The Players Who Planned This Time Last Time Are Not Done Yet, Right?

Rather than talking about the female main course, it is better to say that the author's grasp of the subject matter is inherently problematic. On the one hand, in a theme that emphasizes group portraits, not only does the male protagonist have access to the sky, but the shining points of other players are not written out. The male protagonist of Dark Souls, the God of War, is basically responsible for both force and intelligence. The other players are all iron-headed boys who abandon the game at every turn... How should I write it in the later stage? The other players are all vassals, and the male protagonist alone can play a decisive role. Not only is it unreasonable from a plot point of view, but it also seems weak in terms of emphasizing the epic feel of the plot. On the other hand, the portrayal of the female protagonist, in order to set off the "omnipotence" of the male protagonist, almost degrades the female protagonist to be worthless. The heroine in the first few chapters has no highlight moment from beginning to end. The only highlight is the good standing painting... Have you ever thought that you are portraying the heroine instead of the villain? The male protagonist can be omniscient and omnipotent, but your female protagonist is the starting point for promoting the development of the world. If the female protagonist can't stand up, are you writing her just for a love line? Then there are all kinds of painful logical flaws: the boss who is full of strength actually needs to use his teeth to cut through the rope that the player pulls out from nowhere, the ogre with low intelligence that will line up to die or die will actually deliberately let the player go to track the player's camp, the player even has the space in his backpack and still uses tools to dig in the soil, five More than ten people used the magic of digging holes to make their first pot of gold. Then when they faced the final BOSS, they found that digging holes was ineffective. After brainstorming, the final plan was to dig a bigger hole... Md, inserting torches into the nostrils, stabbing the anus with a sword, poisoning and setting fire to insert eyes, upgrading equipment is not a matter of course. They all rely on Sir Newton to show his power. Players this time are probably not planning to blindly choose with their eyes closed. Not to mention the final death of the BOSS, which was an aggrieved and oppressive appearance. It was a god-given weapon and it exploded on the spot, but it ended up being suppressed by the weight of more than 50 people and unable to get up? Is this the climax the author wrote? There is a kind of absurdity in the final boss who kills without batting an eye and dies of dry eye syndrome. Perfect subject matter, shit-like plot, and chaotic unfolding that probably don't even have an outline. If he can persist until it's on the shelves and run away, that's even if he has perseverance.

I suggest you change the heroine... Even if you re-create one from scratch, it is much better than this NT plan. First of all, your logic is to make the heroine stupid, and then let the former planner of the male protagonist find a way to remind her. The writing logic is correct, but the heroine is too stupid now, and the whole thing is a dinner. Either make a big change, or a big event can restore the image of the heroine. Otherwise, I suggest you change the heroine.

I have never seen someone planning to be a leek and giving advice to newcomers. It is interesting and interesting 😏😏😏

The heroine can be stupid, she can be bad, but she can't be stupid without knowing it, and she will always be like that

The purpose of writing a stupid heroine is to be cute and cute, not to be stupid and mentally retarded. To write a hero with an easy-going personality, it is not to be a tortoise. If you don't grasp this point, your good idea will only become a piece of shit.

The subject matter is good, but the heroine is really disgusting. This is a good idea. Let's just kill the heroine and replace her with another one.

This heroine is too disgusting, she really ruins your goodwill.

Good-looking, too little. In addition, the IQ portrayed by the goddess is too low, which affects the reading sense.

This heroine is so unfavorable, it's really disgusting

I've read half of it, and I think it's okay, but the heroine is too unfavorable to the readers. I hope her character will be better in the future.

The idea is good, but the writing is not very good. There are many characters that are too stupid.

If you don't think about the setting of the male protagonist and the planning in the apocalyptic game, but after hearing that you were deceived, your face changed drastically and you looked shocked in front of others. How can you really rely on the players' push and push to achieve miracles in the apocalypse? How can you negotiate with the cunning and cunning indigenous people in the apocalypse and communicate with the imaginative players in the apocalypse?

After watching the normal The Fourth Calamity and then watching this heroine, I really can't stand it.

The heroine... Is hard to describe in one sentence, even worse than a vase 😥

If the planning is a little more normal, or even less descriptive, it will be more comfortable to watch.

The subject matter is very novel, but there are a few details. Then I walked around a bit and found that you are the only one with this kind of subject matter. So why don't you hurry up and update more, otherwise other authors will come.

This book is interesting, don't be disappointed

I have an idea, and I think the author has also imagined it. Since the male protagonist comes from the end of the world and can even rub nuclear bombs with his hands, then the manufacture of modern weapons should be simple. Then I think technology should not be left behind on the way to learning magic. There is also the talent of Overlimit, which can completely build up a technological side. What is missing is Ella. Isn't it more interesting to cooperate with technology and magic? It is also quite awesome to use technology to show off.

The male protagonist used to be the planner to travel through four worlds. He has the coordinates of the four worlds, and he can summon people from the first two worlds as players. On the surface, he is Ella's player, but secretly he is a rival to Ella behind the scenes, planning a battle between players in the two worlds.

Author, you really haven't worked before, right? You need to understand one thing. The protagonist's strength is the strength of the gap, which means that there is no substitute except for the protagonist. Moreover, the protagonist knows the foundation of the game, that is, where the bottom line of the game is, and has planning experience What does this mean? It is analogous to a new company where you join an industry leader who is number one in the industry. This expert is not only top-notch in business, but also has successful entrepreneurial experience. He is very enthusiastic about working in this company, and then you also know that the boss has invested all his wealth in starting a business. So what do you think about being this expert? If you leave him, your entertainment will be downgraded. If he leaves you, he will die without a burial place It's already good that you don't come up to point fingers, but the rest is still spoiling the boss? He has to worship you as a Buddha

I finally found a book that I had to pay money to read. Did you cut it?