entrance examination was over, the high school entrance examination, the novelty of living on campus and financial relaxation made me forget my confusion. I decided to start reading again. I haven't read more than 300 chapters. It's great to read. I'm so lucky It's an exam again. It doesn't matter. The last time was to join the team. This time it's to join the staff. It's normal. I also built a set of magic bullets when I was young, so I think it's very good There are more than 100 pieces, and he is still using magic bullets. Although he has added the support of carved magic, the consequence is that I almost don't recognize the word carved magic anymore. There are so many repeated horizontal jumps, so many corpse whippings, and so many timing delays My mind is so messed up But it doesn't matter, it's just that everyone is gunning and jumping repeatedly. I am very happy to watch the water machine, electronic dragon, and Sky Striker alternately in the front. As long as I push through and enter the system and get the card, I can see more variety Who is Lin Chen? Why do you suddenly use so much pen and ink to describe him? Oh, I understand. It's the same as Qin Hua in the original book. It's about seeing the big from the small, and then letting the two sublimate again. It's so well written, I want to applaud Why is he still here Why did he use the magic bullet There are so many magic bullets, I'm about to turn into a bullet So it's difficult for the heroine of this book Dao is not a flower, but Tang Xin also portrays it very well, not bad In fact, Lin Chen's writing is also very good. Although the look and feel is a bit like two protagonists, the correspondence between them is consistent with the theme of the book. I feel that I have the motivation to continue reading It's finally over, the last card game, I think It must be quite exciting Card players versus card players, suppressing each other, very good What is hand exchange, forget it, it's good, just promote the development of the game There are so many carved demons, now it's not just carved demons, I almost can't recognize the carved demons' whole family, and why does he get what he wants? , Why can't Lao Li draw better? Forget it, it's just the darkness before dawn 280, it's finally over, desperate timing, desperate calculations, exquisite decisions (although my eyes are almost exhausted), wonderful interactions, so perfect, then what is his last card? The forked road of fate has a very good meaning. One side goes to the light and the other goes to the darkness. The little man who has nothing and the commander who has a promising future. Even if he loses or wins, there is room for sublimation. It is so well written. When I read the effect of this card, I thought of the hope for survival. Then, just give everything to the two coins of fate, Yes or no What does it mean that you chose an or What does it mean to draw Fucking

It has been almost two years since I read the author's book. Let me tell you my opinion. I think this book has some problems To be honest, the last book also had these problems, but the author of that book was very inspired when writing for the first time. After reading the duel, I was so excited. In this book, the author feels that his inspiration is about to dry up. The strategy of writing the book must be changed, and it must have some characteristics of ordinary novels The first and most important thing is that there is currently no clear main line, just like a skeleton without a spine I think the competition part is well written, and the battle royale is also watchable. In the final analysis, both parts have a clear goal. Only with a clear goal can the plot flow smoothly, and it is easier to write motivating events But phased goals are phased goals after all, and he only It can play a role in this stage, giving the protagonist a reason to act. Once completed, it will no longer exist, and the character will have no basis for action And since there is no main line, the results of the stage goals cannot be connected in series To use the simplest analogy, the protagonist always has various purposes at the beginning of a novel about cultivating immortals, whether it is revenge or eternal life, but the final conclusion of each volume The result is that the protagonist is one step closer to this goal But in this novel, the protagonist Li Guanqi does not have a very clear goal, which results in the readers not being able to clearly feel the results of each volume. After the competition, there is money, and after entering the game, there is an identity, but this has no obvious effect on advancing the plot of the entire article. In the short term, it is an motivating event, but in the long term it is There is no way to support Then there is the problem of character creation. There is a relatively classic formula for character creation - ability, favorability, and initiative. If any two items reach a high level, a satisfactory character can be created. A typical example is Gu Yue Fang Yuan. Although the favorability is low, his ability and initiative are very strong (of course, more complex character arcs are not counted, and we only talk about the basics here. Shaping) Now let's look at the protagonist Li Guanqi. There is no big problem in terms of ability. He has only lost a few very abstract duels so far, and then there is the favorability. To be honest, the protagonist has not done anything to increase the reader's favorability, and there is nothing that can make the readers empathize, so the favorability is not high Then there is the most serious problem of initiative, because the author has no There is no main plot, which leads to Li Guanqi's initiative being very low, basically being pushed around, and he is very uncomfortable The same is true for Luo Bai in the previous book, but the excellent structure makes up for this, producing an effect that does not hide the flaws. This shortcoming is exposed due to the exhaustion of inspiration in this book Then there is a big lightning point in my opinion, that is this book The emotional line of the book and the emotional process of the character are also content that attracts readers, but I feel that the author is obviously not good at this part. Maybe I have not talked about it. I feel that the emotional line of this book is a bit strange, which makes me a little at a loss Finally, I sincerely hope that the author can listen to some reasonable suggestions. After all, the work is for readers, and I have no concern that readers will become self-interested.

