From the End of the World

Especially about Zhu Changan, you can see that the author wants to try his best to write a Japanese royal novel, but to be honest, the impression is really disgusting, and it can even be said to be unclear. It feels like a rescue plot routine that should be used on the heroine, but is instead used on a good friend who didn't have much foreshadowing in the early stage, giving people a gay feeling.

The battle descriptions in this book feel like the worst among the four books Although they are all classic "start at a bad start - fall into a disadvantage - defeat is determined - give a victory speech" But the first three books still have some tricks and tricks, and Zhuang Chengcheng relies purely on numbers. It's worth it and durable, and the most boring to watch Also, I feel that the writing level of this book has also dropped. It's not as fun and fulfilling as The Demon Conqueror. But when I look back, I realize that there aren't many words I still miss The Demon Conqueror 😭

I am very strong, maybe a little stronger than Godzilla, so strong that other weirdos actively avoided me for more than ten years, which made me wonder if I was the only weirdo in the world. Until one day, a cute girl who was born with bad luck was trapped by me. This gave me the opportunity to use weirdness to show my powerful pretense. Chinese version of "Unfortunate Life", those who have read the comic will definitely understand that the protagonist must tie up the cute girl to death. If you like to read strong binding and pretentious articles, come in and read it!

Miscellaneous remarks: Generally speaking, it has changed from limited-edition specialties to delicious home-cooked dishes. After all, Laocha actually updates 7,000 times a day and even added three updates in the middle. It has updated more than 190,000 words in less than a month. It is more diligent than Feng Xingjuro next door. What are you doing? Is this still tea? By the way, I'm looking forward to seeing more updates when Yishou Laocha comes on the shelves. Evaluation: Compared with the first volume of Sirens and Conquering Demons, this book is really inferior. In the same classic comparison, Kong Da, who was created by using several consecutive chapters of memoirs, is really boring and ignorant, and cannot be used as a mirror at all. The shaping of the Faceless Shadow was basically completed when Xu Fu passed the plot, without a single chapter of memoirs, but it left a far deeper impression than the former.                                                                                                                                                                                                                                                                                                                  2.          3.（）          4.，，          5.          200 Before this book, this sense of suspense only appeared in the first volume of Siren, and then disappeared.                                                                                                                                                                                                                                                                                                      .

Loyal readers of Tea may not feel it, but I have also tried to write a book myself, so I can realize that Tea's ability to control words is very good, even amazing! In general cognition, the first person has the inherent advantage of being easy to bring in, but in fact the difference in person is not as big as imagined. In the final analysis, it still depends on the writing ability, but in tea books, I prefer to call it "storytelling ability". The ability to tell stories is definitely one of the decisive criteria for judging whether an author is good or not. Cha Ye's writing is not so packed with rhetoric. Perhaps it is this characteristic that makes Cha Ye's story-telling ability even higher. His narrative has the feeling that "the story is complete from the beginning, and the author uses the appropriate order, angle, and timing to tell the story in the smoothest and most silky way." It sounds very ordinary, but it is this kind of look and feel that makes people not feel "special" that shows the super power of tea, just like air, isn't it? When the plot needs to change, this kind of writing power is like the disturbed air, turning into "wind", which can be a breeze, a storm, or a typhoon! It's so shocking! (This is my most intuitive feeling as a writer who has written a book, and it can only be felt by those who have tried to create) As for character creation, it seems less important than the ability to tell stories. But tea's ability to shape characters is equally excellent. This ability to create characters is not too surprising when the length is short, but once the length is extended, it is no less shocking and touching than the ability to tell stories. What impressed me most was the blood-biting and bead-dark characters in Siren Blade. The image changes before and after Bleeding Blood, and after the "whitewashing", I fell in love with this character crazily. The thickness and arc of the character are outstanding. Then there is Zhu An. The length of this character is much shorter, but her role as a widow who can't help but fall into the meal replacement situation really pokes my xp, and makes me want to create such a character for a while. The excellence of tea leaves is so outstanding in my opinion, and he himself said that "writing power can be improved with a little practice", which is indeed a bit humorous, and it feels like the protagonist in his book has super powers. Finally, I wish the tea book a good harvest in popularity and word-of-mouth.

This book has already reached 500,000 words. It is an expert in subduing demons and half of Siren Blade. However, I feel that the main plot has not been advanced at all. I don't even know if it has entered the main plot. The writing is too scattered. The divine seal line has only matched eight people at the beginning. Xiaowan has just learned the name of the doomsday line and does not know the follow-up. Development, we still don't know what the Department of Humanitarian Affairs is going to do. We can only say that they are suspected to be related departments. Mahao needs to open a Xuanwu Line to treat his injuries. There is also Changan who has just been captured. He has been talking about the soul-losing syndrome for a long time. Not to mention investigating and preventing the doomsday. Just these things at hand can be written in 500,000 words.

