Laying Low as an Aberration in a Supernatural World

First of all, I have never been an author, but I want to say, is it difficult to write a hundred chapters a day ? It's not that I'm being unreasonable. After all, I said at the beginning that I've never been an author.

The random summoning setting is too bad. The income and effort are not equal. I am afraid of being killed by the person summoned.

The author's writing is extremely confusing. It is obvious that everyone in the chat group is a time traveler struggling to survive in this world. They can either fight against each other or cooperate. The author lets the protagonist see that others trust others, trust the protagonist, and after telling the protagonist information, choose to let the protagonist ambush the other party. Because the other party is also looking for this opportunity, so he must kill the other party. Putting aside the opportunities, everyone can come. You didn't tell the other person that you were here, even if you said in the group that you had peed in the secret realm, so it was your chance. Then the other party comes to levy the opportunity. It will be better than now if the other party takes your things. You concealed your information when you came up, and no one knew you were competing for this opportunity. Everyone else is cooperating, trying to survive and better themselves. You just attack your own people. What kind of stupid behavior is it to write the protagonist to be the same as the villain?

It's time to let it go. The plot is completely messed up and has no appeal at the moment. Is this the first layer of alienation that has been laid out for so long? How much time have you wasted in order to break through the first level (30 is enough for others, but you can break through with 50), OK, even if you spend the extra 20 time, you can lay the foundation for the protagonist, but what is the effect? Is this the effect of your class? Is this your cumulative effect far beyond others? Killing people by slashing them again and again, injecting alienated energy and finally detonating them to kill people. Do you want to take a look at what you are writing? You can control the enemy. You can cut so many enemies in a row that you can't kill them. The enemies are all controlled, and the alienation energy doesn't need to be hidden in one burst. In a godless state, the alienation effect of a knife is the same as the effect of continuous mental shock and uninterrupted alienation of the knife? As a result, you worked hard for a long time to upgrade, and your ultimate move is a plus of the normal move (not even counting). How can you let readers who have been looking forward to it for so long accept it? You have both human-level sword skills, mental strength, fire damage, and enchantment damage. You can basically combine these abilities at will to kill people far more efficiently than you are doing now. You obviously controlled the enemy, but the result was blood, and the life damage was zero, as if your human-level swordsmanship had the special effect of only losing blood but not killing anyone. In order to highlight one ability, you shouldn't weaken or even forget another ability, okay? You are just upgrading the game to add points, not digitizing the combat game. Combining various abilities will look good against the enemy. Finally, you have a weird identity and special skills. Can your tricks be more original and can your special abilities match your weird style? It's a bit like you're wearing a weird skin, but you're writing about fantasy martial arts. There's nothing weird about the skills and abilities. It feels like it's all a rigid duel with moves and back-and-forth.

The most speechless episode is here. Who is a good person who carries his martial arts secrets with him every day? ? ? Once you learn it, why don't you just leave it at home? He is a farm owner and not a homeless person. You should bring your real estate certificate with you when traveling.

I read the beginning, and I was interested in reading it. The author did a good job in the early stage. I also thought the last book "Monsters" was quite interesting, but I got to almost 300 chapters and the updates were too slow. I thought I would wait until the end to read it, but in January I saw that the author said that the rest of the book was useless, so I stopped reading it. Personally, I felt that this book was pretty good. Come on, author

I don't even know where to complain. If you continue with this progress and arrangement, I don't think it's necessary for you to write. I have said before that it is understandable if you want to avoid the shortcomings of the previous novel where the protagonist upgraded too quickly and the plot advanced too quickly, but you cannot be bitten by a snake once and fear the rope for ten years. You are trying your best to suppress the protagonist. To this end, you have not hesitated to weaken the protagonist's IQ again and again, and arrange some inexplicable plots for the protagonist (Is No. 13 Your mother? Or do you want to be a licker? While you are writing about the protagonist, the tasks are getting more and more, and the time and strength are not enough. You still spend time and energy to help others. What is the gain? Is it a little girl's heart?) The tasks and gains are not matched at all. There are several tasks that cannot be completed at all every time, and the remaining two or three are still full of pitfalls. Every time they are completed, there will be some annoying things left behind. The protagonist was run around like a dog being run over by the plot. As a result, he was hammering here and there but nothing was done. Need divine blood, but can't get it (How many times? Every time you encounter someone with enough divine blood, but either you don't collect it, or you can never beat it. When you beat it or want to collect it, the divine blood doesn't play a big role. I'm sick!) The most important thing is that now even the golden fingers have begun to lose power inexplicably. You are incompetent in literature and martial arts, your IQ is often off the mark, and you are cheating and cheating to add points. Why would you write such a novel? You might as well write the last one. At least the last one was fun to read without thinking, and not frustrating.

In the end, don't play with love. This weird world is a bit inappropriate. Besides, this is a game of despair.

The only ones who can persist after reading Chapter 115 are Shen Nong. I really don't know what they think.

Discourage (sincerely), the author has already treated the readers as enemies. The author has precisely avoided anything that would make readers happy, and happily pours basins of feces and urine on the readers. The attribute points that were finally added can be eliminated (more than once), and the points that let you avoid the "unkillable" before have not changed at all. You are afraid that the readers will enjoy it, so you keep suppressing the protagonist. I have encountered many opportunities one after another. Either they are useless or cannot be obtained now, or if they are obtained later, they cannot keep up with the progress and cannot have a big impact. Every time, I wonder how much divine blood I can get by killing this one, and how much trouble I can solve and complete the mission by killing that one. Oh, but no, I just want to play. Something happens here, and there is an accident there. When I look back later, good guy, the target is either missing or a super model. You write you m (you don't want to curse). Take a look for yourself and see what exactly you wrote in the plot starting from the magical secret. The training system is beginning to collapse. There are a few strong players among the players that I can't understand. With the speed of failure and upgrade you have arranged for the protagonist now, I don't believe that the protagonist can reach that level in a few rounds. It's so weak that it makes me wonder if those players and the people behind the scenes have something to do with hook literature, otherwise they would be able to survive? To sum up, it needs plot but not plot, logic but not logic, pleasure but not pleasure, setting but not setting, and comedy but not comedy.