In order to cover up his talent, B doesn't even have to write a good novel. If it appears in the article, it must be useful. In the scene where the Pharaoh was added to the castle, the epic origami paper god was left untouched by the silk stockings. Then you deliberately wrote an epic version and a non-epic version, just to cheat on the epic level? Then I wrote that the protagonist wanted to let go and have a fight, and I also wrote that the protagonist and Jonouchi Yugi had eyes with each other. I thought I was going to have a hard fight, but no, I was kidnapped. I ran away and saw a big reversal. It turned out to be the solution to the super big pot fried paper god in the city. I flipped through the titles of more than 30 chapters. After I left, I didn't mention it again. I wrote these two chapters together. If I fill it in later, is it necessary to fill in the pit that spans such a distance? Forget it if it's just a vague foreshadowing. The previous series of definite foreshadowings have all been completed, and this is where it starts to stop?

The book has reached chapter 360 and has been on the bookshelf for several months. I don't know why I lost the desire to continue reading. I came across this book again in the early morning, clicked on it and read the comment section. I couldn't calm down for a long time, and there were some things I really didn't want to say. I came here from next door. I really liked the previous work and bought some gifts. I saw the author opening a new book here and I have been following it. There are many problems mentioned in the comment area, so I won't go into details. I really feel that it is a pity. I was looking forward to the author's bold words. Zhuang language can come true. I originally expected this book to truly create an epic Yu-Gi-Oh fan world. After all, Yu-Gi-Oh!, What a romantic and interesting world. I have been playing the game since I was a child. Although I lost to the defense many times, I often I often scold Konami for being SM, but aside from these things, I really, really like Yu-Gi-Oh, the anime plot, the characters, and the fun of the duels. I believe the author is the same, at least he is also a person who likes Yu-Gi-Oh. Perhaps, this is reality. Unlike in the hot-blooded series, if you do it with good intentions, you can achieve it by trying your best. In reality, many good wishes end in disappointment. I don't like to comment on books, and I won't ask the author for anything, but I probably won't follow this book anymore. I want to ask, what will the things we love and pursue turn into in the end?

Now that I have read about 60 chapters, and after thinking about it again, some book reviews and comments say that this book cannot be read without reading the previous one. In fact, I feel that is not the case, because the two books share the same world view, so old readers know too much information and it is revealed, which is equivalent to spoilers. Then new readers think that these spoiler information are necessary to read this book. All the information disclosed by old readers are spoilers, and there is no need for new readers to know. You know, the author seems to have his own rhythm. For example, before the setting of the spiritual level of the cards was released, the book only said that the cards were spiritual, and did not say what level a certain card was. Old readers revealed a lot of information, such as what level is after the epic, the identity of certain characters, and the story of the old book. There are too many settings mixed in and cannot be spoiled to new readers, otherwise new readers will think that they cannot read the book without this information. There are problems with not revealing it. Because there is too little information, new readers will only read this book with foreshadowing and suspense. If they don't have the patience, they may not read it. I can finally understand why many people read the book without leaving comments. The impact of spoilers is too great, and it almost kills the book. Summary: New readers feel that this book is for old readers because the author reveals less information and there are too many spoilers for old readers. Finally, I would like to say cheers for the author, I still think your writing is quite beautiful. 👍

