
Death: No Plug-Ins, Take Refuge in Aizen
死神:没有外挂,投靠蓝染
- Status
- Ongoing
- Length
- 1.3M Words
- Genre
- Light Novel
- Audience
- Male
- Subgenre
- Fan Fiction
- Updated
- 1y ago
- Source
- Qidian
Stats
0Monthly votes
40.3kRecommends
127.7kFans
348Chapters
Tags
Synopsis
Reader comments
In booklists 3
Light Novels - Reading Experience Book List (Traditional Books, Animation, Film and Television Dramas)
There are old books that have been read and new books that are currently being serialized. 1. High quality 2. The early quality and rhythm are pretty good. 3. The setting of world view, ability setting or character setting attracts me. 4. Rare 5. What interests me The book list is updated from time to time, and may be updated slowly, because I personally read every book on the list before putting it up.
35Books168Follows1moUpdated
Read Notes
This book only contains novels that I have read. There are various fanfics of history, anime, and novels, as well as some original novels, both for men and women.
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Mark
None
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When I read Chapter 160, I broke my guard. This is the second book I regretted subscribing to this year. It was forced to feed. I could endure all the previous pressures, deficiencies, and abusive main text, but in the end, I just killed the protagonist and let the clone appear, right? Okay, okay, you're playing like this, right? Disgusting, duh
I feel that the author does have a lot of ideas, but he is also a little too thoughtful, which makes it seem ungrounded. The author said that he felt that he did not deliberately suppress the protagonist's strength. We all know the world of Death, if what Aizen said is correct. Any fancy abilities and so-called rules can take effect only on the premise that the spiritual pressure between the enemy and ourselves is similar or there is no overwhelming gap. What we, as readers, saw was that the protagonist gained self-development skills, the fingertips of the Soul King, the privileges of hell, and virtualization, as well as the full realization technique that I didn't finish reading. The author is unwilling to set these gains as the growth of the protagonist's own values, but treats them as skills and means. After the protagonist gets the Soul King's fingertips, wouldn't you just say that it makes his soul stronger and his spiritual pressure doubled? It must be emphasized that it is separate and independent from its own power The protagonist can enter hell. According to your setting, in the special environment of hell, the soul that originally reached the limit has gained some growth and exceeded the limit (you can make up any reason for this). Isn't it good? In the end, you still learned skills and got more cards. But doesn't the power of your skills still depend on the user's values? The same goes for Hollow. In the original work, Hirako became stronger after being Hollowed and suppressed Tosen in a state of unconsciousness. However, when it comes to the protagonist, it is covered up by double swastika, and there is no performance at all. Moreover, the purpose of virtualization is to sublimate into a higher-level soul, even if you write the protagonist and feel that your upper limit has been raised. I still have to delay, saying that I need to kill Hollows like Arrancar to increase my spiritual pressure. So the author said that it has no fighting power. If I insist on saying so, it really doesn't. However, the improvement methods are undoubtedly inferior to those in the Death God world, and the description method does not give positive feedback to readers, so it is indeed said that the combat effectiveness is suppressed.
Very good, starting from Chapter 160, the protagonist is completely dead. The monk's resurrection is essentially to find a backup of the previous data in the computer of Soul Society. This time he is completely dead and then backed up by the monk. The protagonist of this book is no longer the time traveler, but the backup data memory native to Soul Society.
After reading the comment section of the first few chapters, I feel that some people imagine Aizen to be too great and upright. To judge a person should not only look at what he says, but also how he does it, especially for a character like Aizen whose language is highly inflammatory and lying is like drinking water; so how does he do it? First of all, let's just look at Kyūya Palace, which is completely under his dictatorial control. In Kyōya Palace, there are strict upper and lower classes and numerous factions. The strong can humiliate and kill the weak at will, allowing the Ten Blades to antagonize each other and cause internal friction. Even as strong as NO3 (Nero), she turned a deaf ear to the internal strife and calculations. Not to mention that Aizen himself also engaged in special human experiments, deliberately releasing the experimental Kyūn to kill in Rukongai and the real world; to put it bluntly, He is just a socialist who values the jungle and the strong, and his contempt for the nobles is simply looking down on their abilities. Even if he really becomes the new ruler, the lives of most ordinary people who were originally oppressed in Rukongai will still not be improved. Classes still exist, but they have changed from the old, decadent and unbearable nobles to the "strong ones" that are more in line with Aizen's preferences.
When it comes to saving the broken bees, there's no poison to speak of, but it's just a bit awkward. If you want to save them, just save them. There is no need to write and consider so many things. To be honest, I just have a crush on Sui Feng, although I am still a little young now. Some people want to save, and some don't want to save. I wrote this long paragraph and thought about it. Neither side is pleased. People who want to save think it's hypocritical, and people who don't want to save think it's poisonous. And I don't know if the author is writing too much. The second chapter in this chapter is a bit heavy, and there is a strong sense of tearing from front to back, which basically pushed me to the edge of quitting. The descriptions of the protagonist in the previous chapters gave people a calm feeling, but the chapter about saving the Broken Bee immediately fell apart. First, he hesitated symbolically whether to save him, and when he did it, he also found a reason that I thought was a lame one. Then he gave a half-hearted description and exposed too much of his strength. The previous character really fell apart. It would be better to write that the protagonist considered the consequences before revealing his strength, but he didn't want to make himself feel regretful in the future, so he chose to reveal his strength to save Sui Feng. I don't know how to write it best, but at least I think it's much better than the current plot
Start high and go low, what will be written after it is put on the shelves, it is a waste of money to subscribe
I would like to give you some advice: don't stay in the harem, or be good at emotional dramas, otherwise don't touch it, it's easy to g, especially if you are a fan...
It's a pity to throw it away, and it's tasteless to eat.