The apocalyptic world is full of water at the beginning. You can't find much information even if you look over it. The plot is extremely slow. The whole second half of the book is not as good as Ning Hai's back then.

I am a new reader of The Siren Blade, and I have not read it as a previous demon-conquering expert. This is probably because I don't like to read a book that is already a eunuch, or a story that is destined to have no ending. So many people say in the comment area that there are so many experts in defeating demons... Maybe I lack a sense of reality. Generally speaking, I think the plot structure of this work is actually surprisingly good. Shan Liangyi, Divine Seal, Doomsday, Liu Shuying's master and apprentice are interspersed with each other in the entire main line and interlocking. Although it is not top-notch, the overall story is not boring. But the shortcomings are also very obvious. The biggest one is the so-called water. In other words, after the protagonist becomes the Great Impermanence, the whole book is filled with all kinds of content such as "something is difficult to do. According to common sense, it should be how it should be, but the Great Impermanence can do it", or the protagonist repeatedly explains his attitude towards adventure. Especially the former, "It is logically impossible to do it, but impermanence..." The frequency of content like this is too high. The audience has already been fully aware of what impermanence can do, but Cha Ye still repeatedly intersperses a lot of words like "For impermanence..." In the text. In my opinion, it is even missing the point. If you follow the update, the impression will be very, very poor. The second thing is the combat that many people criticize, but I personally feel that it is actually okay. The main reason is that I personally prefer RPG games, and I also like to control myself, or the feeling that my character as the main perspective gradually becomes stronger, so Zhuang Cheng's overall monster-fighting upgrades are very popular with me. The last thing is the characters. In my opinion, many characters really have backgrounds and depths beyond what a supporting character should have. Many characters, even if they appear infrequently or are very one-sided in other works, are more three-dimensional and charming. Except for Willow Shadow, who is the villain of the protagonist in order to highlight the maturity of the protagonist in adventure, most of the characters who fight against the protagonist are not clowns as imagined, and each has a distinct personality. Even Shan Liangyi, in order to prove his strength, gave up his advantages and escape opportunities several times. Overall, most of the characters have their own complexities and are not one-sided and can be easily seen through. In short, the feeling I had after reading it in one go recently was that it was indeed enjoyable, but I didn't feel the emptiness I felt after reading a sufficiently good work.

The first person's words on the radio are still very touching. I hope I won't be a eunuch again. The anal incident is still vivid in my mind 🙂🙂🙂

The writing is very good, and there are no bugs so far Regarding some chapters that are not so exciting, there will definitely be some that are not so exciting, such as transitional chapters in the middle, or expanding the world view at the end, and introducing some other information. However, if you are chasing work, you will be able to read this after a day and understand it, but these are necessary.

This author's writing is really beautiful, and the writing style is also perfect. I give you a five-star review. I am also an author. Brothers, can you also read my novel, Chapter 12 of my work "Playing World", which teaches you how to escape from Dou Emperor as a fighter. There is nothing you can do about it.

As for whether it will be published, it already has 190,000 words.

The writing style is like Mr. F, my favorite type

The first four pictures were really written about favorability, and they failed completely. Your book is called Doomsday Diary. Forget it, a bunch of bullshit

If the tea leaves are diligently updated with 10,000 words every day, then the traitors will be afraid and retreat, and the virtuous gentlemen will rejoice. This is an achievement worthy of praise by Yao and Shun.

Mahao, don't lose. If you tell me in the end, Cha Ye, that what Mahao actually got was just the Siren script, I will kill you right away! Ma Zao, let's lead everyone to win! Come back, Oni Rena in My Proud Super Power, a character who has not had this kind of positioning in two books has won. It's time to return to the original intention, tea leaves! Repent!

The last sentence of his introduction always makes people's eyes dark.

There are fans everywhere, this is indeed true. When some people see that the author has been criticized, they immediately become anxious. They either describe all the critics as new readers, or they say that these people are all new readers who have read too much. It is quite awesome to read a book like this.

Please, please finish the book on The Demon-Conquering Expert. They can do anything😭😭😭😭😭😭😭

Fallen Demon Hunter: Encountering a terrifying flame man by chance in the city, the endless flames secretly change the data and become as powerful as a monster in seconds upon meeting him. He can't defeat him even if he tries his best.

The engraved words came to mind, abandoning the demons and hemorrhoids here.