Also, many characters in this book don't have enough character arcs. The Twin Flowers and King Hands have been writing this book for so long. When I think of these two characters, the first thing I think of is facial paralysis. The KC Cup is still fun. The most enjoyable moments in the previous game and this one are always in the KC Cup, leagues, and secret realm challenges when the protagonist has a goal to move forward. But now Li Guanqi gives me the feeling that he seems to be doing everything and nothing at all. He will do whatever the superiors arrange for him. Now he is neither a chess player nor a spectator but a chess piece. This book has been written for so long. The protagonist should do what he needs to do, such as establishing at least a partnership with the core high-level figures.

As seen in the title

I really can't imagine how the twins will make a comeback.

It was so funny that the comment was deleted directly. I don't know what the problem is, so I'll say it again here. First point, I don't understand the plot. If you give a deck of cards, you'll get a deck of cards. If the protagonist loses, he loses. But I really don't understand the plot of being ripped off and then the protagonist getting EMO inexplicably. This kind of plot should appear when the protagonist wins the game and his mentality begins to expand, and then the protagonist needs to return to his normal mentality. Just like the previous one wearing three games, and then being carjacked immediately, but here I can't see why the protagonist has to be gauze, in order to praise this new heroine? Second point, being the strongest in the world is a joke. Everyone in Yu-Gi-Oh! Player wants to be a dog, but not just to be a dog. Most people like skill + luck, not pure luck. If you want to give her the strongest setting in the world, then you have to reflect her skills at least. I don't see where this so-called strongest technology in the world is at all, so why don't you just buy a dog and add a Yubel elf who can predict the future? Yes, she even killed the elves in order to kill them. Third point, I really don't understand why the protagonist's mentality is hit like this. You did a good job, but were solved by the dog-hunting champion's combo, and then you were hit? Is this a normal reaction from a poker player? Shouldn't the normal reaction be to be speechless or annoyed? Why do you have the same virtues as the local aborigines? The fourth point is that as a new reader, I have not read the previous book. Please write down the world view settings properly in this book, and also write down the character settings properly in this book. Do not rely on old readers to explain science to new readers in this chapter. This is not a series of novels, it just follows the same world view. Even if the main text is not written, at least explain it in PS. If it is not a series of novels, and the plot of a book can only be understood by reading the first book, and the setting of a character can only be understood by reading the first book, then the plot is not well written, and then this character should not appear now. The fifth point is that some readers said that they did not take on the role of the protagonist, so they felt that the protagonist lost. Some old readers said that the strongest in the world is the daughter of the protagonist in the previous book, and her commanding power is off the charts (yes, this so-called commanding power is also popularized by old readers in this chapter). It is normal to be thrown into thin air. First of all, it's not that everyone doesn't take on the role of the protagonist at all. After all, if you don't take on the role of the protagonist when reading a book, why don't you take on the role of a passerby who writes a few words on the roadside? Secondly, don't give me character settings based on old books here, just like the Mickey in front. His "Don't Forget" deck and the previous book "Being Brainwashed for Three Years" should have been written by the author himself, rather than the readers' own popular science. Of course, this kind of plot should be written later, and it won't be shown in the early stage when dozens of chapters have just been written. Finally, I don't know what's wrong with the comments in this chapter of my book? It was basically a brief summary of the two or three points mentioned above, and then it was deleted. I don't know if this comment will be deleted, so let's leave it at that. Anyway, other readers are just watching the fun and don't mind it, and the author won't care about it. But if a reader loses, then it will be deleted. For now, I will continue to read this book because I like the character of the protagonist and the deck he uses. As for the rest, I will talk about it later.

