I Draw Cards Every Day to Upgrade in Tokyo

It is recommended that the author use AI to assist in modifying the dialogue of the characters. This is a dignified old wealthy family in Kyoto. The traditional yin and yang and weirdness are not mentioned here. The thinking mode and behavioral logic are actually written like that of a nouveau riche. If this background is not used, write less about it. If it is used, it must be written in line with the characteristics of the background, otherwise it will not be consistent with the narrative rationality The character game has brilliant aspects (such as pushing the person in charge to the stage with a backhand to attract attention), but there are also overly idealistic and mentally handicapped parts ( Involving the old Qian family and the male protagonist rationalizing his own power) Another point is that the author is not like other authors, either he only knows how to emotionally describe the book as a dog in the United States, or he fantasizes about a Sino-Japanese relationship that feels very fantastic. From this point of view, I believe that the author's narrative perspective will be more objective and the reading experience will be better. But now because the first script is too long and boring, I can only read it later.

"I draw cards every day to upgrade in Tokyo" ✘ "I am the mastermind behind the scenes in Tokyo" ✔ It is said to be a card draw to upgrade, but the plot is all in that virtual reality, and the protagonist does not have much role

The main character doesn't have any role, no wonder it's not popular

The first copy of more than 70 chapters has not yet been completed, and the book is already showing off.

Overall, it's pretty good. It's just that it's a bit baffling to see so many things suddenly pop up in the virtual world without any details about the process. Also, these two people have extraordinary sword skills. It's a bit ridiculous compared to the protagonist, who is still an ordinary swordsman.

I spent so much time writing about this world that I almost removed it from the bookshelf. Why did I spend so much time writing about this world?

Has the protagonist self-destructed? Originally, the author wanted to write that no one knew that the protagonist had ever been to Jianying, or at least did not know that there was something wrong with Jianying. But now the police already know that the protagonist has been to Jianying, and they all know that the protagonist knows that there is a problem with Jianying, and then the three people who advanced first know that it was the protagonist who asked them to go to Jianying. So the question is, the police will suspect the protagonist's purpose in calling those three people to go to Jianying, especially since the author wants to write that something will happen to two of them. As a result, didn't the police conclude that the protagonist called the three people to the sword shadow knowing that there was a problem, which caused an accident to two people? Is the protagonist the murderer? 😰

The setting is good, but the plot of the supporting characters is too long, and the protagonist has not appeared for a long time. In other words, the new plot has been updated for so long and it's not that exciting.

How to put it this way, it didn't feel very satisfying at all. Those who knew it were just foreshadowing, and those who didn't knew it thought it was decrypting. After grinding for a long time, I saw some extraordinary signs. When I first started writing the first dungeon, I thought it was just for brushing up the basic values, and then transitioning to the basic extraordinary period in chapters 20 and 30. As a result, I kept wondering what the plot was like in the introductory copy. You should use the first dungeon to explain why you practice swordplay, and then hide yourself. The first dungeon is a bonus for practicing swordsmanship. Let more people go in and practice, then collect basic materials, build the next copy, and step into the extraordinary. If possible, place the entrance to the first copy in various places throughout Japan. Conceal yourself as the first to discover a copy. Instead of chatting about the plot development of the copy.

What do you say about this book? So far I feel like the main character is a bit indifferent. First of all, the main character's greatest persistence is just the cheat of drawing cards every day, not the golden legendary card of SSR. I found that the main character seems to have been thinking of ways to develop this golden legendary card. But his biggest foundation, drawing cards every day, has no sense of existence at all. Of course, you can also say that the protagonist has not drawn any high-level cards and can only cultivate the golden legendary card as the foundation. But I still want to say that it feels like the protagonist regards this golden legend as the only golden finger. The whole book feels like it's straying from the main plot.

The beginning of this novel is about suppressing the protagonist. Yes, the beginning of this novel is about suppressing the protagonist. Acquire low-level abilities, but cannot research extraordinary things and dare not create extraordinary things. The plot becomes even more speechless later on. The student disappeared, and the author forced a trance to prevent the official from exploring the extraordinary. The key was to write two policemen with a strong sense of "justice". In order to save the students, they wanted to drag the protagonist into trouble. Especially the author also wrote that the protagonist felt that the two policemen who threatened him were "just and good people", which made me sick.

There is a question when looking at the resume. Why should it be divided into 1/9? Shouldn't this all belong to the protagonist? And it definitely cannot be given out for free. Free things are the lowest level and people will never be grateful. Once good things are given out for free, they will think it is normal and should be taken for granted.

Each ability can be used by only a few people due to this setting. You have to ensure that he does not die, otherwise you will have to wait for the next person to improve this ability. Highlights also reduce the power of the protagonist. There is no behind-the-scenes in this mode. It can be said to be looking for a father for yourself. It is better to double the quota for upgrading.

This rhythm doesn't work! The normal rhythm should start with two or three short, fast-paced stories to expand the world view, then change to a connected novella to talk about the main world tasks, and then slowly add long stories and various short and medium-length side stories.

The protagonist's role is a bit limited, and the pace is a bit slow. When can we see the bat?

The detail of the plot is not a problem. The main copy is too long. This is just the first ability. The author should pay attention to it later.

The copy is a bit long, so the later reality and the content of the copy will be mixed, which will test the author's writing skills. Author, you have to consider whether the reality or the copy should be the main one.

This virtual world is a bit too long, right?

There are too many group portraits. I hope there can be more plot between the male and female protagonists and take a different path.

Why isn't this book on the shelves yet? . .

The bad news is that it is slow to gain popularity, and the good news is not on the shelves.

A Tokyo behind-the-scenes streamer with ideas plays, but, a eunuch.

The pace is a bit slow but the writing is pretty good.