Wilderness Survival: Starting from the Awakening Druid System

Four or five years ago, wilderness survival and live broadcasting were quite popular, but later, wilderness survival stories were basically all in this mode, and there was less and less new ideas, especially in terms of fun, they were just the same old thing. The introduction of this book is quite attractive to me. When I clicked in, I found that it is still a combination of wilderness survival + live broadcast + celebrities + the exaggerated reflections of the audience. I hope to see more creative things, come on!

Fake wilderness survival, watch live broadcast, boys group, girl group, group by group, there are all kinds of barrages at every turn, the participants are all celebrities.

I feel like my focus is off track. Since I have these abilities, it's better to explore the wilderness and practice in the wilderness instead of competing.

Every time I write about poachers, I feel uncomfortable. You can just kill them with your javelin. They are all crippled and none of them can run away. They have to transform and cower.

I only read the first part of this book for free, and the creativity is okay. The author's writing is a bit average, and the writing is too flat in some places. Moreover, the logic and rationality and details are not handled well, and it is even a little poisonous. For example, the contact with the program team is simply a poisonous point; and the development of Goldfinger was also deliberately slowed down. Later, when I returned to the island program team, this was not handled very naturally. I personally feel that the handling of human social relations was not considered here. Of course, the novel does not need to consider these. But let me tell you for reference. The protagonist just got into a shipwreck, and more than 20 of his companions on the same ship died. He survived alone, and then he immediately joined the show. We know that it is for the development of the plot, but this kind of behavior without describing the external environment shows that the purpose of the protagonist is to make money. If you look at this kind of behavior in the social and interpersonal environment of the normal world, everyone will think that the protagonist is a cold and heartless person who forgets his money and cannot be trusted. I haven't read the later ones. I hope the author can write better and better. It would be better if he could revise them in the future.

The writing is okay, but it is not suitable for most people. After reading one or two hundred chapters, all the upgrades of the protagonist can be used in the reality of no dungeon, but there is no description and no positive feedback, which is equivalent to no upgrade. When downloading the dungeon, all upgrades are cleared again, which is equivalent to not being upgraded in chapter 200 in reality or the dungeon. Only those who like to watch wilderness survival can read it. This way, I can keep writing, but for people without special hobbies, there is no positive feedback of upgrading.

In the name of spiritual practice, the author makes the protagonist start the wilderness survival all over again. It is indeed a smart way to suppress the protagonist's strength and maintain the highlights of the book, but it always feels stiff when the system automatically recognizes and activates it every time. Cultivation should be the protagonist's own business. Every time he enters the wilderness, let the protagonist choose whether to start practice. Even if the protagonist chooses practice again and again, it is better than your system directly forcing him to start practice. After all, the background should be the ordinary world where the protagonist is alone and extraordinary. Even if the protagonist enters the wilderness with a blank slate, he can rely on the system to become a man at the top of the food chain as quickly as possible.                                                                                                                                                                Can reflect the protagonist's initiative, not the system's puppet, and create a more attractive character of the protagonist.        ，x，

When will the birds, bears, cats, and trees start killing? The druids of Azeroth are more lethal than those of Faerûn.