The author's book on Tomatoes actually got a 9.5 Rating! But the starting point is different from the Tomato Track! Tomatoes are basically young people who don't like animation plots and prefer T1 to T1. Most of the starting players are older players, and the competitive decks make me vomit. Everyone likes the soul deck. Take the game where Yubel beat the champion White Dragon as an example. It's not that everyone can't accept the protagonist losing, but the protagonist can't lose so hastily! How about you write more? What's the point of the protagonist once telling a story and then eating feather sweeps and lightning strikes? Just to make the protagonist feel weak? Afterwards, the rating made me laugh even more. The King's Sword cannot be copied. I smiled. Even though the deck was full of hand traps, there was also a Yubel Elf. It was so pure that it was a complete loser, without any enjoyment. Now this book relies entirely on the fans accumulated from the previous book. If I don't change it, I will finish it sooner or later.

"The best new book of the year should be about Xianxia" "For martial arts, Cthulhu is okay" "For urban systems, it's a bit too funny" "Who the hell, who is Yu-Gi-Oh!"

I encountered Pai Lao's new book at the starting point. The second strongest person on the 6,000 list is like a monster. I can't defeat him even though I try my best

Jingjingjing😆

The dragon is rising! Floor, the shocking dragon is coming＼(`Δ')／

Who taught you how to write a sequel and dare to change platforms? You are so brave.

Brothers, please tell me who would use Yubel Elf as a trap? Is this really a world championship? I didn't see the operation, I only saw a dog-drawing. If I changed the Jiling to the Sky Cup, I could still kill the opponent 😅. It was really numb. If it were me, I would just yell at the opponent and forget about targeting him. He can still draw. If the opponent takes the lead, are the world champions Gai Jiling and Jianzhi waiting to die? 😡

I really hate the plot of the latest chapter. I feel very frustrated and aggrieved. Compared to the previous book, where I accepted that the command power can decide whether to start the game or not to use scraps, the latest chapter of the new book really made me angry. I don't think that the so-called strongest in the world can understand Yu-Gi-Oh better than the protagonist. The protagonist has defended everything he should defend, and he is also thinking about how to resist, which is very good. But the so-called strongest in the world only relies on leadership, or to put it less nicely, relying on luck. Forget it, after all, who hasn't encountered a dog? I don't know how many times I felt relieved when I was fighting Master Tianbei. But I hate this kind of winning by luck, but I can still act like I am invincible and look down on other people, or in other words, my face. Others are thinking about the rationality of the construction. Is this card powerful in this environment? Want to download? Which cards should I play on the side? We will continue to optimize and improve our structure for the sake of victory, but this person does not have to think about this at all. I only need to play big cards, and there is no need to think about anything else. Then you act like I am nb, do you think I am targeting you? Don't be ridiculous, I don't need to target your face. At the same time, others are still acting like king nb, but it is a pity that the opponent is too rubbish, which makes our world the strongest and cannot play exciting games. Damn it, tmd the strongest understanding in this B world can surpass the protagonist. I feel like it. If you have the ability, come to earth to play ocg. I really hate this kind of plot. You are also playing the author. OCG, when you go to play cards, you guard against hand traps, compete with the opponent, think about how to exchange resistance, and then are beaten to death by SB building big cards, and then the opponent pretends that you are a bad guy, and the person next to him also says Oh, this person is a good person, and he cannot let my friend have a hearty game, are you popular or not? I admit that this world has the rule of leadership. This is its underlying logic. Some people are born with strong leadership, but I just feel uncomfortable watching it. I think the author's writing is not very good. In the last book, I was very able to accept this setting. Now I can't accept it.

The reading experience is very poor. People always say that the previous work was a previous work. People who have not read the previous work are disgusted when they see this. . Is there any problem if I haven't watched the previous work? .

