We Agreed to Set Sail and Become the Ruler of the Deep Sea?

I have ideas but my writing power is limited, I can read it but it's very bland. The path is set to 32, which is too many, and it seems that this setting has no sense of existence. Basically, it is just a little description at the beginning, and then it can be regarded as something that does not exist. The sense of presence and participation of the crew is also very low. The words when collecting the crew should be to say that the crew are also very good. In fact, after getting on the ship, it is all the protagonist's personal show. The existence of the ship is also very low. It seems that it has no other use if it is combined with the protagonist. The participation in the event is also very low. There is no need to write this ship spirit. You wrote all the accessories on the ship as if they were alive, and actually have no sense of existence in the chapters. From the looks of it, it's basically all the protagonist's solo show. Wherever he goes, the protagonist is there and the protagonist participates.

The emotional drama of this mecha is written in the same way as 💩, doesn't the author really find it awkward?

I have read more than 200 chapters and I can't stand it anymore. How should I put it, 1. The worldview is just a little bit🤏, a bit like Western mythology, which is just a little bit deep. 2. Everything about the protagonist is arranged, he is just a puppet, and every step is set. 3. You also play time travel and travel to the past to save the world. Saving the world can also affect the future. This further shows that the protagonist is just a puppet. 4. The invited partners are all related to the destroyed world, which is a bit like the blood supremacy theory of Japanese animation.

Technology is very abstract, and development relies on digging the graves of the GG civilization. There are quite a lot of tombs, and they are all different. If you think about it, you will know that they are not natural. The evil god must have moved them from other worlds out of boredom. Therefore, various things were brought, and human beings became various (the protagonist is seafood from hell strung together, and it is difficult to clam) In the context of gram, ascension is like transforming into a dependent of a certain god (the knight's ascension is a bit like being on the seaside, looking at the deep sea, and suddenly inspiration bursts, and then a big success, the soul comes to the deep sea, and then keeps walking, walks to the big palace, sees the big fat house, and then wakes up and becomes a toad man) The one who believes in bubbles got the classic ending - what, has the goal been achieved? What? Race changed, form changed, died? It's none of my business, your goal has been achieved. Or maybe the knowledge is so overwhelming that the brain is filled with bubbles, and the knowledge runs out and is picked up by corals. It's just that in his previous life, he was an ancient historian and a master of theology, and was shaken by his friends to explore, causing him to travel through time 🤭

Come on, the story is good, and the writing is very smooth. I just hope it doesn't turn into a harem boat. Keep the pace.

Meow Sang, there is an old Chinese saying that is called Wei Junjie, the one who practices mist. You understand, what do I mean?

It's best not to write those chubby words. The protagonist who is a fun person is not very popular. Self-pleasure is very annoying. Others can't stand it. You write it is high, but you will know the pain after reading it yourself. I prefer the kind of protagonist who is cold, intelligent and does not care about men and women. Don't be moved by others at every turn. When your heart warms, you will be tempted by beautiful women.

Meow Sang, there is an old saying in China: Wei Junjie, the one who is accustomed to mist, you understand what I mean.

Since traveling to the past, I feel a little bored. I have gone from exploring the unknown to following a script arranged by others. The same story seems to be less deliberately arranged, free, novel, and unknown.

The protagonist's succubus characteristics can attract the opposite sex. Are you exploring or starting a harem? Are you driving around looking for women on a boat? I gave up immediately when I saw this feature.

This book should be called Captain Succubus and His Harem Journey

There is a big bug. Just because you can control the ship by yourself doesn't mean you don't need to choose the direction and determine the speed. It's been many days since I set sail, and I've never described this before. I haven't used any of the navigation-related skills, so you can just walk around blindly, wherever you go.

Traveling through history every now and then is a bit toxic, once or twice is nothing, but you ended up traveling through history every now and then in the past three days.

Crazy stack buffs for skills, and then suppress the combat power. See what happens next.

You can run away after about 150 chapters of promotion to the third level, and the rest is just the same routine over and over again.

300 Silver coins for a ship and 150 gold coins for a steam movement. Have prices collapsed?

It's well written but the protagonist is a bit too protagonist. Like the stereotypical standard protagonist, everything is arranged, and so are the people you meet.

I've read about a hundred chapters so far, and I'd like to ask everyone who's reading the back a few questions to decide if I want to continue reading. As far as my current reading progress is concerned, the plot shown in this book is just a fantasy novel. I came in for the gram elements and sailing, but these two points are not well expressed so far. The gram elements are just on the surface, and the pretense is not well controlled. The uniqueness of the protagonist is shown. The Faceless Shadow can obviously put on a good show. In the end, it's as if he changed from a slinderman to the male protagonist with a paper bag on his head in Little Butter. He is completely a faceless protagonist and just wears an ordinary vest. As for sailing, after throwing away the settings, it feels like the boat is a completely homogeneous tool to make the protagonist stronger. This tool can be a ring, a bottle, or even something else. The soul of the boat can also be the soul of something else. It does not make me feel the characteristics of sailing. I would like to ask if the above problem will be improved or other changes will be made in the following chapters. Finally, let's discuss it rationally. There is nothing wrong with what the author wrote. If there is any problem, it is something I personally am not used to.

The previous description of the old crew members was too jarring. What crime did the author commit for being so narrow-minded? It's not like he was bullied, so he always looks cynical. It's scary.

Above four stars, there are no big bad points, but the end is a bit unfinished, and it starts high and goes low. From the early stage until the victory over the Apostle of Sin, you can see clear foreshadowing and ideas. This section can be regarded as a certain essence. Time travel has become a little flaw, but not too much. However, after defeating the Apostle of Sin, it has become a complete failure. Do one thing just because you do one thing. What is the relationship process between Yog-Sothoth, the Esoteric Cult, and the god of blindness and foolishness is not clearly explained later? I personally feel that this should be followed by a battle after the protagonist becomes a god and an analysis of the images and origins of these characters. In the end, it does not say how to help or rescue Laila, giving people a feeling that the story has not yet been finished. The book should be concluded directly after the Sin Apostle is defeated. It is a very good book in the early and middle stages without too many poisonous points, especially in the middle stage.

After killing Duke Nova, the time travel started to go a bit wrong. Why did you turn the good protagonist into a chess piece?

It feels a bit samey. No new plot. Free reading only, thank you.

This book is okay, the plot development in the early stage is very good, but the plot after 200 chapters is mediocre, but it is still a good book, there is no poisonous point, and the author's level is still good, which is better than other people's intellectual books You can read it with confidence, even if the later period is dull, it is better than other books that keep poisoning and make you angry every time you think about it This book is good food

The first part is very well written. The first part suits my personal taste. I think it is worth reading. However, as you get to the later part, it becomes more bland and tasteless. There is nothing serious about it. I can only say that it is readable. To sum up, you can take a look at it. It is a work above the average level. It does not mean that it starts high and goes low. But personally, the second half is really not as good as the first half.

The so-called thirty-odd paths set are a failure.

Good looking, love watching

It was supposed to be free in the afternoon, but it ended up costing me 20 bucks. It was great.

The sense of déjà vu in Deep Sea Embers is so high.

Xiaobaiwen has a strong 🍅 smell

Additional refinement🤓