The first person in online articles refers to a small circle. If you are not the target user, you are an outsider. If you read a little bit and feel that you cannot accept it, why not just leave it? If you have to give guidance from a high position, why not speak from the first person? 😅 What is the difference between this kind of behavior and the story about wanting a harem? Although there are a few of the author's book friends who are extremely protective of the content and don't allow criticism, they didn't go out to give guidance. They said it should be in the first person, right? Respecting other people's preferences is a basic courtesy and quality, I hope everyone knows it.

Tea leaves: "If you have hemorrhoids, it would be a bit tricky to update "The Demon Conquering Expert"." Reader: "Will it be stopped?" Tea leaves: "It will be updated."

Otherwise, it is impossible to explain why the quality of the works written after hemorrhoidectomy is not as good as before

I rarely give a long review of a book. But after reviewing "Demon Conquering Expert", "Siren Blade" and "Anti-Me Super" again, there are still some things I don't want to say. In my opinion, although this book has been steadily updated and has a large volume, it has disappointed me. In other words, the "tea leaves" in my mind should be more than this level. Quoting a sentence from "The Demon-Conquering Expert". [Just like the starlight we see when we look up at the sky, some of the starlight may have traveled countless light years to reach the earth. The stars as their own bodies may have been destroyed long ago. The color of tea now revealed in this book is like the light cast by the destroyed star. ... ... Except for the redundancy due to the large number of words, which means it looks a bit "watery". I think the biggest problem with this book is that there is no "sense of surprise" and "a sense of amazement." In a sense, all of Cha Ye's books can be regarded as a different kind of "invincible literature", not invincible with strength that crushes everything, but "invincible" who can win as long as he thinks of a way. The previous books basically have the plot of [the protagonist falls into a disadvantage] → [the protagonist falls into despair] → [the protagonist explodes and comes back to win]. Although it is a bit cliché, it is really useful and the reading experience is also good. But the problem with this book is... There is no sense of oppression on the line between life and death. Zhuang Cheng seems to be truly invincible, or in other words, players who have turned on Moon Shadow Fengling will definitely win as long as he wants to! It can also be seen from the copy of "Cutting Mirror of Reality" that this is a very typical attempt to suppress the protagonist's combat power. The protagonist is forced not to push sideways and can only find other ways to break the situation. ... ... Moreover, Zhuang Cheng also gives people a feeling of "not dying". It is still a sentence in "Expert of Conquering Demons", without death, living is not living, it is just existing. Without death, victory seems natural. Since it's a natural battle, what's the point in guessing the ending when you see the beginning? This is also why the episode with flashbacks inserted in the middle of the plot before it was released made people uncomfortable, like swatting a mosquito to death, but someone pressed pause in the middle to let the mosquito recall its own life. Looking back at "The Siren's Blade" and "The Demon Conqueror", although they are also cheating, I really feel that the protagonist may actually die. The feeling of transformation in a desperate situation is completely different from the feeling of accidentally failing in a game. It is also a passage in "Expert of Conquering Demons". Does the same trick work on swordsmen? Can I do it successfully? I can. Not only swordsmen can improve in battle, I can too. And I can definitely progress faster than him, I have to believe that I can do it. If I can't do it, it will be like a dead bone under the knife, and all my pursuits will come to nothing here. This passage had a strong impact on me at the time, and I can't forget it to this day. …… …… What's more important is Zhuang Cheng's mentality. He treats battles and adventures like playing games, fighting for "fun". You can say that this is some kind of "dirty guy", but the protagonist with a gamer personality has been given almost invincible cheats. Coupled with the "first-person" writing method, I can't feel the inner struggle of the tea protagonists in the past, and there is no unique flavor of "first-person" novels. Another regret is that there is no strong dramatic conflict. The "me and me" of "Anti-Me Super", the "father and son" of "The Demon Conqueror", and the complicated xp and emotions in "The Siren's Blade" all have a new charm because of the "first person" writing method. The protagonist's introspection and entanglement are undoubtedly evident. As for Zhuang Cheng, although he has an inner monologue about "supervising" Lolita and a patriarchal character, it is only interesting at best, not profound. For the protagonist, the entire world is just a game that is somewhat interesting but not that interesting. This is also my evaluation of this book. ... ... The updates are stable and large, which is naturally worthy of praise. Many readers also like this set. However, in this book, I can't see the surprising "narrative trick" before, and I rarely see sentences and descriptions that make people shine. This trend is also reflected in "Siren Blade". "At the time, I was even proud of this little cleverness. Looking back, I was really embarrassed." ——I really hope that Tea Leaf can be shy a few more times! This book is actually very good. The income brought by the large-scale updates of Tea will definitely be far higher than before, and the results will definitely be rising. But, what does that have to do with me, the reader? I just want to see a novel as amazing as "The Demon Conqueror", rather than a mediocre novel that is "large in quantity but full in control". Yes, I am a person whose mind is filled with myself! ...... ...... Perhaps I will never forget "The Demon-Conquering Expert" for the rest of my life, right?