I was so angry when I saw the behavior of the daughter of the protagonist in the previous game that I checked the comment area But I found that everyone was scolding me, so that's okay Respect and blessings. Author, please continue, I can't stand it anymore

I know who the author is when I see Biantana and the author's ID, so I'll just add this book to my bookshelf. I recognize this author's duel composition. It's much better than other people's legacy environment or Paixiao's bullying of primitive people. Okay, putting aside the plot, it's right to take a look at the duel. I suggest you pay attention to the duel composition of OCG.

，，，， The purpose of changing platforms is to make money. To put it bluntly, the special bonus is too little. The last book ended in a hurry and I wanted to earn more to continue writing. Refining anything is far from being considered bad writing. We also scolded him in the group, and everyone is welcome to supervise him. Regarding the bug issue, it's still because of lack of time. I write a book part-time. I check what I have written in a hurry and bring it up first. I write it first and then modify it. If there are bugs, please report them. Everyone is welcome to report them. The author will also make modifications after verification to try to avoid bugs. When it comes to commenting on environmental issues, they are generally very tolerant. It's normal to have different opinions when playing poker, so be tolerant. But if you encounter personal attacks on book friends, just do it permanently. Don't take yourself too seriously and think how powerful you are. After winning a few YJ competition awards, he regarded himself as the master of Yu-Gi-Oh! There are newbies and veterans in any environment, so don't take a moment for eternity. The above explanation only represents my personal opinion. At this point, I wish everyone a happy viewing.

Is there a Shennong or not? How was the author's last book?

What's going on with this book? Including the previous book, most of the comments in the comment section are positive, but the content is really uncomfortable to read. The plot of the card game is indeed well written, but what about the others? The inexplicable plot development, except for the card game, made me wonder if it was Chinese. I even felt that I was watching a pirated version with the wrong layout order. There is a kind of beauty that skips a dozen chapters after reading one chapter, resulting in understanding nothing.

We are the management, and I will only delete posts that are direct personal attacks. We said that if the plot is not good, we can discuss it reasonably. There is no need to attack others directly. How about we discuss it in a friendly manner, and don't directly attack the group. I have been playing Yu-Gi-Oh for several years, and I have also won a store competition. The charm of Yu-Gi-Oh lies in the happiness when everyone plays the game together, rather than the sense of superiority that comes from talking about how others are inferior. As long as you don't attack others personally, I will keep your posts, so please discuss it in a reasonable and friendly manner. Thank you for your cooperation.

So far, I can only say that the fight with Bai Long was inexplicable, with strange hunting and defense breaking. I haven't seen the so-called previous work, but from the perspective of people who have watched this one, the story is that the protagonist wants to play cards online, and then out of nowhere comes a pure dogfight without any operation, and then breaks the protagonist's defense. Honestly speaking, from the lack of plot descriptions during the protagonist's performance, it can be seen that the protagonist is likely to lose. I won't go into the specific details. Others have said enough. But isn't your protagonist's mentality a little too confusing? One moment, he is fighting a life-and-death duel without taking it seriously, and the next moment, he breaks the defense with a dogfight online (not to mention that the dogfighter is the daughter of the protagonist in the previous game, who knows, the author didn't mention it in the text), or the author, please tell me