Traveling 10 years into the future felt pretty good before, but then it gradually started to feel like a harem story, and it became more and more boring. There was a feeling that I plotted against you, and you plotted against me. I predicted your predictions, you predicted my predictions, and I predicted your predictions of my predictions. It was like an infinite matryoshka doll, with nothing new.
Pictured above
The author's writing is very good, and he doesn't sound like a novice. I don't know how to write the subsequent plot. To be honest, you should start a new one with this kind of writing. Whether you follow Aizen or Yhwach, or the death side, there will be no good results. Speaking of Aizen, the most you can do is to plot against him, but even in Beng 6, Aizen is still far behind Yhwach, and Aizen's hand You will not die well next time. Depending on your current plan to repeatedly jump on Aizen's side of the Shinigami, most of the logic will break down in the end. It is better to start with a strong ability than the Shinigami at the beginning. Originally, the Shinigami is not easy to write. It depends on your performance later, but you can consider it in the next book. Because there are not many good stories about the Shinigami, the routine is not like Naruto, and it is not easy to write.
One thing to say, this first chapter is really attractive, the protagonist is very realistic and flesh-and-blood. If you can truly travel through Death and become a God of Death instead of a wandering soul waiting to be slaughtered, you are already the chosen one. What kind of system plug-in is really awesome. Changing the plot has nothing to do with me. I just need to develop myself and survive according to the plot.
I promised to arouse poison, but in the end, it was exposed for the sake of crushing bees.
The first time I met the humble slave protagonist, I said that character is not identity.
I died of poisonous hair. Goodbye to you.
I have a question after reading the opening chapter. A captain who has been trained for a hundred years cannot be considered mediocre, right? Even if Aizen didn't break the jade, he wouldn't be able to turn waste into treasure, right? Is it necessary for the protagonist to go to Sister Hua to do some tricks and then follow Aizen to do things? With such determination and perseverance, why not become a disciple of Mr. Shan? No matter how I think about it, I feel that the protagonist is too risky to do this and the benefits are not obvious. In the original work, Aizen's subordinates either follow him or become the captain themselves. The level of operation of joining the fourth team to cause trouble is second only to joining the first team. . . If you had cut off Bengyu before you failed, Aizen's character would also have collapsed. And if you didn't take away Bengyu and follow Aizen, it would be basically meaningless. . . Moreover, there is a strong moral pressure to make and use Bengyu (unless the protagonist has no bonds in Soul Society).
The original work of Wan Xin Ju helped you overcome the pitfalls. You also wrote not only wrote Wan Xin Ju but also created original plots and characters...
Very well written, looking forward to the follow-up
As a reader who has almost forgotten the original plot of Bleach, I always want to read something fresh under the original framework. The author not only maintains the basic personality of the original characters, but also has a distinctive and original creation of the protagonist. I personally can accept the sealing issue in recent chapters, but it depends on how the author makes things right in the future. If it was just for sneaking into another camp, this seal would be a bit simple. I hope it won't be a simple matter of immediately unblocking the game after changing camps, there will always be some twists and turns, right? I remember the incident in the original plot where a sword spirit ran away and forgot his master. I don't know how the author will shape the protagonist's sword spirit. By the way, after Kurosaki Ichigo comes out, can the plot be slowed down a bit and add some daily episodes? It's understandable to be fast in the early stage to set the stage, but you have to be more careful in the mid-term.
I came to read it because of the title Aizen, mainly because I wanted to see what would happen if I took refuge in Aizen, and because I wrote about Aizen. But once I bring in the protagonist, I no longer care about Aizen. I just want to see how the protagonist plays and how to follow his own story line. I won't comment or criticize anymore. Come on, as long as you don't supervise, it will be difficult for Death fans to achieve results, so you have to be mentally prepared.
I've read almost the best one of the "God of Death" fanfics (I haven't read too many). Come on, author! !
See the information you roughly know now (see the comments section for your impressions)
1. Judging from the author's expression, the main reason why the protagonist follows Aizen depends more on his ability to do things and being in the entrepreneurial team (the feeling of being a driver before the boss becomes rich). 2. Except for being unable to make friends, all of them are at full level as subordinates (all of Party A's requirements can be fulfilled). 3. Aizen is not as good as a low-ranking official in 100 years, but Aizen can reach captain level in 60 years? Rukia is around 150 years old and has only the fighting power of a chief officer. In fact, the protagonist's talent is just okay. This kind of talent is still a question of whether you can survive. In the same working time, a good talent can be upgraded to level 7 or 8. The protagonist may not even touch the experience bar, so the probability of survival is naturally smaller 4. Talent The protagonist here probably only feels like a full-level R card (the mechanism is novel and can be competed). Other SRs may have higher attributes than the protagonist at level 6 or 70, but the protagonist can no longer be upgraded. 5. Why is it easier with Aizen? Aizen is the best boss the protagonist can find so far. 6. Sister Hua feels that there is something wrong with the protagonist, but there is no conclusive evidence. The protagonist is probably a sandbag for Sister Hua 7. The Zanpakuto ability is related to the art of war. The protagonist is very smart in combat. When the difference in spiritual pressure is only a few cars, the protagonist is stronger than most people. 8. The nail chip only provides blue strips, and the output power remains unchanged. 9. I always feel that the protagonist is a hidden "friend" guy
The little wasp is so cute😍
I finished reading it in one day. I recommend it. I think it is the best Death novel. I hope you won't give up.
Come on💪The most comfortable death novel
Wouldn't it be nice to start a business together with Aizen? You have to get something to change your body, and all that mess! There are still some harems in the future, which are getting worse and worse! I really regret subscribing
It's very comfortable to read, very good, cheers for the author.
It's good, but I feel like there are a lot more good Death novels recently.