I have caught up with the latest chapter. Let me share my opinion. This theme can indeed add Druid to the wilderness survival. The system's presence and intervention level are quite good. At the beginning, I extracted and plundered entries. Later, after the level increased, I slowly extended the organ entries, transformed entries, and gained more functions. For example, there is a small chance of hearing the voice of animals when talking, friendliness increases the favorability of animals, and then interact. Liu can directly talk to special animals, as well as animal doctors, lucky charms, communication, and tree whisperers (as a side note, the author, have you forgotten the whisper? Although it is a small probability that you can hear the voice of the soul, it will disappear after the octopus. The chestnut-winged eagle, the reindeer, moose, and wolf behind are not special animals, but they cannot be without a word. If the author can see it, think about it. ) Then the male protagonist, who is quite cool, gets entries relatively frequently. Every time he sees the hero collecting various fruits or hunting various creatures, he will look forward to what kind of entries he will get. Then every time he goes to a new place, it is considered as starting a practice, and then he has to get the entries again. Some people will find it more stressful. I think this is okay, because there will be entries every time. Points allow you to spend to choose the entries you get before, and then the entries given by special animals later are all zero consumption, so the initial male protagonist can still bring a lot of entries, and if he really brings them all, the male protagonist will be like a little superman. Now they are recording variety shows, so the male protagonist must not be too obvious, otherwise it will be more like suppressing the battle. It is fine in this state, which is very good. The author is also very attentive. He also checked the information before writing about various creatures. Some survival skills and methods are also very carefully explained. Then he will also give out Easter egg chapters, introduction to these animals, introduction to plants, methods of building shelters, methods of making fire, making smoke stoves, and making traps. He is very attentive in popularizing science. Then the issue of combat power is okay now. When there are more special animals in the later stage, each one will be given an entry, and the number of entries will be large. When the male protagonist is very strong, I am worried that it will become dull in the later stage. Those exciting plots may not be shown. I have some ideas and want to give the author some suggestions. Among the three entries sent by Octopus, the male protagonist did not choose Cthulhu. The introduction of the entry is that the male protagonist will undergo unknown changes. The world may change because of this, I know, maybe the author just wants to live it all, because the male protagonist has no choice in the end, but it can also be extended in the later stage, and you can write entries about the recovery of spiritual energy. Then animals and plants begin to evolve, and the geographical environment becomes more unpredictable. This can be slowly evolved and extended step by step. Special animals like the male protagonist now can be regarded as a point, and they will be more helpful in the later stage. Or maybe this time we have been surviving in the wilderness, because the theme is wilderness survival, but we can write a sequel. For example, now that this novel is finished, the next novel will be about spiritual energy recovery, I am a full-level druid, etc. I think this is okay, the author can consider it

Wilderness survival live broadcasts are never exciting, only the edited videos and documentaries are good.

I want to ask, if the protagonist has been surviving in the wilderness and eats meat but not vegetables every day, can he poop?

The timeline is so confusing, one in the east and one in the west.

How to say it? ! Just watching it, I can see that the author has his own set of standards for controlling the plot direction and plug-ins, which are within a reasonable range. Especially the arrangement of the multi-line plot is quite impressive so far (but the tension is not enough). Cheat-ins are not too perverted. After all, ordinary people cannot live without cheats. There are also some topics about survival in the wild and the characteristics of animals and plants. It can be seen that the author has definitely put in the effort, which must be praised. The development of the plot is relatively reasonable, at least it will not make people feel abrupt, of course, except for the two chapters around 40. It's all good, but the writing style is indeed a bit weak. I remember that the first wilderness article I read was several years ago. It seemed to be called the God of Food in the Wilderness. The plot summary seemed to be yes. After the protagonist got a cheat, he first exercised and practiced martial arts during the live broadcast, and then survived alone in the wilderness, mixed with various delicacies, and later seemed to bring celebrities to survive in the wilderness. What impressed me deeply was that the protagonist also met a leopard, and finally conquered it and named it "Rengar (because it has the same name as the hero of League of Legends)". To be honest, the plot of that book was a bit weak, but the writing style was really good. After that book, I found a lot of wilderness articles, but they were not satisfactory, and then I forgot about this column. What I mean by this is that the author should really improve his writing. Really, at least for me, the protagonist of this book fights the bull shark, the bloody battle with the black panther and the "guest of the wits show group". Originally, these three paragraphs could be written more passionately and are definitely the climax. But for now, they are boring and tasteless, with a little feeling but not much. I'm not asking you to copy, but you can learn from other people's writing styles. Of course, this is my own idea. After all, that book is an old book from a few years ago. It may have added points for the first filter, and the writing may not be that good, but for now, I can still have some aftertaste of that book. Although greedy, I still hope that the author can work harder to improve his writing style, find good books of the same type, and learn from their essence. I wish you better and better!