I'm not asking you to finish writing The Demon-Conquering Expert. I'm not a perfectionist. But what does it mean to be from the end? What happened to your self-esteem as an author? You've only finished two books, right? If you continue like this, if you write four books and mix them with water four times, and write eight books and mix them with water eight times, you will end up with water dragon respect. As a reader, I might have to beat you to it. Real.

I saw this in the group and it made me laugh so hard

"The engraved words emerge in my heart, leaving Xu Fu's story here."

There are not many shortcomings in this book, and they are listed below. 1. A plot with almost no design. The backbone of the plot of "The End of the World" is very simple. In one sentence, Zhuang Cheng fights monsters and upgrades his adventures because of the girl from the end of the future who becomes associated with the weird world. Although there are some puzzles designed in the main plot, they have almost no effect on the plot tension, and some of them are very easy to guess. As soon as the mystery of the identity of the master of the divine seal was revealed, readers guessed that it was related to Zhuang Cheng, but it turned out to be true later. The change in Zhuang Cheng's mentality is very perfunctory. The "big abandonment" of getting rid of the childish obsession with adventure was completed in less than 3,000 words in one chapter. In the previous article, Zhuang Cheng was still in the stage of trying to grasp the adventure and his relatives and friends. If it were in the past, Tea Leaves would probably write about a character similar to Zhuang Cheng. Zhuang Cheng reflected on himself through contact with this person and thus grew. However, the character Liu Shuying in this article was entirely designed for the mystery of the identity of the Lord of the Divine Seal, and the contact with Zhuang Cheng did not play any role in the plot tension. 2. Repeat the death routine. The 2.4 Million words in this book, as long as it is related to combat, will always be the routine of "fainting frequently - falling into desperate situations - giving an acceptance speech". A routine repeated with 2.4 Million words in a fantasy adventure novel will definitely seriously affect the perception. 3. Being in the comfort zone. Only the beginning of this book attempts to explore the narrative method of "first perspective + switching perspectives between different characters in the same event". Tea Leaf was still designing the plot and character creation at this time. As Zhuang Cheng, who "has no great talent", Xu Wuchang, what about the weird world in his eyes? Because he had no strength, he was no longer qualified to take risks, but instead brought himself endless torture and pain. This makes it appear that the adventure he had expected before was purely a childish fantasy. Zhuang Cheng also felt something after getting Xu Wuchang's memory, but this kind of self-torture is also the last time in this book. After this plot was criticized, Cha Ye never wrote a character comparable to Zhuang Cheng, and indulged in writing lengthy expository essays to explain settings and repeat combat routines. 4. Extremely wordy writing. This book can be said to be full of water, with 2.4 Million words, at least 800,000 words of which are invalid information. After an important battle, I often have to write 20,000 to 40,000 words to explain the settings in a lengthy manner. In battle, you must also explain in a precise manner why this move of mine can beat his move. The main part of a battle chapter is not the battles and actions of both parties, which are presented in words, but simplifying these contents into simple waves, and then the remaining 80% of the space is used to explain why my wave can beat your wave. 5. Supplementing information such as world view and settings relies heavily on long one-on-one chats. Every time an important battle ends, there will be 2-3 thousand words of chat, and the characters will remain standing during this period. The dialogue content also committed the fourth problem. In order to explain the rationality of the characters' actions and choices, they took the trouble to write long paragraphs about the content that has been explained before, instead of refining it. If the dialogue involves the issue of combat power, it is even more indifferent. It talks about a bunch of settings, first talking about how A can restrain B, and then B has its own unique features and may be able to defeat A, and then talks about how A is... Summary: The small story of this book is all diluted in the above five points, and it can only be said to be a piece of shit.

The comment section is a bit awkward, First of all, let's talk about the first person. Isn't this the same kind of harem story that says a single female protagonist is needed, or a female protagonist in a story without a female protagonist? I can't comment on such people. There are also people who talk about the stench of the house. I don't know if this is a skewer or some kind of DX. Isn't it just looking for scolding? In my opinion, this book is indeed not as exciting as the first copy of Siren. It lacks explosive points and the pace is a bit slow. The protagonist is not as bt as Siren. But at least it has accelerated the plot and passed it. I read today's chapter and I am still satisfied.