The Tokyo Artist

You want a harem, ah, ah, ah, ah, don't be pure

After reading the introduction, I thought the story was cliche. I was wrong. After reading it, this is simply a masterpiece, yyds

It would be a pity not to have a harem in Japan

It is indeed a daily guide. I just wanted to follow it, but it has been stopped for a few days.

What a pity. I really want to see the follow-up. I hope that in my lifetime the author can break free from financial constraints and come back to write the story to the end.

I feel like the author is dragging his feet The main plot has been clearly defined. Let's make Hoshino popular by singing songs first. As a result, you inserted too many useless plots in the middle. It's understandable that Mitsuki's plot is a foreshadowing for the rest. There is no need for those students to write, especially Matsumoto. There are too many scenes, and no one comes to see the supporting roles. Originally, you could streamline the Hoshino plot earlier. After Matsumoto explained Hoshino's identity to the male protagonist, the plot of Hoshino could be sped up. It would be nice if I wrote it in one breath until it became famous on the Internet and then stopped to write about Mitsuki for a little bit. Isn't it the Hoshino chapter now? Shouldn't Hoshino speed up? As a result, you left Hoshino alone and Mitsuki was left in a mess. It was really unnecessary to write these useless supporting characters. I suggest speeding up Hoshino. You can intersperse some Mitsuki or heroines who will appear later. Just introduce the main character and set the stage for what kind of person she is. The main line is still Hoshino. When Hoshino fully recovers, it will be a smooth transition to Mitsuki. If the writing power is not enough, it is impossible to write about Hoshino and Mitsuki at the same time, and also intersperse the new heroine. You can't even ask Shirogane to come Honestly, one after another, just like Mai-senpai, they line up one by one. Even Kamoshida Kazuo knows that gay friends are less likely to be written. The scenes in high school are mainly narrations. After the fireman, it is better not to write about these classmates and gay friends. Look at any other Tokyo harem entertainment that does not focus on the heroines. The supporting characters can really appear as narrators. There is no need for active supporting characters.

Single, okay! Other ambiguous female characters can be left to passerby Huang Mao to take over.

What a pity 🙂 I just saw the recommendation point and ended up in the palace. I found that the author of Qidian is getting more and more impatient. But pure love can really put people off. I'm writing about entertainment, and I've written so many female characters in the introduction. If it's time for a harem, then it's a harem. Don't write about pure love. There's no future in a male channel about pure love and stock trading. I hope the next book will be more memorable.

Personally, I feel that pure love and harem are similar, mainly in the pulling and swinging of the female protagonists and the swinging of the male protagonists. If there is a main palace, it is pulling and swinging, but if there is no main palace, it is still pulling and swinging. It's just that the author's pace is too slow, the female protagonist appears too little, and the male protagonist shows his attitude towards Mitsuki too early. There is no swing, no pulling, and no room for ambiguity. Readers can only expect that Hoshino's cp is equivalent to purifying the readers, and without party disputes and no room for discussion, there is no heat. After all, fraternity and genres all have the ability to attract popularity. Of course, if the author can keep writing, he will also gain a regular group of readers, but it is normal to cut off the problem of eating early in the design. 🙄🙄

I read one chapter and I think it was well written.