Is the ability that the protagonist spends his own points to buy one-time? Will it be gone after practicing?

It's really good. It's a big meal, and it's extraordinary alone. I really like the rescue in Ailao Mountain. The first part of Wilderness Survival is good, but the author may have been tired of writing the last eight levels, which conflicts with the previous part. Forgetting about settings, such as forgetting to give entries for treatment. If there are new books, you can consider simplifying the settings to make it easier to write by yourself, entry merging function, and system function upgrade and merging Conflicts with the previous ones in character settings, of course it can be said to be growth, but it looks more like conflicts. For example, in the first level, you don't want to kill your friends and kill humans, and in the next eight levels, you let the members of the Snake Venom Hunt Owl , in fact, I would say that the protagonist should accept killing from the beginning, otherwise the plot development is a bit reluctant and difficult to write, so this problem arises later. He suddenly accepts killing the members of the Hunter, and forgets that he did not want the animal friends to kill before, and then allows them to be killed. The protagonist should be allowed to grow slowly from the beginning, and accept the killing of humans who threaten him. It would be much easier to write if he does not let animals kill.

I have a question, even if there is no entry for bacteria, doesn't it also have entries for Zerg? Crabs and shrimps should also be worms. There are entries for roots/fruits, but there are no entries for casually eating grass, leaves, bark, and petals?

I think it's okay. It avoids being too invincible, but it's still a bit monotonous. It would be more interesting if the abilities of animals were combined with some other elements.

I still don't understand. Are there no permanent skills after each survival trial? Have to redeem every time

Anyway, after reading this book, I discovered that the author should have never processed crocodile meat, especially the fat of the crocodile. If he had, he would not cook the crocodile like this in the book! No serious chef can cook crocodile without an ingredient like star anise! If there is no aniseed to remove the fishy smell, it is basically roasted! Cover the flavor with spices! ~~(~￣▽￣)~

I have collected this book for a long time, but I have never read it. After reading the comments, one comment said that the skills or abilities of the protagonist are temporary and disappear when you leave the map. You have to start over again when changing the map. This is too confusing. Can anyone tell me whether this book is worth reading? Or recommend some good wilderness survival and hunting articles. The author Tu Tutu's live broadcast wilderness challenge and another book have also been read. I have also read the wilderness articles written by the author of water monkeys. I think they are all very good. Is there anything else that you can recommend?

Is there a single-player survival dungeon like the beginning? I feel that group activities are not good-looking. Originally, if the entry is not inherited, the combat power is a bit suppressed. Bringing a bunch of disobedient drag bottles feels even more stressful And the protagonist's entry is not inherited, which means that after downloading the new dungeon, he did not eat a lot of the weak ones in the past. If there is no food on the first day, it will become more and more difficult to find in the future, and the combat power shown in the last dungeon is much weaker. If teammates are not useless, they can see it. Is there really no risk of exposure?

After looking at it, I decided to give it a limited exemption. Is this book's performance relatively poor? I think it's pretty good.

I just watched the beginning and wondered why the protagonist didn't use his tongue and plunder to gain entry points. There are so many flowers, plants and trees in the rain forest, as well as so many small animals and insects.

I want to know, can the camera not capture it when it transforms? After all, the protagonist has not been seen for a while. How to explain this?

It seems that a lot of "cruelty" should be replaced with "cruelty" more appropriately.

It would be a lot better if, in addition to the dungeon, the power of this book could be revealed more fully.

Hello author, I heard that the author here at Qidian cannot actively modify the chapter content after a certain period of time. I used the system error correction function to mark many typos when I read from the beginning. Can you see it? (I have no feedback here) The most annoying thing is that this function actually has a usage limit, and I filled up my error correction limit haha

Please help…

🙂

The author of your system says that when you are not practicing in the wilderness, all entries in the entry library will be effective by default, but they will be blocked when you download a copy, and you need to use points to redeem them. Do tamed animals need to be tamed again? Or do you have a leaflet explaining the system you set up, so I can go check it out?