Sorry for the poor writing style. The author is a new reader and I have not read your previous works. I don't know what extraordinary achievements you have made on the last platform, so much so that I have come across some IDs prefixed by Benetsuki Taki when playing games. I don't know why you want to change platforms to write a sequel to the previous work, but please remember that the starting point really depends on the quality of the plot. I don't understand the specific meaning of those terms in your book, so I can only guess based on my own understanding. For example, the racial commander mentioned by book friends, in my understanding, is a representative who specializes in the apex of a certain race. He will have greater suppression ability when facing a deck of the same race, and may be hostile to other racial leaders. About the plot, I have too much to say. The early plot was too baffling to me. I know that you, the author, wanted to write the twins as the female protagonists, but I really felt that the twins who were looking for the male protagonist when they first came here were mentally ill card veterans. I don't understand the motivation for her behavior. Perhaps to you, the author, this is some kind of fateful encounter, where you in the future meet me in the past. By fate's arrangement, I traveled to your past, and you arrived in my future. This kind of arrangement can only make me think how bad you are at writing heroines? Why put it at the beginning? Are you worried that the heroine you wrote so painstakingly will not be as good as the supporting character who only has a few lines? And according to the book friend's description, she is the shop assistant of the male protagonist in the previous book. Why did you choose her to be the female protagonist? Isn't it good that you are creating a new heroine? In my opinion, this feels inexplicably like a male best friend, which is uncomfortable. New readers are introduced to the protagonist of this book, and we don't know Lao Bai or anything like that. And don't you think this is a hidden minefield? If there is a conflict between the male protagonist of this book in the future and the male protagonist of the previous book, who will she help? New readers of Bang Lao Bai's book will be unhappy because they feel like the main character is being overpowered. If you help Lao Li, the readers of the previous book will be unhappy. Unless you are like Mr. Tang Jia San, you completely despise him and treat the protagonist of this book as your son-in-law. If you really plan to write like this, please tell me in advance. If I give up earlier, neither of us will be hurt. The protagonist you write should be independent and not lag behind others. If in the end you end up being the former protagonist's subordinate, don't blame me for being abusive. As for the plot, I think it is very awkward. The protagonist inexplicably traveled to a different world and was captured and dragged to play cards. After seeing the dangers of playing cards, he inexplicably got excited and went to play cards with the opponent? Do you want to take a look at what you are writing? Why does he dare? Because he is the protagonist? Does he know it himself? Let's talk a little bit logically. Why is he so brave when he doesn't know what deck he wants to use for the duel? What if it is a deck of chestnut balls or a deck with great side effects? Do you really trust your buyers? Even if you write that the protagonist is whipped with a whip and has to go up, it is more logical than this. About the plot of the showdown with the king's hand, in my opinion it is a pity. The protagonist can lose but cannot lose like this. This is a very important plot that can show the strength of the king's hand and at the same time write about the protagonist's resilience and also write about the protagonist's uniqueness. In the eyes of book friends, the protagonist is destined to be the demon leader, while the king's hand is destiny. The devil fights against fate, and fate suppresses the devil. Fate killed the devil, but the devil succeeded in defeating fate. Even if you let the protagonist take out a chestnut ball at the end, it will be more effective than your destined death. The protagonist is to rescue this girl from this infinite fate of observation and let her see the scenery beyond her destiny. But the author succeeded in writing the protagonist as a clown, and Wang Shou still watched the unchanging future. Since the protagonist of the last book did not solve the problem of the king's hand, it must be left to the protagonist of this book. There has to be something specific, right? For example, changing one's own destiny in extreme circumstances. Or subconscious acting or something like that. The protagonist had it once before, so why not this time? I heard from book friends, do you think the protagonist in the last book had a great life and want to make it more difficult for the protagonist in this book? Yes, but do you think it is difficult? Is it difficult to hide in someone else's house and play online games? No, that doesn't count. You should write about the protagonist being chased like a dog by all forces, not having enough to eat, not sleeping well, facing desperate duels from various forces at any time, and making important friends on the way to escape (note that the friend is a female, if you want to write about Yu Ji Wang, you can write it as a male). His friend was arrested for rescuing him, and he was dying for rescuing his friend. Countless times during the journey, I wanted to return to Earth and continue to live a boring life, but I was always awakened by the reality. I could only continue to support each other with my friends towards the unknown end point.

After the author lost all the traffic he had saved from 🍅 in the early stage, he withered directly. It can only be said that the audience for literary youth self-pleasure articles here is still not as good as 🍅.